Speaking of the folk minor tune "Exploring the Clear Water River", I think many friends who like music art are not strangers. Especially with the blessing of the performance of the actors of the Deyun Society, this originally unknown folk minor tune instantly became popular all over the country.
Especially under the vigorous promotion of Deyun Society actor Zhang Yunlei, "Exploring The Clear Water River" has become a classic song sung by countless young fans.
But as the song went viral, so did the controversy surrounding it.
Because the folk rumor "Exploring Qingshui River" is a kiln tune, only widely circulated in the fireworks alley willow, the content of the four more days is vulgar, most of the lyrics also involve "lotus flower swastika" (black words), which is originally a "forbidden song".
Now that it can ascend to the hall of elegance and everyone learns to sing, what is the origin of this song?
The story takes place in the "Blue Indigo Factory Firearms Camp" in western Beijing. The Blue Indigo Factory was a pigment factory that made dyeing cloth in the palace during the Ming Dynasty, and the Firearms Battalion was a military stronghold of the Qing Dynasty responsible for manufacturing guns and ammunition.
There are many delicious and lazy Eight Flags children here, of which Song Laosan is one of them.
"Song" is a Manchu surname, and in the original version, it was also "Song", and later it gradually evolved into the well-known "Song" through the singing of folk artists.
Song Laosan and his wife smoked while selling, addicted to opium all day and unable to extricate themselves.
The couple has no children under their knees, and only one daughter is called Da Lian (the two were pregnant during the "Dalian" tour).
The 16-year-old Da Lian has long been a standout and has reached the age of love. Mr. and Mrs. Song were busy smoking a lot of cigarettes all day and didn't care about their daughter.
However, the feelings of the ignorant Da Lian and Xiao Liu fell in love at first sight and exchanged feelings, and on this day the two made an appointment to meet sanjin.
In the version that is now sung, Da Lian shyly bowed her head and was forced to jump into the river by her parents, and the content in the middle was all deleted.
Because the original version was one to five changes, but because some of the content was too vulgar, it was later greatly adapted.
Among them, Guo Degang's modified version was quickly popular throughout the network because of its beautiful rhythm, brisk rhythm, and catchy Lang Lang.
In this version, the four more days not only did not mention a word, but the three more days were also modified to simply "speak from the heart"!
Guo Degang changed Da Lian into a martyr who was loyal to love, and changed the two stealing forbidden fruits into a poignant love story.
However, since the deyun society's version of "Exploring the Clear Water River" has become popular all over the Internet, the praise that has followed has been continuous, and of course, there are many voices of doubt and criticism.
For example, at that time, a professor at the School of Chinese Language and Culture of Nankai University publicly criticized Guo Degang and said that "xiangsheng is sick and must be cured"!
The professor's point is:
Some cross-talk practitioners have a vague understanding of traditional cross-talk, a vague aesthetic understanding of laughter, and lack the cultural consciousness of previous masters such as Mr. Hou Baolin.
They blindly "align themselves with the sellers" and "align themselves with the traffic" and advocate "de-values" and "de-ideologicalization" to sensationalize the public, and there is no bottom line kitsch.
Many people have taken back the original bad things, so that they eventually slid into the quagmire of "three customs and crosstalk".
"Exploring the Clear Water River" is the kiln tune and dross of the old society, and now some people hold up the guise of promoting traditional culture, reverse black and white, and convey some low-level interesting things, which is incompatible with the culture of the new era.
At that time, this caused a hot discussion on the Internet.
Some people think that Guo Degang is a hero who promotes traditional culture, and Tanqingshuihe is also performed after adaptation, not the original performance, and there is no need to go online.
This is not just recently, some time ago because of the shelling of "Ma Tang Zhao" hot all over the Network, Ma Qi laozi, also rarely expressed his views on "Exploring the Qingshui River".
He argues that:
This "Exploring the Qingshui River" was a kiln song in the past, but now it is sung by Guo Degang. You say you don't hear anything bad, why listen to that?
This is a lowest-grade piece of music, and the audience who does not understand the art of music is regarded as a baby. This song can be sung, but the scoring occasion ah!
It's a pity that the audience doesn't have that level of appreciation. The first contact feels like this is fun, and the audience should improve the level of appreciation!
Many netizens do not think so, they believe: today's "Exploring the Clear Water River" has deleted three and four more, has been harmless, not so serious.
Some netizens also believe that you do not inherit so many good things in traditional culture, you have to inherit such a thing.
In fact, objectively speaking, from the perspective of the development of cross-talk art, it is indeed very urgent and necessary to improve the appreciation level of cross-talk audiences.
Because what kind of audience cultivates what kind of actors, the audience with a high level can force the actors to constantly innovate and improve.
On the other hand, today's performance relationship has indeed been reversed, because the initiative of the performance is completely in the hands of the actors, and the audience has no so-called choice and right to speak.
In other words: the original audience can pick out a lot of faults with the actors, but today's audiences are like "babies to be fed", and the actors can "feed" at will.
Under such circumstances, art cannot talk about development at all, and can only become more and more utilitarian!
Of course, then again, Deyun She is only a private enterprise, and making money to survive is their first priority.
Cultural inheritance is indeed not the responsibility and obligation of others, but now that their influence is getting bigger and bigger, and their fans are getting younger and younger, social responsibility and cultural public opinion orientation still need to be carefully considered!
What do you think about that? Welcome to leave a message to communicate!