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Learning to "cold face and no expression" is the real face value jump?

author:New oxygen

Two days ago, Tang Wei won the best actress at the 2022 Puri Film Festival with the film "The Determination to Break Up" directed by Park Chan-wook, and has already completed the three small grand slams in South Korea.

Although this time riding on the film's Dongfeng hard photos did not less, it is obvious that the common cold face formula in the fashion industry is not suitable for her.

Learning to "cold face and no expression" is the real face value jump?

The cold face hard photo feedback is not good, and it is generally believed that she is dynamic and charming

In this regard, Tang Wei is very similar to the Korean temperament actress Kim Min-hee.

Although the static cold face cannot completely erase their beauty, it is enough to make this face lose the strong sense of story that it should have, far less than the moving in the movie.

Learning to "cold face and no expression" is the real face value jump?

Cold face shot

Learning to "cold face and no expression" is the real face value jump?

There is no delicate makeup, and the flowing and natural expression is also seductive

And many female stars are just the opposite:

For example, Zhou Ye, Chen Turing, Lin Yun, etc., the skin looks regular, but it is almost meaningless to move, and the technology of learning "cold face and no expression" has truly realized the transition in appearance, the colder the more amazing.

Learning to "cold face and no expression" is the real face value jump?

Kim's cool face looks even more beautiful

Gao Yunzhen under dynamic expressions

Learning to "cold face and no expression" is the real face value jump?

Cold face Gao Yunzhen

Or Zhang Ziyi, who plays Qingli stubbornly to the extreme, whether it is "Shangyang Fu" or daily interviews, the dynamic expression is always problematic, and even said to be like Liu Haocun. Word of mouth once lost to Tong Yao, who learned to cover up asymmetric bugs with expression management.

Learning to "cold face and no expression" is the real face value jump?

This gives us some inspiration about facial aesthetics.

As far as the face attribute is concerned, there is not only a face that is suitable for both movement and movement, but also a dynamic face that makes the expression look better, and the static face that is the best in the cold face state.

So how do we judge which facial attributes we have dynamic or static based on innate facial features, and then choose the appropriate way to adjust the beauty that is suitable for both movement and static?

Today the uncle will come to have a good chat with everyone.

Learning to "cold face and no expression" is the real face value jump?
Learning to "cold face and no expression" is the real face value jump?

Recently and tearing Satoshi rumors of Hamaba Miba belongs to the typical cold face static face

01

Learning to "cold face and no expression" is the real face value jump?

effect

Several major factors of dynamic and static face properties

From the perspective of facial aesthetics, the distribution of facial features, the direction of bones and the lines of expression muscles together determine which situation makes our face look better in dynamic and static.

Learning to "cold face and no expression" is the real face value jump?

In the case of the harmony of the three elements, both dynamic and static are appropriate

1) Distribution of facial features

The reason why the facial features are placed first in the attention is because the dynamic expression always revolves around it.

From this point of view, to make a preliminary judgment, the facial face that has a positive impact on the harmony of the five facial features is biased towards dynamics, and vice versa, it has static properties.

The facial features layout of dynamic Yan usually belongs to the following categories, let's see if you are among them:

(1) Longitudinal dispersion of the five facial features

When a person's facial features are longitudinally centrifugal, such as remote eyebrows, long in the middle, and high in the eye position, no matter the thick and light face, the connection between the five features is relatively loose.

Learning to "cold face and no expression" is the real face value jump?

Most expressions, such as laughter, grievance, ridicule, and anger, shorten the length of the person, pull the width of the face, and reduce the longitudinal white space by raising the lips, wrinkling the nose, grinning, etc., making the proportion of the facial features more harmonious and more infectious.

Learning to "cold face and no expression" is the real face value jump?

It turns out that MaggieQ is just a cool temperament, but in fact, the smile is super good

Learning to "cold face and no expression" is the real face value jump?

The hard photo of Nagano Yayu is not as good as the screenshot of the grievance and tears

(2) The facial features are horizontally dispersed + broad-faced

The specific manifestations of the horizontal dispersion of the facial features on the flat and broad-faced face can be the width of the eye distance, the base of the mountain, and the relatively short lower court.

A closer look reveals that Shu Qi and Jennie will not just look at the board face even if they are cool, but slightly open their mouths to strengthen the sense of volume in the lower court.

Learning to "cold face and no expression" is the real face value jump?

Dynamic expressions such as aggrieved skimming, toothless laughter, and open mouth laughter can increase the length of the lower court, reduce horizontal blanking, and expand the sweet atmosphere, which is emotional and more coordinated in facial proportions.

Learning to "cold face and no expression" is the real face value jump?

Jennie's cold face hard shots and dynamic snaps

Learning to "cold face and no expression" is the real face value jump?

Disperse and become compact

(3) The facial features are relatively gathered + wide face

The flat and wide surface is matched with a more concentrated facial features, and the result is that the outer contour is left too much white to show the face, and the facial features are squeezed in the middle, which can be exaggerated in this case to show stretch.

This is evident in the sweet sister Zhao Lusi and the Japanese wide-faced actress Tatsuya Taiho. Everyone can go to the circle photos of Luth's daily selfies, and the expressions are very rich.

Learning to "cold face and no expression" is the real face value jump?

If none of the above matches, then the distribution of your facial features may point to static:

(1) The facial features are scattered together horizontally and vertically + narrow face

For example, Cai Cai Xu, Jiang Shuying, the face folding degree is high and very three-dimensional, the eye distance on the five features is greater than the eye length, the eye position is high, and when making expressions, it will produce the feeling that the five senses are playing with each other.

Learning to "cold face and no expression" is the real face value jump?

When static, you can concentrate on the exquisite facial features and the relatively cold temperament, and you can be beautiful to the point of confusion without doing anything.

Learning to "cold face and no expression" is the real face value jump?

(2) The facial features are relatively gathered + narrow face

Typical examples are Lin Zhenna and Zheng Encai, typical small square faces, the facial features are still relatively thick, but the facial features are still relatively compact.

This face flows between the motions, and the sides look good when the face is cold.

Learning to "cold face and no expression" is the real face value jump?

When dynamic, the front is more harmonious and not cramped.

Learning to "cold face and no expression" is the real face value jump?

Positive expressions gradually become dynamic

2) Bones in the face

Usually there is a slight sense of line, but when making expressions, it is obviously uneven, which is not as dynamic as static to look good.

For example, the cheekbones are high, and there may be two eye-catching lumps in the face when mobilizing emotions, the difference between high and low is large, and the sense of fault is obvious.

Learning to "cold face and no expression" is the real face value jump?

The above-mentioned Kim So-hyun

Learning to "cold face and no expression" is the real face value jump?

Cold beauty Han Suxi

Or there are problems with the maxillofacial surface, such as partial jaw, convex jaw, anti-jaw, are easy to expand the problem through expressions, such as crooked face, unable to cover the teeth.

3) Face lines

Facial muscle contraction and movement can cause various folds, grooves, backs, and bulges, and due to different muscle habits, very different expression muscle lines will be formed.

The expression muscle lines of the dynamic face are clean and neat, even if the expression is large and exaggerated, the lines are smooth and consistent.

Learning to "cold face and no expression" is the real face value jump?

The static face that pulls down as soon as it does a dynamic expression is usually because the skin itself is flat, but a certain muscle strength is abnormal, resulting in disordered lines, emotions are interrupted by gullies, and the beauty is naturally greatly reduced.

Like Chen Turing, who was ridiculed for flying around before, laughing like a small squirrel, it is that several muscles are too developed and developed, resulting in obvious squeezing of the nasolabial groove of the nasolabial folds.

There is also a contraction of the inner side of the frontal muscle that is too tight, and a little emotion will appear in the figure-eight eyebrows

The upper lip muscle that is responsible for pulling the upper lip is too strong, and the laughter immediately breaks the work

Learning to "cold face and no expression" is the real face value jump?

Uncle has specifically said that the exposed lower teeth are old, and the cause of this situation may also be muscles:

For example, usually do not use the upper lip muscle, and even actively suppress this muscle to cover the teeth, etc., over time to lower the lower lip muscle, the lower mouth horn muscle to develop the habit of vigorous exercise, the mouth corner pressure down, the lower teeth are exposed, and the dynamic becomes distorted.

Learning to "cold face and no expression" is the real face value jump?

02

Learning to "cold face and no expression" is the real face value jump?

How to add luster to static beauty?

Since the main embodiment of static beauty lies in the harmonious layout of the facial features, the lines are light and the contours are neat.

Whether you judge through the above content that you are not suitable for the dynamics, want to further enhance the static beauty, or simply like the beauty of the cold face, you can start from these two aspects.

Learning to "cold face and no expression" is the real face value jump?

1) Five senses

For the five senses, the main idea is visual harmony.

Whether it is longitudinal centrifugation or horizontal dispersion, what needs to be done is to leave blank space and not blank, and to be harmonious and harmonious in proportion rather than blindly developing deep and expanding.

Compared with copying the Chinese classical white makeup and Thai makeup mixed blood face, in the style makeup frame, adjust the eyebrow spacing, eye spacing, human middle distance, and whiteness in the face, and static beauty has room to play.

Learning to "cold face and no expression" is the real face value jump?

Xuanmei's makeup is very fitting

Like the Qianjin makeup that let Ouyang Nana a small fire, it is essentially to adjust the "flat and wide surface + horizontally dispersed facial features" with a strong color.

For example, the brow moves inward to close the eye distance, and the crouching silkworm + blush + nose blush cleverly fills the face, linking the scattered facial features into one place. (Image source @ easy to burn, @ seal)

Learning to "cold face and no expression" is the real face value jump?

In addition to working makeup, the light medical beauty method also has a certain gain, such as gathering the facial features to meet the flat face of the cheeks, cramped and more large. (Dry goods in front of no wide)

If the cause of the blush is fat, coupled with the production of double chin and mouth flesh, then you can choose "fat loss + firming" two-pronged facial superplastic.

Learning to "cold face and no expression" is the real face value jump?

It can not only reduce fat cells, but also irritate the dermis layer and fat layer for radiofrequency stimulation, and promote collagen production and tightening.

Learning to "cold face and no expression" is the real face value jump?

Facial superplastic case

A small number of people are able to opt for slimming needle ingredient products due to the wide masseter muscles.

Learning to "cold face and no expression" is the real face value jump?

There are also some cheeks derived from aging, facial soft tissues due to gravity piled up in the jaw, the overall there is a sense of laxity and sagging, exhaustion is fully displayed, then at this time not only the cheeks, but also the problem of wrinkles

2) The grain contour is flat

The reason why Yezi and Chen Turing can fly from the five features to the beauty is amazing, because as long as there is no expression, the face is very clean, and the large lines are almost non-existent.

For most of us, the cause of "not flat enough" is nothing more than the aging of the fat layer squeezing out the lines, and the aging of the fascial layer loosely hanging out the lines.

Learning to "cold face and no expression" is the real face value jump?

Specifically, it is reflected in the mouth corner sac, nasolabial wrinkles, puppet lines, apple muscle sagging, outer contour laxity, etc.

Learning to "cold face and no expression" is the real face value jump?

In this case, it is very suitable for the use of ultrasonic guns, hot magi and other light medical beauty projects for anti-aging, so as to improve the flatness and stretch, the old fans should know, after all, Shu has been walking on the road of popular science, with a sentence to summarize the characteristics of the two and the applicable population, that is:

Hanging and fleshy faces can give priority to ultrasonic cannons that play the role of lifting + tightening + lipolysis + stimulating collagen; Loose, blurred contours can prefer the hot magi acting on the dermis layer.

03

Learning to "cold face and no expression" is the real face value jump?

How to make dynamic beauty more moving?

In contrast, dynamic charm comes from the emotional beauty of expressions, which is conveyed through the movement of expression muscles.

The appropriate expression muscle lines are harmless, but will bring a sense of wild simplicity and strong appeal, and the delicate little wrinkled nose shows uncarved happiness and sadness, which is quite moving at that moment.

Learning to "cold face and no expression" is the real face value jump?

However, the verbose and messy expression lines will greatly reduce the dynamic beauty, so to enhance the dynamic charm, you need to start from the expression muscle.

Learning to "cold face and no expression" is the real face value jump?

1) Recognize the expression muscles

Many people will vaguely feel that their expressions are not the same as others, but it is not clear where the specific problem is.

For example, the movement of the eyebrows is actually controlled by the inner and outer fibers of the frontal muscles.

Learning to "cold face and no expression" is the real face value jump?

Art Anatomy 2 Facial Expressions

The chin is always wrinkled because of the tension in the chin muscles.

The orbicularis orbicularis helps to tighten the lips and lips, and some bloggers who learn English on the Internet feel that their upper lip is thinning, most likely because they often use lip adduction to tighten the upper lip.

Learning to "cold face and no expression" is the real face value jump?

The nasal side wrinkles caused by anger or laughter, the improvement of the upper lip, etc., actually lies in the joint power of the following muscles.

This can also explain why some people have cases where the wrinkles become deeper and longer, and the ravines look old.

Learning to "cold face and no expression" is the real face value jump?

Art Anatomy 2 Facial Expressions

2) Emoticon management

The division of labor of the expression muscles mentioned above, then the expression management is to "change the degree of force of some expression muscles in a restrained way, control the amplitude of expressions", so as to convey the beauty of smooth lines and strong emotional sense.

For example, Ju Jingyi's teeth are large and arched wide, whether it is live photos or hard photos, the expression that is most favorite to mobilize is not laughter but "grievances" that conform to human design.

Except for the nasal side of the force, almost no more muscles are mobilized, the cheeks are relaxed, irregular lines are reduced, and only a few wrinkled lines in the nose are produced. Flipping through the photos of her grinning teeth, there will indeed be a few messy lines on the side of her face.

This expression can not only highlight the milk and sweetness but also can adjust the proportions, and it is suitable for students with longer and stunted jaws, and it has been very popular recently.

Learning to "cold face and no expression" is the real face value jump?

Something like this emoticon

About static beauty and dynamic beauty, that's it for today. In the end, whether it is a static face or a dynamic face, the essence is to help everyone explore their own face style.

After all, knowing your own beauty is the first step toward beauty.