Wen | Ling Fox Boguang
This Wu Jing, Xu Zheng, Shen Teng, Huang Bo, Wang Baoqiang, and Deng Chao can rise to become the six Mesozoic eras, and now Zhang Yi has risen rapidly and can become the seventh, while the previous four students Liu Ye, Chen Kun, Chen Kun, and Huang Xiaoming are getting worse and worse.
The era of rapid growth of China's film box office was after 2012, and the reason behind it was China's economic development, rapid urbanization, the crazy expansion of cinemas and the gradual prosperity of the people with consumption power.
The rapid growth of China's film box office is 12 years after "Tai Lu", and then it will break 2 billion, 3 billion at every turn. The goal of breaking 1 billion was achieved by Xu Zheng, but at that time, more Hong Kong filmmakers made movies, the themes were costume magic films, Stephen Chow's comedies and "Macao Vice" emotional films.
This and the "traffic movies" of the "Small Times" series that rose at that time occupied more than half of the country.
But the bubble caused by rapid growth is very serious, and Chinese films are like "traffic stars", the box office is higher than the other, but the reputation is worse than the other. If you want to describe the Chinese film market during this period, it can probably be understood that the development of Chinese culture is seriously backward and cannot meet people's cultural and spiritual needs.
The audience's spiritual and cultural needs are not satisfied, the public has no specific consciousness, the creators only make money without specific consciousness, only Wen Qing and fans are complaining. At this time, Hong Kong filmmakers because of the age of the creator, the film and television industry can not keep up, the attitude of the creator and so on.
At that time, the mainstream themes of the Chinese film market were no longer in line with the cultural needs of mainland audiences in the new era of rapid economic development in the previous 20 years and the new era after 2010.
At this time, some mainland filmmakers appeared, no matter what the purpose, they started a new business outside the mainstream themes of the market. They have changed from dividing the cake to making cakes, these films are very flawed, you go to see now is to break through the film and television industry and the theme (some movies do not even have the film and television industry), but because they meet the cultural needs of the audience in the new era, they naturally become the bosses of the Chinese film industry.
How did the six Mesozoic generations become box office kings? The answer is simpler than you think
Six Mesozoic Eras: Wu Jing, Xu Zheng, Shen Teng, Huang Bo, Deng Chao, Wang Baoqiang + the rapidly rising Zhang Yi
First-line strong: Wu Jing, Xu Zheng, Shen Teng
Wu Jing: Before you look at him "Wolf Warrior", he was one of the protagonists of "West Wind Fierce" directed by the mainland, an important supporting role in the Hong Kong director "New Shaolin Temple", and one of the protagonists of "Dangerous City" and "Kill the Wolf 2".
He opened China's modern war action films with the "Wolf Warrior" series, promoted China's heavy industry sci-fi blockbusters with "The Wandering Earth", and was the box office king of the main theme war films later, and the first person deserved.
Xu Zheng: He formed an iron triangle with Ning Hao and Huang Bo, took over Ning Hao's black comedy road, and promoted Chinese road comedy with "Tai Lu", if only this is still in the first line, and later, like Ning Hao, he supported a large number of young directors to turn behind the scenes, such as "I am not the God of Medicine", "Living Together in Time", "Love Myth" and so on.
Shen Teng: He is not yet behind the scenes, he is bound to Happy Twist, taking over the shoulders of Xu Zheng's road comedy and the comedy of the Chinese film market after Hong Kong comedy. He is the first brother of the current Chinese comedy, the market, the audience and the above are all recognized, and the first-line strong is also reasonable.
First-line weak: Huang Bo, Wang Baoqiang, Deng Chao
Huang Bo is a weak version of Xu Zheng, and he is also following Xu Zheng's path. Before making their own cakes, either the literary and art films "Killing" and "Cook Play Riffraff" directed by the mainland laid the foundation for word of mouth, or he was one of the protagonists in "Journey to the West", "Dear" and "Riffraff Hero" directed in Hong Kong.
Later, "A Good Show", which made cakes, was okay but not enough, and there was no follow-up.
The young directors supported by Huang Bo are the elders behind the scenes, firstly, the number of works is small, and secondly, such as "Calm Waves" is not very successful, and since then there has been no commercial series of blockbusters that carry the box office, such as "Mozart" cooperated with Chen Sicheng, so it is always a little worse.
Wang Baoqiang is bound to Chen Sicheng, if it is not Chen Sicheng but him who is behind the scenes, Wang Baoqiang can completely wrestle with Wu Jing.
Around 2010, can play the protagonist is not the literary film "Mr. Tree", Hong Kong director blockbuster "Frozen Rebirth Gate" supporting role, "One Man's Martial Arts" villain, then the fifth generation Chen Kaige's "Taoist Descending the Mountain" protagonist, and then the kind of comedy bad film "Unthinkable" at that time.
In fact, at that time, Wang Baoqiang's commercial comedy had a very poor reputation, a little better than Xiao Shenyang, Song Xiaobao comedians, "Tang Detective 1" at that time countless netizens thought it was that kind of comedy farce, and the quality of word of mouth was too good to explode, so the "Tang Detective" series became a first-line superstar.
Chen Sicheng's "Manslaughter" series is about to praise Xiao Yang as a Mesozoic film actor, how do you see Xiao Yang before?
Wang Baoqiang himself did the behind-the-scenes "Big Trouble" pounced, after the end of the "Tang Detective" series is also lacking, you see he is sober and did not mess with the film, now re-directing "Octagonal Cage", this is a realistic + action film, the current domestic market is a very scarce subject, if the reputation is good, the quality is good, the box office is good, then Wang Baoqiang may challenge the first-line strong.
Deng Chao, like Huang Bo, has cooperated with the fifth and sixth generations of the mainland before to have excellent work support strength and reputation, and cooperated with Hong Kong directors to support box office and commercial value, after all, "Mermaid" He is indeed the male protagonist, and later his own director's comedy is bad, but the box office results are good, plus "Galaxy Cram School" still proves its value, but obviously cannot be compared with Wu Jing and Xu Zheng.
The latest "Chinese Table Tennis" is about to be seen, if it can really make up for the theme of Chen Kexin's Chinese theme film, it may also be challenged.
First four dan double ice, and then four big and small students? How did Chinese film actors "change the sky"
In the past decade, the Chinese film market, especially after 2017 (the peak of the flow economy in the second few years of Xu Zheng's rise in 2012, the demons are dancing), the Chinese film market is an era of barbaric growth, Hong Kong filmmakers are ebbing, and mainland filmmakers are filling the vacancy. If you sum it up, it is: support the bold, starve the timid.
I guess many people should not have seen the interviews of domestic blockbuster movies at that time, I happened to pay attention to Xu Zheng of "Tai Lu", Wu Jing of "Wolf Warrior 2", Guo Fan of "The Wandering Earth", including the commercial animation film "The Return of the Great Sage", "Nezha's Demon Child Descended", as well as the comedy "Charlotte Troubles", and even "Hello Li Huanying".
The director who was a box office hit at the time of release, the company behind it, the entire market and the audience were all a reaction.
That is, I never imagined that who would have imagined that these movies could have such a high box office, and even ignite the entire Chinese film market. These creators have also said that the movie is not good enough, it is all Chinese audiences who are tolerant, I want to serve Chinese audiences well, and explore for the Chinese film and television industry.
You see that Hong Kong directors and other filmmakers have this consciousness, and they will only scold the audience for how they are.
Mesozoic generation actress, four dan double ice soup only high round round Yao Chen whatever, the peak of the fifth generation in the mainland film industry in the 8090s, the sixth generation in the 2000s (not yet popular), around 2010, young mainland directors and new forces can only make literary and artistic films, medium and low investment in various films. Mainland Mesozoic actors If you can't play roles in commercial films directed by Zhang Yimou, Feng Xiaogang and Chen Kaige, you can only play roles in films directed by Hong Kong directors.
Mesozoic actresses have completed their original accumulation and reached their peak because of the early exit of Hong Kong actresses. Mainland students have played two men and three men for ten years in these Hong Kong director's movies, big villains and small supporting roles, and the male protagonist is a Hong Kong actor, and you are also worthy.
And because of the peak of Hong Kong movies before, the above recognizes, the market recognizes, the audience recognizes, and I don't think you have any grievances.
Around 2010, because Hong Kong actors were getting older, the new generation of actors could not keep up, and there was a background for the rapid development of Chinese films. Hong Kong filmmakers began to support some mainland students as the protagonists, coincidentally with the actresses of the Mesozoic generation, who are now the handsome protagonists in the eyes of the audience.
That is, the four students, Chen Kun, Deng Chao, Huang Xiaoming, Liu Ye.
Liu Ye didn't mention it, he developed too fast.
Deng Chao "Di Renjie 1" male third, then "Painting Wall" and "Four Famous Catches" male protagonist, the peak is Chen Kexin's "Chinese Partner" male second, "Mermaid" male protagonist, and later made his own cake, so he can rise.
One of the male protagonists of Huang Xiaoming's "Blood Droplets", the youth version of the protagonist of "Greater Shanghai", the peak is Chen Kexin's "Chinese Partner", and "Taiping Wheel" is a blessing. Later, at the peak of China's traffic economy, he ran to enjoy the traffic and did not contribute much to the Chinese film and television market.
Therefore, it was particularly difficult for him to transform in the first two years of the flow ebb tide, and it was only after the divorce in these two years that he slowly rejuvenated his career.
Chen Kun's development completely overlapped with the four dan and double ice, "Painted Skin" turned positive, and "Dragon Gate Flying Armor" was reversed. There was originally an opportunity that "Finding the Dragon" was bound to the theme of tomb robbery exploration, but it ended up playing dead to the Chinese film industry because of IP chaos, and later "Fengshen" thunderstorm and several movies failed to be released.
The performance of this released "Order of Serving God" is poor, so it is getting worse and worse in the film industry.
He ran to act in TV series, and also chose to pick peaches from popular TV series like Zhou Xun, Zhang Ziyi, and Tang Wei, trying to replicate this success, and did not have the courage to break through the thinking of the theme.
Zhou Xun went to play the then popular palace fight "Ruyi's Legend", and now he is reduced to the urban heroine drama, Zhang Ziyi is the big heroine costume drama "Shangyang Fu", and now he wants to make a cake and watch it; Tang Wei's "Daming Fenghua" is a big heroine historical drama such as "The Legend of Wu Meiniang".
Now I ran to South Korea through my husband to perform a work, and whether the development is not bad depends on the follow-up.
Is Chen Kun the same? First to play the costume power trick "Tiansheng Long Song" after the explosion of "Langya List", and later to play "Fengqi Longxi" after the explosion of "Chang'an Twelve O'clock". "Langya List" opens the costume power drama in the domestic drama, and "The Twelve O'Clock in Chang'an" opens Ma Boyong's dynasty crisis.
In the middle, an urban workplace drama "Win or Lose" can't fight Jin Dong in the TV circle, and the main theme of "Peace Boat" has not risen.
On the contrary, Qin Hao, Qin Hao and Lou Ye are bound to act in literary films. The coffee is low, the identity is poor, and to put it bluntly, there are not many choices, "Crime Without Evidence" was broadcast in 2017, and the filming time was 2016 or even earlier, when Chinese online dramas were not very popular.
As a result, Qin Hao stood firm with the movie texture suspense online drama, and then started the second spring of his career with the upgraded version of "Hidden Corner", and even Pan Yueming became popular with "Chasing the Murderer in the White Night".
Everyone understands this law, in recent years, the Chinese film and television circle. Although the TV industry is still quite stubborn because of the consumption pattern traffic economy, those rising stars, especially the Mesozoic Generation, if they can't be like Zhang Yi because of strength and accumulation in the popular theme, they can still hand over explosive models and raise the boat.
That must be a star who has the courage and courage to break through the market confinement, or is bound to a film and television company and director team.
Lei Jiayin and Xiao Yang are all in this development model, and they can be regarded as Zhang Yi who is weaker than a gear.
Finally, the male Xu Zheng, the female Xiaoyanzi, and the little swallow in the Mesozoic Generation actress, opened the "pain youth film", although she did not star but behind the scenes, and then the accident will not be said. The back is a breakthrough in female comedy Jia Ling, she succeeded, Zhang Xiaofei can be regarded as holding it out, whether it can stand firm depends on the follow-up.
So why have the four big and small students, the four Dan Shuangbing and the actresses of the Mesozoic Generation been outdated, and the Chinese film industry is full of ugly men?
That can only be blamed on Wu Jing, Xu Zheng, Happy Twist, Guo Fan, and two who engage in comedy, two who engage in action war movies and sci-fi blockbusters, they actually have the courage and courage to dare to break through the theme, and even dare to build the Chinese film and television industry, Chinese audiences actually buy it!