Ryoko Hiromi acted very well. First of all, she is a person who is steadily developing her career, but in recent years, she has had a sense of accomplishment as a well-known supporting role. The charming smile is also full of transparency. She's over 42? No, if you ask that, it looks like I'm a good fit for my age, but how to say it, I'm very old.
She debuted in 1994. Two years later, pager ads were hugely popular, and I remember the boom at the time. It's not the fans chasing her, it's the times chasing her. The information war around Guangmu has also become white-hot, and in the news, she is always surrounded by a large group of people, confused. Even from an objective point of view, it's obvious that the stern gaze, and the heavy burden on my shoulders, make me feel "Hiromi is fantastic" and at the same time, "That must be difficult." "It's been 26 years since such an extraordinary boom. A miracle of cleverly scraping away the fatigue of the industry and keeping it fresh! When I told my son about Hiro Eboom, he told me, "Don't tell me you're popular," she laughs.
In the advertisements and songs, Ryoko Hiromi is full of vitality and has the image of the so-called "sun and sunflower", but in the play, it is surprisingly the opposite. The heroine who is as short as a glasswork is absolutely wonderful. "Summer Snow", "I Don't Need Love, Summer", "Lipstick". Most importantly, the movie "Poppoya"! Disguised as a ghost to meet her father's daughter Yukiko, she seems to merge with the snow.
After returning from marriage and childbirth in 2005, she added sexiness and toughness, and began to play attractive tough roles. The expressionless but somewhat comical Beppu in the TV series "Legal High", The Poseiko who cheats on men with "I don't know if I can do it" in "The Confidenceman JP", and Naomi in "Naomi and Kanako", who are close friends. The Yayoi Lady in the movie Mix. is a terrible combination of the sexiness of married women and the vitality of teenagers.
In addition, what seeps out of the book is a thirst for knowledge. Ryoko Hiromi studied more firmly than she had imagined. I felt like I wanted to spend time there, and I felt keenly that detailed criticism wouldn't get to the man's ears. If you recall, most of the lines in the film "Mustard" in which Luc Besson was chosen as the heroine in 2001 were in French. I sympathized with him, thinking he must have had a hard time in a foreign country, but apparently not. She's the kind of person who can say, "I can learn French." Fortunate! "And the type of win.
Currently, she is starring in "Ride the Unicorn" starring Mi Nagano. The role of Yuki Haneda, played by her, stimulates the heroine with sharp words. Students who like the coldness in "Legal High" can only look forward to the future. In the movie "The Devil Over There", which is scheduled to be released in November 2022, her character is not only hateful, but also has a mysterious relationship.
She will learn from each new job and absorb it as a nutrient, and when she encounters difficulties, she will remember the words of her friends, "Ryoko, because it's a job!" ”