"Everyone has their own color, brilliant and orderly, not infringing on each other, and my color has nothing to do with others," Wu Yue said.
If there is a color in life, she is by no means a deep and heavy Morandi color.
In the public impression, Wu Yue always has a sense of alienation on his body, just like the soap horn incense inadvertently attached to the clothes, faintly, but it is very comfortable to smell.
Most of the time, she likes to be in the crowd, quietly singing her own songs, not greeting, not yielding, according to her own rhythm, little by little.
As Ma Yili commented on her: "Wu Yue is one of the few actors who always maintain a clear stream of self, out of the mud without staining."
Now 50 years old, she is like a rose blossom in the garden, fragrant and warm.
First, the daughter of a famous person is deeply hidden
In 1972, Wu Yue was born in Shanghai into a family of scholars, his father Wu Yiren was a famous calligrapher and painter, studied under Feng Zikai's eldest disciple Qian Juntao, and was very good at calligraphy and seal engraving, and his mother was also a woman of the new era.
In memory, the feelings of her parents are very good, whenever the father picks up the knife and buries his head in the seal, the mother sits on the side, quietly knitting the sweater, while she looks into the eyes of her father, but it is full of tenderness and happiness.
Since childhood, Wu Yue has followed her father to attend large and small exhibitions, and the family is often full of guests, and under the influence of her ears, she naturally picks up the carving knife, which is like a paintbrush, dancing wildly in the seal of the silver snake.
As the only daughter in the family, the father is very attentive to the education of his daughter, using the reading books he wrote to enlighten the children, at the age of 6, the daughter can recite hundreds of poems, and at the age of 13, she won the gold medal in the junior group of the national seal engraving competition.
In the third grade, Wu Yue was sent to Beijing by her parents to study, from primary school to middle school to university, she has been living in school, independent outside, although calm, but there is a tenacity in her bones that does not accept defeat.
Falling in love with acting, I don't know when it started, but I only know that every time she comes out of the movie theater, she is always excited and uneasy, and her brain makes up various storylines, as if she is the protagonist.
Perhaps, due to talent, at a meeting when the Japanese exchange group visited his father, Wu Yue performed the mime "Listen to Radio", a flexible and natural performance, which caused thunderous applause.
Later, she obeyed her wishes, applied for the Shanghai Theater Academy, and was admitted with the first major.
In the 4 years of college, she spent all her time on acting, not in love, nor in the theater, after graduation, because of her excellent grades, she was assigned to the Shanghai Drama Center and became a drama actress.
Time is staggered, two-year-old Chen Jianbin, born in Urumqi, his father is a cadre of the Sports Bureau, his mother is a teacher, grew up in the vast northwest, his temperament was a little rough.
After the 18-year-old college entrance examination failed, he did not choose to repeat the study, but waited at home, until 2 years later, the Central Academy of Drama came to Xinjiang to recruit directional students, he was able to realize his college dream, and Li Yapeng, Wang Xuebing and others became classmates.
After going to college, Chen Jianbin began to work hard, ranking among the best in his professional results, and then was admitted to graduate school, was retained to teach at the school, and at the same time in his spare time through drama to make up for it.
At the end of the 1990s, Li Yapeng and Wang Xuebing had become popular, but Chen Jianbin had been working intensively on the drama stage, although he had also won the heavyweight award "Golden Lion Award for Chinese Drama", but his life was stretched thin.
Sometimes, Li Yapeng and Wang Xuebing invited him to dinner, but Chen Jianbin, who wanted face, refused to return, and the "inferiority complex" in his bones often caused him to choose a film and television track that made money faster.
As soon as the camera turned, Wu Yue on this side, who had just debuted on Mount Everest, was favored by Teng Wenji at the age of 19, starring in the TV series "The Story of Late Autumn in Beijing", cooperating with Chen Baoguo and other first-line actors.
The next year, she partnered with Zhang Fengyi, playing the female reporter "Wen Lu" in the military drama "PeaceTime", a girl full of sunshine, young and agile, she won the Golden Eagle Award for Outstanding Supporting Actress with this role.
In 1999, Wu Yue also starred in the drama "Rhinoceros in Love", in which he played the fresh and weak but lethal "Mingming", and he and Zhou Tao were the first-edition actors of this classic repertoire.
At that time, the days were simple, she dragged a suitcase, all the way to build a group, all the way to filming, and then to the end, although the journey was bumpy, but the heart contained something she loved, always happy.
In 2000, when filming "Chrysanthemum Tea", she met Chen Jianbin, so she dropped everything, stayed for him, loved fiercely, but was deeply hurt, as if she had experienced a long life.
Second, the love sinus first met the talented person
That year, Wu Yue was 28 years old, and because she had been busy filming, she had almost no time to fall in love.
At that time, Chen Jianbin, there was no vertical and horizontal gully on his face, nor was there any vicissitudes of invincibility, he was tall and handsome, a bit like the Korean Oba "Zhao Yancheng", not only that, but also very talented, can write poetry, and can also engage in creation.
Coming out of the niche theater, he just finished his first film script "Chrysanthemum Tea", and after being recommended, he found Wu Yue and invited her to play the heroine "Li Weihua".
A young female teacher suffering from congenital heart disease, in a desperate life, was saved by railway worker Ma Jianxinyi with sincere love, thus having a happy life.
The pure love of the two also continues from the play to the outside of the play, and the gentle and watery southern girl makes the serious and old-fashioned northern han unconsciously fall into love.
Soon, the two settled into a relationship and began a 5-year cohabitation.
Although, in her career, Wu Yue has long been a well-known star, she did not dislike Chen Jianbin, who was just starting out, but openly and secretly helped him, giving him connections, finding relationships, and wishing him a helping hand.
Wu Yue, who is in love, rests at ease on Chen Jianbin's shoulders, being his little woman, washing his hands and making soup for him, pulling up his sleeves and cutting flowers and branches, and taking care of his living life everywhere.
In order not to hurt her boyfriend's self-esteem, she quietly subsidized him, and also envisioned marriage, and bought a marriage house to prepare to live with him steadily.
However, one day in 2005, Chen Jianbin left a parting letter for Wu Yue, took all his clothes and left the love nest of the two.
In fact, the contradiction between the two has long been hinted at, Wu Yue, who looks weak on the outside, is very stubborn on the inside, once the decision is made, it is difficult to be changed, and Chen Jianbin, who has always been strong, often throws fire on the cotton, and there is no return.
Moreover, as a Shanghainese, Wu Yue's life is very delicate, while the northwestern Hanzi Chen Jianbin's life is informal, and the habits of the two are very different.
More importantly, Wu Yue's illustrious family lineage and excellent career were all thorns in Chen Jianbin's heart, causing him to flee into the wilderness.
In the face of the boyfriend's proposed breakup, Wu Yue only quietly accepted, no hysteria, no crying, as if he did not go far, and as if he would come back.
In 2006, Chen Jianbin took over the TV series "Qiao Family Compound" directed by Hu Mei, and it was this drama that made him know Jiang Qinqin, the "water spirit on earth".
The first cooperation, the two of them who look at each other is not pleasing to the eye, because Chen Jianbin's acting is too strong, and the two often quarrel in the theater.
With the deepening of the plot, Chen Jianbin has changed his view of Jiang Qinqin, and the play is becoming more and more like a couple, outside the play, he often tells some cold jokes to amuse her, and over time, the relationship between the two is getting closer and closer.
After the killing, Chen Jianbin took the initiative to ask for Jiang Qinqin's contact information, often felt it, composed several poems for her, and asked her to come out to dinner every three to five minutes.
Now the two have been married for 16 years and have two sons, which is also very satisfactory.
Many years later, talking about the past, Chen Jianbin said that when he was not famous, he thanked Wu Yue for his help and dedication.
And Wu Yue has long been not obsessed with the past, she said: "Just let it pass, don't have to hold on, I don't have the strength that others think, nor the fragility that others think."
It is better to forget each other than to forget each other, and it is better to be safe, perhaps, all of this is the best arrangement of heaven, there is no right or wrong, there is no good or bad, because some people are used to miss it after all.
Third, all the way to the beginning of life
Over the years, Wu Yue has become more and more aware of what she wants, without the shackles of marriage, her career has blossomed all the way, creating one high-quality work after another, shining in her own field, and is also a well-known good actor in the industry.
Knowingly, someone once asked how to evaluate the acting skills of actor Wu Yue, and one of the comments was concise and concise, "what is like acting", which is enough to prove the strength of his acting skills.
In 2017, under the recommendation of his friend Haiqing, Wu Yue came into contact with Shen Yan's TV series "The First Half of My Life", and learned that the actors he cooperated with were Jin Dong, Yuan Quan and other powerful factions, although he played a "little three" in the play, Wu Yue was still very moved.
"Ling Ling" is known as the strongest third on the surface, the appearance is not kitsch, the conversation is not delicate, and even the ability to work is still very strong, but can only be regarded as an ordinary-looking, simple life "working woman".
It's almost hard to connect her with a third party who destroys someone else's family, and even the heroine of the play, "Luo Zijun", doesn't believe that she will lose to this middle-aged woman with an oil bottle.
Wu Yue's strength is that she silently stands up every side of the character, that kind of hidden hair, that kind of false flattery, and the sense of proportion that is just right, and the heart machine hidden everywhere, all of which are played meticulously.
Because the acting skills are too good, resulting in the role of netizens to substitute, Wu Yue carried out a year-long network violence, from insults to personal attacks, so that Wu Yue was overwhelmed, and could only silently turn off the comment function.
Wu Yiren, who knew everything, was heartbroken, and on the high-speed train from Shanghai to Guangzhou, he picked up a garbage bag and immediately wrote: "The actor's career is from the wind, and the life is deliberately asked for." Mo Dao was often a guest of honor and sometimes a prisoner of the order."
He comforted his daughter with a small poem by the cross-talk master Hou Baolin, and when he received his father's small poem, the haze in Wu Yue's heart dissipated most of it and slowly looked away.
"As an actor, this is what I should bear, and the more the audience hates this role, the more it shows that I am good at acting."
After that, Wu Yue did not fall into the type of role, but shuttled through various characters with a huge span, giving them a richer life and completing one transformation after another.
For example, the "middle-aged mother" who was beaten by life in the movie "Young You" but insisted on gritting her teeth and moving forward;
In the costume drama "Daming Fenghua", the bold and spicy, sharp-tongued princess "Zhang Shi";
The unmarried and unemployed single mother "Luo Qi" in the hit drama "Elite Lawyer";
There is also the emotional drama "Golden Years" in the decisive, capable and dashing workplace elite "Tang Xin"...
Although, in most film and television dramas, Wu Yue appears as a supporting role, she never cares about the position, as long as the role is good and the drama is good, she will go all out.
And the role that most makes her out of the circle is the black policeman "He Yun" in "Sweeping The Black Storm", this character is complex and multi-faceted, if it is not handled well, it is likely to be a disaster, however, director Wubai believes and firmly believes that this role is none other than her.
On the one hand, there is an upright and dedicated policeman, and on the other hand, it is a mother who shields her son from committing crimes.
Wu Yue's performance is quite advanced, not showing the mountains and dew, but hiding caution and change everywhere, so that the audience can watch with concentration and breath, and the atmosphere does not dare to come out.
Perhaps, this is Wu Yue, whether it is acting or life, she can always use the materials at hand to fry a good dish.
Fourth, the most beautiful years to keep their hearts
"Wu Yue was obedient when he was a child, and filial piety when he grew up", when it comes to his daughter, Wu Yiren is always very pleased.
In his later years, Wu Yiren, his daughter is his thickened version of the down jacket, very filial and caring, and there is also a tacit understanding between father and daughter, there is no need to get along day and night, each busy, not entangled with each other, but when needed, will definitely support each other.
In 2016, while filming "The First Half of My Life", Wu Yue suddenly received a call from home, and his father was hospitalized after a stroke.
However, the crew was catching up with the schedule and would not stop work because of one person, fortunately filming in Shanghai, so Wu Yue consulted with the director and put all his scenes in the daytime.
During that time, she shuttled between the hospital and the crew, filming intensively during the day and rushing to the hospital at night, taking care of her father step by step.
She bought a wheelchair, crutches and a walker for her father at the first time, and despite her father's objections, she installed an elevator for the old house, and specially placed anti-slip mats at each staircase, taking into account all the details.
The pressure of filming and his father's illness made Wu Yue increasingly emaciated and tired, running continuously for more than a month, and his father's condition was finally stable and slowly improved.
After the filming of "The First Half of My Life", Wu Yue suspended the work at hand and stayed at home to accompany his father to do rehabilitation.
Between father and daughter, such small things often happen.
Once, his father said that he had a toothache, and Wu Yue, who was filming in other places, immediately helped him buy the shortest and fastest morning high-speed rail ticket, booked a car to pick him up to Hongqiao Railway Station, and arranged the best hospital in Beijing to help him treat.
For Wu Yue, her father is a friend and a teacher, always giving her the greatest warmth in her heart.
Since breaking up with Chen Jianbin, Wu Yue has not been in love for 17 years.
Looking at the father in the eyes, he did not frequently urge marriage, or pressure her, he knew his daughter, knew that she had her own ideas, he just silently stayed by the child's side, understood her, and supported her.
Today, 50-year-old Wu Yue, although not married, lives a very elegant and calm life, very advanced.
There is no marriage bondage, no life, celibate and happy, with three or two friends as companions, rich and interesting books to nourish, as well as loving performances, and loved her close friends, where life is unhappy.
When she is not filming, she likes to study calligraphy, and her calligraphy attainments are very profound, and she has written a hand of Yan Yun Ou bone, which is praised by netizens as a "strange woman in the book world".
Occasionally, when she has free time, she will move a deck chair and sit in her own small garden, basking in the sun, fiddling with flowers and plants, idly reading scripts, and living a comfortable life.
For marriage, she sees it very thoroughly, and once said: "When married, there is nothing to be proud of, there is nothing to be ashamed of, and there is nothing worthy of inferiority."
And marry life, marry herself, always keep learning, always be spiritually rich, go with the wind, and be at ease.
Like she said, independent women don't feel hungry, and the sense of security is always given by themselves.