On the stage of "Actors Please Take Place", Chen Kaige is the most controversial director after Guo Jingming. Because of the various "punching face" operations in the show, comments such as "you can't be too Chen Kaige" appeared on the Internet.
In addition to the stage of "Actors Please Take Place", Chen Kaige's appearance of "repeatedly punching the face" makes the audience feel indifferent to the "famous" director; on this stage, the content of "standing in the center of the world and calling for love" that appears many times in his works is also indifferent.
For example, in the program, the three works he directed are actually filled with the content of "standing in the center of the world and calling for love", and even reach the point of "deformity".
<h1 class = "pgc-h-arrow-right" > Fantasia in F minor: because of "sympathy", the male actor fulfills the dream of a female president</h1>
In the latest issue of "Actors Please Take Place", Chen Kaige's "Fantasia in F minor" won the first place in this program with a total of 409 votes. But careful viewers will find that in fact, "Fantasia in F minor" is full of strong Chen Kaige style, and the whole passage is the core of "standing in the center of the world and calling for love".
In this work, the female president is busy with her career and cannot get "love" for a long time, so she wants to feel love by cooperating with popular stars. In the end, under this "tragic reason", the male actor was deeply moved and fulfilled the dream of the female president. It is not difficult to find that because of "standing in the center of the world and calling for love", no matter how excessive the female president was before and how disgusted the male star was, she finally achieved a consummation.
<h1 class= "pgc-h-arrow-right" > "Manslaughter": the finale turns out to be two mothers, reconciled</h1>
If the love in Fantasia in F minor, although cheesy and dog-blooded, can be understood. Then Chen Kaige's "love" in "Manslaughter" is difficult to accept. Because in this work, Chen Kaige's last shot, putting his mother's hand on the shoulder of the female policewoman, reached what he called the "reconciliation" of the two mothers.
It's just that this reconciliation seems ridiculous. After all, in "Manslaughter", the son of a policewoman is killed, and the daughter of a family member is raped. Under such a setting, Chen Kaige also tried to use a way of "standing at the center of the world and calling for love" to reconcile this hatred, which seemed very ridiculous.
<h1 class= "pgc-h-arrow-right" > "Biography of Zhen Huan": Because of love, the emperor is willing to accept the green hat</h1>
In addition to the "deformed" love in "Manslaughter", in the "Biography of Zhen Huan" directed by Chen Kaige, this "deformed" love also appeared. In this work, Chen Kaige set up such a plot: the emperor knew the "private love" between Zhen Huan and The King of Guojun, but because of "love", he accepted the "green hat" and promoted Zhen Huan and her children.
Chen Kaige's "magic reform" is really surprising. Let's not talk about how arbitrary "imperial love" is; it is difficult to accept the "green hat" thing alone on any "normal" man. But what? These things are not things in Chen Kaige's eyes, even "the prince can talk loudly in the palace of the noble concubine"; then what is unacceptable for the emperor to wear a green hat because of "love"?
In fact, in film and television works, "standing at the center of the world to call for love", "publicizing love, publicizing positive energy", the audience can understand. But if it is only to blindly elevate this theme, even to the point of not distinguishing between right and wrong, indiscriminately, then the audience will not be able to accept it.
Obviously, in this regard, Chen Kaige's works are actually too "inedible of human fireworks", too indiscriminate and too indiscriminate.
#Chen Kaige ##Manslaughter##Zhen Huanchuan ##F小调幻想曲 #
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