Leaf fig finishing
In the late spring, summer is approaching. The hundred flowers in early spring have long since fallen into dust, and the peonies in April have also withered in the wind and rain, only the peony is in full bloom at this time, and the flower season in May in Jiangnan may belong to the peony.
"The vast and crazy incense has never met in the past, and the red light is shining green. Jue Lai was terrified of love, and was in the first few weights of the Immortal Palace. More than a thousand years ago, Han Yu described peony medicine, and Jiang Baishi's "Yangzhou Slow" of the Song Dynasty described what Jin Bing saw after invading Yangzhou, and the only bright color was only peony, but it only gave people sighs and questions: "After ten miles of spring wind, all the grass wheat qingqing." Since Huma peeped into the river, the pond trees were abandoned, and the soldiers were tired of talking. Gradually dusk, the clear horn blows cold, all in the empty city. The Twenty-Four Bridges were still there, the waves were waving, and the cold moon was silent. Read the red medicine by the bridge, and know for whom you are born every year? ”
In calligraphy and painting, although the depiction of peony medicine in Song Yixia's paintings is not as much as that of peonies, there is no shortage of fine works, such as the peony in the axis of Su Hanchen's "Painting Five Ruitu" of the Song Dynasty (Chuan) su Hanchen or contains buds, or blooms, and the color is neat and meticulous; Huang Shen's "Peony Medicine" of the Qing Dynasty draws with wild cursive brushwork, the brush is visible and unrestrained; Wu Changshuo's peony medicine is like writing a seal book, integrating calligraphy and painting as one, and it is natural...
In the late spring and early summer when the peony flowers bloom, the "Forbidden City Flower Letter" column launched by The Paper, Ancient Art, presents the famous traces of peony medicines collected by the National Palace Museum and the National Palace Museum in Taipei for the benefit of readers.
May Peony Surging News Picture
(Biography) Song Su Hanchen "Painting the Five RuiTu" axis
(Biography) Song Su Hanchen "Painting five RuiTu" axis, National Palace Museum, Taipei
(Biography) Song Su Hanchen "Painting five Ruitu" axis (partial) Collection of the National Palace Museum in Taipei
This painting of bamboo courtyard peony, five children gathered to play a big dance, or painted face, or wearing a mask, or a drum, ear loops, tekawa jun, embroidered crotch. Originally an ancient custom of exorcism, it evolved into a folk entertainment. There is no model print for painting, and the old legend su Hanchen painted five Ruitu.
(Biography) Song Su Hanchen "Painting five Ruitu" axis (partial) Collection of the National Palace Museum in Taipei
(Biography) Song Su Hanchen "Painting five Ruitu" axis (partial) Collection of the National Palace Museum in Taipei
Su Hanchen (c. 12th century AD), a native of Kaifeng, Henan. He served as a minister of Xuanhe Painting Academy. The Northern Song Dynasty died in Jinling, and during the Southern Song Dynasty Shaoxing, he entered the painting academy and was reinstated. Master Liu Zonggu, Gonghua Daoshi, the character is exquisite, especially good baby.
Ming Sun Kehong", volume of "Hundred Flowers"
Ming Sun Kehong's "Hundred Flowers" volume (partial) Collection of the Palace Museum
Judging from Sun Kehong's heirloom works, his flower paintings have two kinds of faces, thick brush and fine workmanship, this "Hundred Flowers Picture" volume belongs to the latter, and the gongbi color paintings lilacs, plum blossoms, camellias, peonies, orchids, magnolias, moon seasons, chrysanthemums, osmanthus and other four seasons of folded branches and flowers. The author breaks through the limitations of time and space, paints the flowers of different seasons in one painting, and the strokes are all outlined and filled, the painting method is neat, the color is clear, and the style is elegant, which is the representative work of Sun's heavy color painting.
Ming Linda 《Peony Flower Herb》
"Peony Flowers and Herbs" This painting is selected from the Linda "Flower Feathers" album in the National Palace Museum in Taipei
Linda, year of birth and death unknown, character Zhidao, number shame, Fujian Putian people. Toshiko. In the ninth year of Zhengde (1514), he entered the priesthood and served as a former official in nanjing. Gong seal, subordinate, can poetry. There are self-examination sets. "Continuing Puyang Literature", "Famous Mountains and Collections". The National Palace Museum in Taipei has Linda's "Flower Feathers" album, including eight paintings of "Cutting Autumn Luo Chicken", "Peach Blossom Shou Belt", "Moon Season Sparrow", "Moon Season Bamboo Goose", "Xinyi Caryophyllum", "Jade Hairpin Caryophyllum", "Bamboo Leaf Feather", and "Peony Flower Herb".
Ming Lu Yiyue Seal Book
Weeping Seal This painting is selected from the "Seal Book of Various Bodies" of Lu Yiyue in the National Palace Museum in Taipei
Interpretation: Mr. Wei Zhaizhu's poems. peony. (Letter of Affiliation). Dancing off the spring breeze sleeps deeply, and Dongjun is more with the waist gold. Decadent drunken Lieutenant Hua should smile, that has the heart of the curtain guest. (Seal Book). Dancing off the spring breeze sleeps deeply, and Dongjun is more with the waist gold. Decadent drunken Lieutenant Hua should smile, that has the heart of the curtain guest. Hanging on the seal. The alien of the little seal after LiSi. Ancient stone dwellers. (Letter of Affiliation).
Folding Cloud Seal This painting is selected from the "Seal Book of Various Bodies" of Lu Yiyue in the National Palace Museum in Taipei
Interpretation: Mr. Wei Zhaizhu's poems. peony. (Letter of Affiliation). The red face is out of spring, and the transmission of the state is complete. Xiangdao Yangzhou crowned the world, and he looked across the crane to yin. (Seal Book). The red face is out of spring, and the transmission of the state is complete. Xiangdao Yangzhou crowned the world, and he looked across the crane to yin. Hanging cloud seal. When he was emperor, he wrote the Book of Qingyun. Later generations have widely written about it. It's about being physical. Ancient stone dwellers. (Letter of Affiliation).
Ding Xiao Seal This painting is selected from the "Seal Book of Various Bodies" of Lu Yiyue in the National Palace Museum in Taipei
Interpretation: Mr. Wei Zhaizhu's poems. Book Protector above. (Letter of Affiliation). For a long time, the noise and silence of the two voids should be related to the evil thoughts. In order to ask the boots to chant peony medicine, how to boil tea to Mei Hua. (Seal Book). For a long time, the noise and silence of the two voids should be related to the evil thoughts. In order to ask the boots to chant peony medicine, how to boil tea to Mei Hua. Ding Xiao Seal. Emperor Wu of the Han Dynasty made a small seal. Ancient stone dwellers. (Letter of Affiliation).
Qing Yun Shouping 《Peony Medicine》
"Peony Medicine" This painting is selected from the "Ink Flower" album of Yun Shouping in the National Palace Museum in Taipei
Qing Yun Shou Xing Shu Shu: Wen Zhi Zhao Mo Peony Medicine Scroll, hidden by a good family in Wu Men, Yu Zeng borrowed a hazel, a little wonderful.
Qing Jiang Tingxi Sketch flower album
"Peony Medicine" This painting is selected from Jiang Tingxi's "Sketching Flowers" album in the National Palace Museum in Taipei
This painting has Jiang Tingxi's self-title: Ten Thousand Corals Reflect jade people, and the Guangling Atlas is new. Idle to make a raw silk pen, fell to Fengtai Wanwei Spring.
Emperor Gaozong of the Qing Dynasty: Kimoto originally came out of the herb, and then turned to the upper view of the public opinion. Saying that poetry can be said to be jade and Xu, and the East Sea should lose Kuang Dinglai.
"Peony Medicine" This painting is selected from Jiang Tingxi's "Sketching Flowers" album in the National Palace Museum in Taipei
"Peony Medicine" This painting is selected from Jiang Tingxi's "Flower Album" in the National Palace Museum in Taipei.
Qing Zou Yigui 《Peony Medicine》
"Peony Medicine" This painting is selected from Zou Yigui's "Flower Paintings" album in the National Palace Museum in Taipei
Zou Yigui (1688-1772) was a Qing Dynasty official and painter. The word original praise, the number of The hill, also known as The Qing, the late number of the second know the old man, the people of Wuxi, Jiangsu. Yongzheng fifth year second class first rank jinshi, awarded Hanlin Academy editing. Successive officials Yunnan Province Supervision Yushi, Guizhou Xuezheng, Taichang Temple Shaoqing, Dali Temple Qing, Libu Shilang, official to cabinet bachelor. Good at painting flowers, learning Yun Shouping painting method, the style is beautiful. In the theory of painting, Zou Yigui believes that in order to paint a good work, the painter must first have a deep understanding of the object of painting. He personally cultivated more than a hundred kinds of flowers, so as to carefully observe their facial characteristics and obtain a real perceptual understanding, so that the flowers in his pen were full of gods.
This painting has Liang Shi Zhengxing Shubu: Fan Hong Bao Zi Dian Chun Yu, the first Yangzhou species of color special. He also hated himself and was forcibly called a flower slave.
Qing Huang Shen 《Peony Medicine》
"Peony Medicine" This painting is selected from the Huang Shen "Flowers" album in the National Palace Museum in Taipei
Huang Shen (1687-1772), a native of Ninghua, Fujian, was first known as Sheng, the character Gongshou, Gongmao, Gongmao, Juzhuang, The Lady of the Bulge, and the other name of the East China Sea Cloth. Poor family, so he learned to paint, good at people, landscapes, flowers and birds. His figure paintings are very extensive and rich, not only painting gods and immortals and historical celebrities, but also good at drawing materials from folk life, shaping the image of the lower classes such as porters, beggars, hooligans, fishermen, etc., which is very rare among ancient painters. Kangxi went to Yangzhou to sell paintings, and people competed for customers. He is an outstanding calligrapher and painter of the Qing Dynasty in China, and one of the "Eight Monsters of Yangzhou". Be friendly with Zheng Xie. He is good at cursive writing, and later draws with wild cursive brushwork.
This painting has Huang Shen cursive self-title: Hua Zhai Spring Wind Splendid Fragrance, who pity the iron stone is the heart. Zhijun does not like rouge wipes, and the ink is dipped in Xu Fei's half-face makeup.
Qing Dong Xuan 《Peony Moon Season》
"Peony Medicine Moon Season" This painting is selected from the "Ten Frames of Summer Flowers" album by Dong Yan in the National Palace Museum in Taipei
Dong Yu (1740-1818), courtesy name Yalun, was a native of Fuyang County, Hangzhou Province, Zhejiang Province (now Hangzhou, Zhejiang Province), born in Shuntianfu (present-day Beijing), a qing dynasty minister, calligrapher and painter. The eldest son of Shangshu Dong Bangda of the Ministry of Works, he and his father are known as "big and small Dong".
The National Palace Museum in Taipei has a number of paintings by Dong Yu depicting four scenes of flowers, and this peony has the Qing Gaozong Xingshu: The Most Popular Scholar, Super Spirit Soft. Mo Wei bian was drunk, and his light red cheeks were hanging down early. Re-trek: The rat girl is already Rao Fangchun, and the shadow is re-written at the first level. He was called a, but he saw the Wing Feng people first.
Qing Wu Changshuo "Peony" axis
Qing Wu Changshuo "Peony Medicine" Axis Collection of the National Palace Museum in Taipei
This painting of peony, safflower ink leaves, painting leaf veins such as writing seal books, pen and pen center, integration of calligraphy and painting as one, natural.
On the left side of the painting, Wu Changshuo wrote a book title: Last night, the east wind was clever, blowing open the golden belt fence. Folding flowers are frequently given away, and incense is dipped in clothes. Mr. Si Yin is painting, Anji Wu Junqing. On the lower right side of the painting, Wu Changshuo's book is self-titled: Peony's Brilliant Beauty, also known as Dot Makeup Red, Luoyang Water World to see it, my family let the old time write a stem like a wind dew, this frame imitates its meaning. Gengzi (1900) Chun Zhongke Yuan Pu Changshuo also remembered.
Wu Changshuo (1844-1927), a native of Anji, Zhejiang. His original name was Jun, and his later name was Junqing. The word Changshuo, also known as Cangshi, alias 缶庐, bitter iron, and also signed broken lotus, old miao, big deaf, after the age of seventy to line the word. At the age of twenty-nine, he learned poetry calligraphy and seal carving from Yang Da, and at the age of fifty, he traced the eight monsters of Yangzhou and Shi Tao, Bada, Chen Chun, and Xu Wei from Zhao Zhiqian, and transported them to the painting with golden stone calligraphy. The pen and ink are firm, the courage is thick, the color is rich, the structure is abrupt, one stroke and one painting, one branch and one leaf, all of them are full of spirit and have golden stone atmosphere.
(This article is compiled from the National Palace Museum and the National Palace Museum in Taipei.) ）
Editor-in-Charge: Li Mei
Proofreader: Luan Meng