#头条创作挑战赛 #
Baopu is a Taoist term. The source is found in "Lao Tzu" "See plain and simple, less selfish desire". Hug means to keep, simple, that is, simple. Embracing simplicity is the pursuit of conservative authenticity in Taoist and Taoist thought, embracing simplicity, not lingering on material desires, and not being disturbed by natural and social factors.
Let's take a look at the works of various calligraphers.
Sha Menghai's handwriting is about Baopu Daoyuan. This dot painting is exquisite, slender and handsome, both modern and profound.
Qi Gong's embrace is simple and true, this character line is thin, the knot is thin and hard, and the spirit is heroic.
Li Duo's embrace of simplicity and truthfulness, this painting is vigorous, ancient and calm, tall and handsome, and extraordinary.
Sun Xiaoyun's simple pen is strong and strong, with thick lines, both strength and subtlety, simplicity and handsomeness. Give food for thought.
Zhang Xuguang's picture of hugging Pu, with a pen is very dashing, this "hug" character is written in one stroke, very romantic, tilted to the right and down, the character "Pu" starts from the lower left corner and moves closer to the upper right, forming a V-shaped blank space between the two characters, falling Zhang Xuguang, no seal. The texture of this character line is very strong, the layout is ingenious, simple and elegant.
The humble embrace is simple and true, dashing and elegant, elegant and ethereal.
The glyphs of Chen Zhongkang's work are slender, subtle and restrained, simple and elegant.
Li Xiao's writing is easy and flexible with a pen, the thickness of the lines changes significantly, the ink color is light and elegant, and there are also beautiful ingredients in the simplicity, the body is strong, the breath is clear, and the rhyme is mellow and elegant.
Jin Dan's picture is simple, the pen is good and inky, the pen is old, after the pen is dipped in ink, the pen is boldly dropped, the ink color naturally changes, from moist to dry, handsome and vigorous, and Shen Xiong has a sense of ethereal.
These four characters are slightly skewed, the words "hug" and "truth" are elongated, the characters are exaggerated, and some are collected and released.
Han Ningning's words are simple and true, rigorous in law, handsome and upright, rich in appearance, and full of charm.
Pan Chunxiao's character is simple and clumsy, with exquisite brushwork, thick lines, different glyphs, natural method, and majestic atmosphere.
Jiang Xiaolong's embrace is simple and true, the first word is written dashingly and outstandingly, opening and closing, and the last three words appear calm and changeless, and the overall appearance is simple and reserved.
Zhang Mingyuan's writing is old and spicy, the shape is slender, the lines are rough, and it is simple and ancient.
What do you think of their work?