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Cui Yingying's peerless beauty fascinates all monks and laymen, and the Buddhist affairs in the palace of the Brahma King are chaotic like the Lantern Festival

Cui Yingying is beautiful and fascinated by monks; The palace of the Fan King is chaotic, better than the Lantern Festival.

How beautiful should the peerless beauty of the big beauty Cui Yingying be in the end?

Even the six pure monks were fascinated by it?

How did her stunning beauty make a formal, solemn Buddhist event lively and chaotic like celebrating the Lantern Festival?

Cui Yingying's peerless beauty fascinates all monks and laymen, and the Buddhist affairs in the palace of the Brahma King are chaotic like the Lantern Festival

In Wang Shifu's writing, how can he take a different path and depict Cui Yingying's indescribable amazing appearance through side close-ups?

This fold, this plot, has the answers to the above questions.

This fold and this plot should be regarded as the most wonderful scene in the first half of "The West Wing".

First of all, through the eyes of Zhang Sheng, who was fascinated by Cui Yingying, we saw the long-awaited Cui Yingying Warbler, and finally appeared brightly.

Cui Yingying followed her mother, Mrs. Cui, and walked to the Buddhist hall from a distance, and was targeted by Zhang Sheng's thief eyes.

Zhang Sheng is a person whose words are frivolous, his tone is smooth, and his jokes do not matter the occasion or the object.

Earlier, Zhang Sheng joked about the abbot of the Pushou Temple and the red lady, and after being reprimanded by the two respectively, he still did not change his true colors.

No, as soon as he saw Cui Yingying coming, he directly joked about the little monk Fa Cong standing with him.

He told Fa Cong that Cui Yingying, who came from afar, was a fairy in the sky, and because of Fa Cong's piety, the fairy came down to the mortal world.

The little monk Fa Cong replied, Zhang Sheng, didn't you come earlier, aren't you more religious than me!

Fa Cong's words really hit Zhang Sheng's mind.

Therefore, Zhang Sheng began to sigh, where is the fairy who left the Heavenly Palace and went down to the mortal world, isn't that the sweetheart he misses day and night!

Next, Zhang Sheng has a sentence, which is very famous: "The kid is sad and sick, how can he be the appearance of the country." ”

——— "Boy, I am weak and sick, how can I withstand the peerless posture of my sweetheart?" ”

Speaking of which, it is also interesting. This sentence is famous, and many people know this sentence, not through Wang Shifu's play "Tales of the West Wing", but through Cao Xueqin's novel "Dream of the Red Mansion".

In "Dream of the Red Mansion", after Jia Baoyu and Lin Daiyu peeked at "Tales of the West Wing", Jia Baoyu used this sentence to confess his feelings to Lin Daiyu.

"Dream of the Red Mansion" draws a lot on the similar exquisite sentences in "Tales of the West Wing".

We also encountered it when we read "The Story of the West Wing" earlier, and there will be more in the future.

As for the attitude of "Dream of the Red Mansion" to the theme idea of "The Story of the West Wing", this is not the focus of our concern and is left to him.

Cui Yingying's peerless beauty fascinates all monks and laymen, and the Buddhist affairs in the palace of the Brahma King are chaotic like the Lantern Festival

We then looked at Zhang Sheng, and after he finished sighing, as Cui Yingying gradually approached, he also began to watch his sweetheart better and more clearly and carefully.

Before, Zhang Sheng had seen Cui Yingying a total of two times, but it was not through the front and was not meticulous.

The first time they met was when Cui Yingying was visiting the Buddhist hall, Zhang Sheng was just peeking through the wall from a distance.

The second meeting was at night, Cui Yingying was burning night incense in the garden, Zhang Sheng recited poetry to testify, walked to Cui Yingying, she only glanced at Zhang Sheng, and ran away.

This time, although Zhang Sheng saw Cui Yingying for the third time, it was the first time to look at her head-on and carefully.

Cui Yingying walked towards the Buddhist scene as she walked towards the Buddhist scene, and Zhang Sheng faced her, looking carefully enough.

Cui Yingying is really beautiful in Zhang Sheng's eyes, and it is incredible:

The lips as red as cherries, the nose carved like beautiful jade, the pale white face like a pear blossom, and the thin waist as light as willow branches.

Delicate and colorful, with a face full of handsomeness; Thin, tall and soft, the whole person is delicate everywhere.

After Cui's mother and daughter approached, Zhang Sheng, under the recommendation of the abbot, visited Mrs. Cui.

Then, as Cui Yingying came to the Buddhist scene and came to the Buddhist hall full of monks, a lively and chaotic scene appeared.

Cui Yingying is so beautiful, beautiful, alluring, so beautiful that when all the monks saw Cui Yingying, they all made all kinds of amused and playful moods.

Next, the specific scene of the monks being fascinated by the beauty of Cui Yingying is upside down, not calm, and gaffe.

The very old abbot, sitting in the seat when doing Buddhist services, could not feel at ease, so he had to concentrate on the distance.

The monk who presided over the Buddhist service was suddenly stunned and stupid, looking at the top of Fa Cong's head, as a ringer made of metal, he knocked it down.

The old, the small, the vulgar, the clever monks, all fell in a daze because they coveted Cui Yingying; The solemn and solemn Buddhist scene was as lively as if it was celebrating the Lantern Festival.

Facing the obsessive look of the monks of the entire Buddhist hall, what was the reaction of the beautiful Cui Yingying?

She is afraid that people will covet her beauty, and when she looks at others, she looks at it secretly with teary eyes.

Zhang Sheng looked at Cui Yingying, and he was even more unsettled and itchy.

When he heard Cui Yingying's cry praying for his deceased father, he felt as if he was listening to the gentle chirping of orioles and birds in the woods.

He looked at the teardrops on Cui Yingying's face, and felt like dew drops on the flowers, dripping non-stop.

The elderly abbot was also difficult to imitate Cui Yingying's appearance when she was sad and crying, with a compassionate face, confused.

The monk who struck the hammer was very troubled; The incense monk was very anxious.

The wind blows the shadow of the candle and shakes, and the smoke of burning incense drifts with the clouds.

As a result, because everyone coveted to see Cui Yingying, their minds wandered all the time, mistakes were made everywhere, and the Buddhist affairs could not continue.

This face, this scene, even the burning candle, could not stand it, and it disappeared by itself; The smoke also disappeared and was invisible.

Cui Yingying's peerless beauty fascinates all monks and laymen, and the Buddhist affairs in the palace of the Brahma King are chaotic like the Lantern Festival

What a vivid and ugly picture!

Seeing such a graphic and detailed description of this scene, people can't help but write about Wang Shifu and gradually admire him.

Through a group of monks, after seeing the beauty of Cui Yingying, he did not react calmly, as well as the meticulous portrayal of the palace of the Fan King, chaos is better than the Lantern Festival, just to set off the peerless beauty Cui Yingying from the side, is it really beautiful and otherworldly?

Didn't he also directly portray the ugly image of the monks in the courtyard under the leadership of the abbot Fabon Old Monk?

This is a sacred and solemn temple and a Buddhist hall!

Where is this scene of the Buddhist event of the super-undead!

This is clearly a gathering place at the mouth of the city, the streets, alleys, and ordinary citizens!

Let's combine the background of the author's life and writing, Wang Shifu, as the representative of the ruling monastic group, although they wear monastic clothes and live in monasteries, they are impure and ape-minded.

The author's concrete and vivid depiction of the ugly faces is not the author's strong indictment of their group from the bottom of his heart?!

Perhaps, it is precisely because of this that the voice of the author Wang Shifu represents the voice of the oppressed underclass, and the creation and expression of this drama have a vast psychological recognition and have received a huge emotional push.

Perhaps, it is precisely because of this that the love story of Zhang Sheng and Cui Yingying breaking through the taboo is easy to have the right soil for occurrence, development and growth, as well as the right environment.

It is precisely because of this that on the stage, in the theater, in the folk, in the study room of the reader, and among the small public, the work of "Records of the West Wing" has been able to endure and be widely circulated for hundreds of years.

To this day, the story is still enjoyable and the play is still acclaimed.

Reading "The Story of the West Wing": Book 1, Fourth Fold, 02