"Dream Hualu" is worthy of june king fried, and even the supporting roles are used so exquisitely.
Recently, with the continuous popularity of "Dream Hualu", up to the appearance of the male and female protagonists, down to the writing of the screenwriter behind the scenes, and then to the various hot stems of supporting women such as Liu Yan and Lin Yun, almost every updated episode has allowed netizens to dig out something new and hot to discuss.
No, even Liu Yajin, who plays Yuan Tuntian, a regular guest of the "half-covered face" tea house in the play, has followed the fire again.
In the play, Liu Yajin, who plays Yuan Tuntian, left a deep impression on the audience as soon as he appeared.
Even though he has white hair, a fan and a courtesy, and a Song Dynasty literati's dress, his iconic small eyes, standing there, exude a joyful temperament, making it difficult for the audience to recognize it.
What's more, his superb acting skills, the character image created by several shots, the audience of course is obsessed with Yuan Tuntian, and even many people have classified him as an "old drama bone" who has only played supporting roles for half his life to affirm Liu Yajin's divine acting skills.
However, young audiences may not know that Liu Yajin, who now has the acting skills of the drama bone and has become popular again with "Dream Hualu", is a down-to-earth non-science class.
In view of the fact that nowadays, I like to link acting skills with school at every turn, and my ability is equal to the face painting, let's take a pickpocket below, how Liu Yajin, who is not a science class, is a drama bone.
Liu Yajin, born in Tianjin in 1959, is now 63 years old, playing the role of Yuan Tuntian, which is more or less in line with his actual age.
He came from a working family, his parents were ordinary workers, and none of his relatives were engaged in a profession related to literature and art.
Fortunately, tianjin, the hometown of China, is a place to cultivate music talents.
Therefore, Liu Yajin, who was generally homeworked, ran to the park to mix with a group of old men who sang Peking Opera.
Over time, he became a fan of opera, and Peking Opera sang more and more vigorously.
Of course, Peking Opera, as the national essence of the mainland, is an art industry that pays special attention to technology and requires a lot of time to study.
The reason why Liu Yajin was able to practice this skill in the park was not only that he himself had talent, but also related to his small hard work.
As for the first time that the average-looking Liu Yajin was seen, it was through the school's theatrical performances, which allowed his parents to see the shining points on him.
However, in that era with bright eyebrows and big eyes as the aesthetic standard, a boy with small eyes who was born with a sleep and could not open his eyes was an "ugly" word in the eyes of adults.
Therefore, Liu Yajin can only enhance his ability, usually in addition to singing, but also run to learn crosstalk and allegro with people, in order to create surprises for the audience at key moments.
On the day he was 16 years old, Liu Yajin's life changed for the first time.
At that time, the Tianjin Quyi Troupe reopened to the public for recruitment, which gave Liu Yajin, who had been performing in the school, the first opportunity to enter a professional group.
In the 70s, when art subjects were still in the professional field and there were no cram schools on the market, if he wanted to learn more professional things, Liu Yajin had to be admitted to the Tianjin Qu Art Troupe.
Unexpectedly, Liu Yajin relied on his solid basic skills for many years, and without much effort, he became a member of the regiment, and he was fortunate to become a disciple of Ma Zhicun and Wang Peiyuan, two masters of praise.
However, Tianjin is a local city after all, and if he wants to increase his popularity and take a bigger stage, Liu Yajin can only go to Beijing to find opportunities.
At that time, Liu Yajin was 31 years old, very affectionate with his wife Zhang Guofeng, and lived a peaceful life.
However, in order to be able to develop his career, Liu Yajin, with the support of Zhang Guofeng, came to Beijing, where he was not familiar with life, and began his career as a north drifter.
In 1987, Liu Yajin debuted on CCTV Spring Festival Gala with the sketch "Selling Fish", although he was not as famous as Chen Peisi, Zhao Benshan and other sketch masters, but it helped Liu Yajin open his career in Beijing.
Today's entertainment industry, at every turn like to use actors to transform difficult topics, but where to act in a comedy, shoot a variety show, it will always be limited to people, Small Shenyang, Chang Yuan, Deyun Society boy band and other cross-talk, sketch actors want to turn into professional actors, often get the audience's polar evaluation, not question the acting skills, or question the ability.
However, these problems never happened to Liu Yajin.
Due to the large environmental impact at that time, Liu Yajin, who was on the stage of the Spring Festival Gala, did not become a hit, and the development of his career still needed to move forward step by step.
Therefore, in order to earn money to support his family, the opera actor Liu Yajin started a "part-time job" and wandered around the major drama groups as a non-science actor.
Also based on the idea of "earning food and eating", he learned from the basics without acting experience and improved his acting skills again and again in practice.
In his own words: an actor's inability to play a role can give many reasons, but it does not include being late, leaving early, and not memorizing lines.
From dragon suit to supporting roles, Liu Yajin, who has been in Beijing for three years, starred in his first film work "Madness", and it was also in that year that his wife Zhang Guofeng took his daughter and made a home with him in Beijing.
However, acting is ultimately a passive profession. Liu Yajin's big-screen debut "Madness", adapted from the famous writer Li Jieren's Dahe novel trilogy "Backwater Weilan", is an ethical story about what happened in rural Sichuan at the end of the nineteenth century.
Due to the sensitive content of the film and the historical content, it has been listed as a banned film since its production in 1992, and was not allowed to be released again until 2004.
Therefore, Liu Yajin, who played the supporting role of Lu Maolin in the movie, did not become a movie star by this movie, but was still busy with his music career, and once again appeared on the CCTV Spring Festival Gala in 1993, and cooperated with Zhang Guoguo in the sketch "Sales".
It can be said that from the Tianjin Qu Art Troupe to the North Drift actors, Liu Yajin has always accumulated experience and strength with a learning attitude.
And his persistence also allowed him to get rewards at the age of 36.
In 1995, Liu Yajin was transferred to the People's Liberation Army Air Politics Cultural and Labor Corps and became a literary and artistic soldier.
Since then, although he is still active in sketches and cross-talk stages, more work is to appear in film and television dramas.
The post-80s and post-90s audiences are familiar with the "Kangxi Micro Service Private Interview", the sitcom "Idle Centaur Big Sister", "Wang Baochang's New Chapter", "Lao Wei's X Plan" and the sitcom ceiling "Wulin Wai Biography", Liu Yajin has left a figure.
Although on the road of actor, Liu Yajin has almost never played a male lead, but, just like Yuan Tuntian in this "Dream Hualu", every time he appears, he can leave a deep impression on the audience and has the ability to make people unforgettable.
If you have to find the answer for Liu Yajin's smooth transformation, I privately think that this has a great relationship with the many film and television works he has participated in, a wide range of themes, no stick to roles and scenes, and no drag on the "protagonist" and not let go.
From dragon sets to supporting roles, Liu Yajin, who has been an artist for many years, has starred in 21 movies and 117 TV series. Although in many works, his role may not be much, most of them are inconspicuous small roles, but every time he appears, he will always be like a watermelon in the summer, a small dish in a big meal, just right to embellish it.
With practical actions, it interprets the golden sentence in "The Self-Cultivation of Actors": "There are no small roles, only small actors".
Among them, Zhao Benshan and Fan Wei, who swept the stage of the Spring Festival Gala, are two successful typical cases.
At that time, Zhao Benshan, who had become famous throughout the country, turned to the film and television industry and starred in TV dramas.
Although the market response is enthusiastic and the audience's love is high, in terms of professional level, Uncle Benshan is still quite far from professional actors.
It wasn't until he met the role of Liu Yishui in "The Director of Men and Women" that the audience really saw the acting talent of Uncle Benshan, and also let him get two heavyweight awards of Huabiao and Hundred Flowers at one time.
Subsequently, the feature film "Happy Time" and the 2007 movie "Falling Leaves Return to the Roots" all let the audience see Zhao Benshan's ambition and determination as a professional actor.
You know, as a person who is used to acting in comedy, jumping out of the comfort zone and digging up new things is undoubtedly a huge challenge, not to mention Zhao Benshan's jianghu status.
If one is not careful, he will be scolded by the critics for being bloody, and even expose his shortcomings.
However, whether it is playing with Li Xuejian and Niu Ben in "Happy Time", or playing the old Zhao of the axis man in "Falling Leaves Returning to the Roots", Zhao Benshan not only proved to the audience that he could challenge the main drama, but also put the image of the small people struggling at the bottom of society on the big screen.
In contrast, his old partner Fan Wei is now an unshakable film emperor in the film circle.
Unlike today's young actors who have just transformed and played the main role, Fan Wei turned from the stage of sketches to the film and television circle, which can almost be described as a hero with a broken wrist.
At that time, Iron Rooster, Fan Debiao, medicine box, Fan Wei has created countless representative roles that are deeply rooted in the hearts of the people, but he still resolutely chose to star in such a popular niche literary and art film as "Aromatic Journey" and "Blessed Ears".
Although these films are not as famous as those large-scale commercial blockbusters, and even without his improvisational performances in "No Thief in the World", countless audiences have witnessed his delicate character shaping ability and textbook-like acting skills, and successfully transformed into a powerful actor favored by international directors such as Zhang Yimou.
Ding Wuyuan in "No Problem", Fan Film in "One Second", the underground party king in "Railway Hero", maybe these roles are not a bit, nor are they big male protagonists, but as an audience, we watch the drama, appreciate the people, who cares about those casts!
Therefore, it is difficult for cross-talk sketch actors to transform, is it really impossible to tear off the label of comedy and break the prejudice of the audience? After reading Liu Yajin and Fan Wei, perhaps the answer is already clear without saying.