Tang Guoming, a famous writer who reproduced Cao Xueqin's writing and created a poetic flow within 8 square meters

Tang Guoming, a famous writer who reproduced Cao Xueqin's writing and created a poetic flow within 8 square meters

(Reminder: The content of this article begins under the 5th picture below)

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Tang Guoming, who advocated wearing thoughts on his body and became a writer, said: Especially for LiLu and other deaths, it is better to leave a name for the ages.

Tang Guoming's philosophical sayings: 1 is the halfway of 2, and 2 is the next moment of 1.

In June 2019, Tang Guoming published a collection of goose feather poems that pioneered halfway literature. As Tang Guoming expressed in the poem "Mr. Halfway"——

Not in the past, not in the present, not in the future, only on the way

Not elsewhere, not far away, only on the road

Not in the hometown, not in other places, at the moment only halfway above

May it be a mountain, may it be flowing water, may it be the appearance of a clear wind and a bright moon

I don't want to be poor, I don't want to be luxurious, I just want to think of danger and strive to be strong

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Published in 2022, the "Poetic Stream" novel "Soldiers Who Insist on sticking to the Fortress of the Great Wall" is a cross-genre novel that has laid the foundation for the Tang Dynasty Ming Literati poet philosopher, has the meaning of flying poetry, the flying structure of goose feathers, and can burn you up after reading, which is a cross-genre novel that integrates poetry, literature, history, numbers and philosophy; it is a goose feather poem and "Zero Township" with Tang Guoming. One of the trilogies that make up the halfway system.

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The "archaeological restoration" basis and data of "Archaeological Restoration" of Cao Wen after the Eighty Times of the Dream of the Red Chamber: The 81st to the 100th Time are derived from the 40 times after Cheng Gaoben's "Dream of the Red Chamber".

Reproducing Cao Xueqin's writing is to eliminate the part that Cheng Gaoben wrote 40 times after "Dream of the Red Chamber", leaving 20 times of Cao Xueqin's original text.

Tang Guoming said: There is no point in continuing to write "Dream of the Red Chamber" for ten thousand years

When Tang Guoming introduced his book "Zero Township", he said so:

"Zero Township" is a text that shows the spirit of constantly advancing and riding the wind and waves on the road of reality of no return.

The half-way doctrine expressed in "Zero Township" is both a philosophical idea and a literary concept.

"Zero Township" wrote ten million reasons why Tang Guoming could not become a writer, but became a writer. It also wrote how Tang Guoming went from looking up at the starry sky to becoming a starry sky to be looked up to.

"Zero Township" is a book that you can read without burden, and after reading it, the afterglow will continue to go around liang for thousands of years. You can read a few minutes or ten minutes or an hour at any time, you can pick or jump and read a few verses at will, you can put it down at any time, you can finish what you should be busy with, and you can read a book for a few minutes or ten minutes; you can enter my life from any entrance, but feel that there is never an end, always continuing, always looping; that is, you can start from any section of the book and read in a loop.

"Zero Township" is more like a non-fiction, cross-genre, autobiographical, encyclopedia variety of ways to talk to you face to face; with the posture of "in order to let you know myself, I am speaking to you so repeatedly", I write a person with "goose feather style bones, fresh wind and bright moon flesh, idle clouds and flowing water, long wind and affection", in the passage of time, under the soil of various symphonies and interweaving, sometimes there is a sense of homelessness, sometimes there is a sigh of "useless king" process - through the description of this state, Reflecting the kind of far away from the hometown without a sense of home, turning back to the hometown but finding that the hometown is no longer the scene of the hometown, in the wandering like a dream, nowhere to pursue, on the one hand, I lost and disappeared in the process of the times with a memory of the restoration of the rural homeland, on the one hand in the existing text monuments of their own spiritual homeland traceability, on the other hand in the spiritual wandering to find their own soul belongs to the homeland of the mental process, and I wandered in this process, wandering, wandering, searching for roots, memories, Speaking of the reality of "zero township" as a sense of rootlessness, uncertainty, and dependence, and a sense of strangeness to the rapid change of the world, he asked the world whether we were in the dream for the sake of our dreams. Or is it empty because of confusion? In the face of this unanswered problem, we can only continue to wander in the homeless, and we have to continue to drift again. So that every self with the same experience has forever become a "zero township" history that has been "zero township", and has achieved the famous saying of "half-way philosopher" - we are neither in the past, nor in the present, nor in the future, we are only on the way, we are only in the moment, we have become us on the way, we have become "zero township" we have become. At the same time, this book also reveals how I reproduced cao Xueqin's hundred times of "Dream of the Red Chamber" in an archaeological way, wrote goose feather poems, and demonstrated how goldbach conjecture and 3x+1 conjecture became halfway philosophers. More importantly, I wrote how I went from the top of One Kan Niu Mountain to the foot of Yuelu Mountain, how I interacted with hundreds of girls, and how I achieved dreams that people thought were impossible to achieve. What kind of spirit is supporting me? If you want to know more, please read my 800,000-word book "Zero Township".

If the 21st century is the century of popular half-way philosophy proposed by Tang Guoming, then "Zero Township" is destined to be the most understandable good book and masterpiece of half-way philosophy proposed by Tang Guoming, a half-way poet, a half-way philosopher, a dream of the Red Chamber, and a man in the bright moon and a breeze, using novels, encyclopedias, and autobiographies to convey the half-way philosophy that Tang Guoming put forward and understood.

"Zero Township" is a text that shows the spirit of constantly advancing and riding the wind and waves on the road of reality of no return. Although "Zero Township" has some repetitive but different forms of expression, it is precisely these repetitive contents such as "pulling back and forth drawers" and "wildfires burn endlessly, and the spring breeze blows and grows again", which better forms a system called "Zero Township" with the twists and turns of my becoming a talent and seeking; highlights the major philosophical themes that human beings repeat at this moment and at this moment. At the same time, the text of "Zero Township" uses a way of year, month, date and time to express the rapidly changing era, and we are placed in a state of "zero township" that is on the way, homeless, and old at this moment.

We came into the world to become talents, not to become slaves. We have no far away, nowhere else; there is no past, no present, no future, only one way for us to ride the wind and waves for our dreams, there is no way to escape, only this moment and "zero hometown".

Tang Guoming wrote the poem "Reading Xiang Yu", saying: "It is better to learn Xiang Yu to be himself than to learn from the ancients to become an imperial slave; but there are disputes in the world, and only Yu Ji is a husband."

Tang Guoming said: 1 is the halfway point of 2, and 2 is the next moment of 1, and all things are always on the way. Not in the past, not in the present, not in the future, only on the way; not elsewhere, not far away, only on the road. On the way, we have nothing but the present moment.

Tang Guoming said: We are neither in the past nor in the present, nor in the future, we are just on the way; our lives are not elsewhere, we are just living on the way; students ask death, hearsay, gossip; for vegetable rice oil and salt sauce vinegar tea or money and power fame and fortune poetry and hops, running non-stop, working non-stop; under the premise that n is an integer, either eternally exist in the infinitely infinite flowing space-time process divided by 1 divided by "n power of 2" and rotate in circles on the ground, dissolving and exhausting themselves; or being in the "nth power of 2" In the space-time journey of the supreme being who can travel freely, he will be infinitely eternal.

Tang Guoming said: I have the feeling of long wind and the style of goose feathers; I have the style of goose feathers, the flesh of the clear wind and bright moon, the blood of idle clouds and flowing water, and the feelings of long wind.

Tang Guoming said: When I say "long wind feelings", I mean ambitions that have been passed down through the ages; when I say "goose feather style", I mean insistence on a thing that benefits the world without remembering the gains and losses of utilitarian gains and losses.

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Tang Guoming's theorem:

1. The birth of cosmic galaxies should be generated in the form of a band and a band similar to the "3x +1" conjecture "strange change" and "even change", which is continuously arranged with the change size of n data. Like these formally prescribed numbers, some fall into traps forever and cannot extricate ourselves, and some are transcended but disappear.

2. "Any even number divided by 2" plus or minus the same positive integer can give two prime numbers equal to this even number; and the two asymmetric prime numbers are distributed in the intervals on both sides of the "even number divided by 2" and are equal to the difference between the numbers.

3, 1 is the halfway of 2 - everything is always in the middle of the way, everything is always on the way, when you reach "1 +n", you are in the "2 + 2n" halfway. That is, when you reach 1, you are in the middle of 2, when you reach 2, you are in the middle of 4 or when you reach 1, you want to reach 2; when you reach 2, you want to reach 4, facing the endless future, you are neither in the past nor in the present, nor in the future, just on the way, in the present; your life is not elsewhere, you are just living on the way; you are always on another unknown halfway, you are forever placed in an unknown "zero country".

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Works by Tang Guoming, a philosopher of the halfway road, a poet of goose feathers, a man in the Red Chamber, a poet of free ancient style, and a man of the clear wind and bright moon

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The famous writer Tang Guoming, who rented and lived within 8 square meters to reproduce Cao Xueqin's writing

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1. Face the flying of the poem "saliva, garbage, lower body, feces and urine"

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Because I could not write the ideal "real poem", I felt empty, and the meaninglessness of living, when the consciousness of "death" always impacted me, so in 1992, when I was a sophomore high school student who did not want to write "fake poems", I gave up writing poetry. And, when I read some of the poems published in the journal, I was surprised that this was poetry? Can this also be published? I began to question myself, so I began to question the "poetry" in those publications, and I hated the "fake poetry" and vowed not to write poetry again, but to be a poet. And for a long time, everything that was stained with poetry felt like.

Until one day in 2008, I met a 16-year-old girl through the media, and as soon as I entered the world of her poetry and flowers, I felt that she was the bone muscle of poetry. We could only speak once a week and leave her a message in the media each time. Waiting for her to say back was like a long trip. She likes to write poetryy prose of her age. She told me one day that she had a regret that she had never read the poems she wanted to read, that she had read some books and published them, and that she wondered if it was poetry. Her words almost spoke to my pain. From 1992 to 2008, I hardly wrote poetry, and only occasionally retained the poems I still thought were poems Written in 1994, which is a bit like Xu Zhimo's "Farewell to Kangqiao" flavor of "Farewell to the Pipe Pipe". I didn't dare to show her the poem, but wrote another one. After a week of repeated reading and confirmation, it was sent to her. She replied to me in the media that she had read real poetry. So later, every time I had a "poetic feeling", I tried to write a first one for her. Even if she liked it, I didn't think I had written good poetry, Written my ideal poem, and at that time, I was still wandering in the passion of writing novels, intoxicated in the classical music of Beethoven, Mozart, and others.

Until April 10, 11, 12, 13, and 15, 2009, for a week, as soon as I grabbed a pen and wrote on the paper, it was a poem. I wrote 16 songs on the first day, more than 30 songs the next day, and more than 20 poems almost every day. After writing it, I put it on for almost a month before I typed it out on the computer and sent it to her, and the more I read the poems, the more I felt that I was a writer, a poet. So after September 2010, I started to feel that I could submit these papers. So in December 2010, I published for the first time three of these poems in the Poetry Journal of Stars. I was overjoyed to publish my ideal "true poem" for the first time.

In September 2010, the girl came to Changsha to study at university, she is 18 years old, we met, from the soul and appearance, talent, we all have the urge to be together; but from the material and reality, we can only be deterred. She told me at the time that if I wanted to marry her, I had to make a lot of money. I was very embarrassed to say that when she graduated from college, I should be famous. Unexpectedly, by June 2013, because of the advent of my red studies works, the media attention was aroused, and countless online newspapers and television media spread that I had lived in seclusion in Lushan for more than 10 years, just to reproduce the matter of Cao Wen after the eighty times of "Dream of the Red Chamber". At the same time, my poverty is almost known to everyone, and some people in the cultural circles still circulate me as a passage, saying that I built a hut in the Yuelu Mountains, drank some mountain spring water to fill my hunger when I was hungry, and then wrote.

The girl was a senior in the fall of 2013 and will graduate in the summer of 2014. She was on a show with me. Because this episode was posted online, when I broadcast it on my own Weibo, its title seemed to her to have the flavor of using her to hype myself. In addition, she felt that my poverty situation almost affected her, so since then the two have had a difference in concept and broke off contact. I also returned to tranquility and continued to write poetry that began after April 2009, constantly revising the poems written in the week of April 2009 until only about 100 poems I considered to be "true poems" remained.

Before Valentine's Day 2015, the Poetry Journal published my poem "Snow White Goose Feathers Snow White Walls" for the second time. At the instigation of a friend, I began to post my own goose feather poems in the media. On February 14, 2015, the "Xi'an Evening News" reported that my goose feather poetry became popular in new media. At about 1 a.m. that night, the reporter who wrote this report called to tell me that this report was seen by the top leaders who were inspecting Xi'an at the time, and during the meal, he kept following the members of the bank to mention my "goose feather poems" and my "Cao Xueqin's writing after reproducing "Dream of the Red Chamber" eighty times", and he said that he did not know whether they would inform the leadership in my locality and whether it would bring me good luck. After we ended the call, I just felt empty, and I felt that this thing was real and unreal. Although my goose feather poem continues to be popular on the Internet, no one has invested in publishing and put it on the market, and goose feather poetry has existed noblely in the era of saliva, garbage, lower body, and feces and poems. I could only sit still and write under the impact of the wave of shaking mountains, and do the "Tolstoy" and "Sartre" aristocrats who wrote without confusion.

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2. Aristocratic sample

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"Cultural Revival"! Where is the hallmark of China's "cultural renaissance"? What is the purpose of our "cultural renaissance"? The purpose of our "cultural renaissance" is to find cultural confidence for us? Or is it to prove that we are a people with "cultural heritage"?

"Dream of the Red Chamber" in literature, so far, in China for 5,000 years, it is undoubtedly no Chinese literary work can surpass, but it is not mutilated but mutilated in front of us, I spent 31 years looking for defects, archaeological restoration reproduced Cao Xueqin's hundred times "Dream of the Red Chamber". After reading it, a friend said that the sign of cultural rejuvenation should be fully reproduced in the broken "Dream of the Red Chamber", and the original appearance of Cao Xueqin's writing should be presented to the world as a sign of the Renaissance, and at the same time, my "like a god and immortal, burning to death, looking for mutilations and defects, archaeology "Stone Records", without losing the feelings of the long wind; such as Cao Gong's life, thunder does not fall, eats the wind and eats the moon, restores "Dream of the Red Chamber", has the spirit of "goose feather style", and my spirit of "dead heart collapses to the ground, cut the liver into paper, throws it away, idle clouds and flowing water, is not at his disposal; condescending, draining blood words." , see through, the long moon breeze, merit left by posterity commented that "dare to take on the fearless spirit of indifferent treatment of the world, worthy of being an example of Chinese cultural spirit." In addition, my mind of "thinking of danger and striving to be strong, seeking truth from facts and understanding the truth of the world; Cultivating De'an and the world, advancing with the times and transforming the actual destiny" is a sample of the world's humanistic feelings and aristocratic demeanor.

If I am ashamed of the world in this so-called peaceful and prosperous world? Or are the people of the world ashamed of me? On October 14, 2017, from 7:30 to 8:30 a.m., I said in a lecture entitled "Where Did Cao Xueqin's Dream of the Red Chamber Go" in the 1608th Class of Hunan Normal University Affiliated Middle School: "The Dream of the Red Chamber that we are reading now is no longer the original version of the real Dream of the Red Chamber written by Cao Xueqin. The "Dream of the Red Chamber" that we read is the first 80 times, and it is also compiled by generations of scholars using scattered transcripts found by their folk. It is that the first 80 times of Cheng Gaoben's 120 times "Dream of the Red Chamber" are also collected from the transcripts collected by the people. And in the transcripts of various periods, there are missing words and sentences, some have half a sentence in this book, some have half a sentence in that book, and even various other phenomena of transcribing sentences upside down. Therefore, scholars are selected according to their own knowledge and cultivation achievements. Although there is no big difference in the overall content of the various school books, there are sometimes errors and even inadequacies in the sentences and words, and after I found this problem in my study, I found this problem in my study, so in the first eighty times, the people's literature published by the People's Literature Publishing House, which was proofread by Mr. Yu Pingbo, in November 2005, the first eighty times of "Dream of the Red Chamber" published by the People's Literature Publishing House, which was proofread by Mr. Yu Pingbo, was used as the base version, and the first edition of the Haiyan Publishing House in Zhengzhou, Henan Province, in September 2004, the first edition of Mr. Zhou Ruchang used all the fat to approve the eighty times of the "Dream of the Red Chamber" of the hui school. After the eighty times of the "Stone Record of the Fat Book Hui School" edited by Mr. Zheng Qingshan in the first edition of the Writers Publishing House in April 2003, it was compiled into a text in the form of archaeological restoration, and then compiled with the 3rd edition of the Popular Literature Publishing House "Dream of the Red Chamber" in 2008, plus the twenty times after the eighty times of the eighty times of the eighty times of the original text of the Cheng Gao Ben on the basis of the last forty times of cheng Gaoben, and compiled into a hundred times of the original writing of Cao Xueqin. This is the best text that is really closest to Cao Xueqin's Hundred Times "Dream of the Red Chamber". "And my achievements in red science —

(1) From the breakthrough of "indexing and examination" to the creation of "archaeological restoration of Cao Wen" red science

The researchers of the "Index and Examination School" red science, with a rigorous attitude of study and the posture of decryption, painstakingly collected documents and historical materials, in an attempt to explore the truth of "Dream of the Red Chamber" and find the key to finally solve the mystery of "Dream of the Red Chamber".

Tang Guoming, the founder and integrator of "Archaeological Restoration and Reproduction of Cao Wen", pioneered the restoration and reproduction of the 80th text of "Dream of the Red Chamber" and the 67th of the first 80 times in the archaeological way. The textual form is used as an example to prove that 40 times after Cheng Gaoben's "Dream of the Red Chamber" is hidden 20 times after the hundred times of the "Dream of the Red Chamber" mentioned in the fat batch of the "Book of Stones", and it is ironclad that the author of the "Dream of the Red Chamber" 40 times after Cheng Gaoben is not Gao Yan, nor is it the so-called "nameless", but Cheng Weiyuan and Gao Hu organized a group to search and sort out according to the needs of the political and cultural ideology at that time, and its representative work is "Tang Guoming Archaeological Restoration of Cao Xueqin's Hundred Returns to the Dream of the Red Chamber".

(II) It is ironclad that Cao Xueqin's "Dream of the Red Chamber" was completed, and he only wrote it 100 times. The reasons for this have been explained in other texts, and they are no longer rambling here.

(3) Since Cao Wen published Cao Wen's "Dream of the Red Chamber" eighty times after Tang Guoming's archaeology was published in 2013, the voice of the red academic community has undergone earth-shaking changes. The biggest change is that the red academic circles suddenly appeared from Cheng Gaoben 40 times is a sequel, to a certain president said that none of the last 40 times is Cao Xueqin's writing, and suddenly spent his best to say that the last 40 times are all Cao Xueqin's writing. Fortunately, the eyes of the vast number of readers are bright, those are lies, those are facts, they naturally understand. In short, Tang Guoming's success in reproducing Cao Xueqin's writing is a watershed moment for Cao Xueqin's "Dream of the Red Chamber" from fragmentation to complete presentation.

Red Academics:

[1] From the previous denial of Cheng Weiyuan Gao Hu, it has now affirmed the credit of Cheng Wei Yuan Gao Hu.

[2], from the previous said that Cao Xueqin did not complete the "Dream of the Red Chamber" dominated the voice, now it has become Cao Xueqin completed the "Dream of the Red Chamber" voice dominated the mainstream. These can be seen from a "Recommended Reason Material" issued by a government cultural unit on March 22, 2019:

The reason for recommending Tang Guoming's novel "Cao Wen Archaeological Restoration after the Eighty Times of the Dream of the Red Chamber: The 81st to 100th Time" to participate in the Mao Dun Literature Award——

As Tang Guoming said in the preface of this book, "If he is in the year xueqin, why does Guoming have to suffer for ten years", Tang Guoming, with the tenacious "craftsman" spirit of eating from 3.5 yuan to 9 yuan a day, lived in seclusion in Yuelu Mountain, and the discovery of Cao Xueqin's writing after eighty times of "Dream of the Red Chamber" for ten years was restored in an archaeological way, reproducing the style of Cao Xueqin's writing after the eighty times of "Dream of the Red Chamber", and striving to reproduce the true face of Cao Xueqin's writing in "Dream of the Red Chamber", which can be said to be groundbreaking both in literature and in red studies. Therefore, this work is recommended for submission.

Recommended reason support materials ——

(1) From the perspective of social repercussions

Since the publication of his book in the United States and Peru's "International Daily", since 2013, his dream-chasing deeds have been published by Hunan Satellite TV, Zhejiang Satellite TV, Beijing Satellite TV, Guizhou Satellite TV, Liaoning Satellite TV, Hubei Satellite TV, Anhui Satellite TV, Southern Satellite TV and other TV stations through tv programs such as "China Dream Show", "Wonderful Chinese Characters", "Favorite is China", "If You Have Something to Say"... It has been fully displayed and reported, and has been reported by countless newspapers and networks to report so far.

(2) Judging from the reactions of experts and scholars after reading:

Zhang Shiding, a red scholar in Qingdao, Shandong Province, who wrote "The Dream of the Red Chamber in the Right Order", also spent 100 yuan to buy his printed version before Tang Guoming's book was published, and after reading Tang Guoming's "Cao Wen Archaeological Restoration after the Eighty Times of the Dream of the Red Chamber: The 81st to 100th Time", he sighed: "... Archaeology in the book is like sand in the waves; picking the truth, such as Xueqin and Yuqing reincarnated. Those who do not carefully study the Dream of the Red Chamber cannot do it, and those who do not have the power of the dragon and elephant cannot reach it. Seeing the restoration of Cao Wen in the Red Chamber today, full of paper and incense, meaningful, seamless, and dexterous..."

Wei Jianguo, editor-in-chief, said: "The talent that flew up in his works made people rejoice for several days in a row." "Especially in the text of Cao Gongfeng bone and temperament. It can be said that Tang Guoming understood "Dream of the Red Chamber" and understood the bone marrow. ”

The painter Fang Cai Said: The vein is connected, and it is natural and natural.

After reading his book, a reader with the online name "Tomorrow" wrote: This book makes a good reference to the research results of previous scholars in restoring the fate of Cao Xueqin's original characters; in terms of text, it is mainly based on deleting and adjusting the original work, and there are fewer texts that are completely created separately. Overall, this book is well worth reading.

After reading his work, a reader named "Wild Years" said in an online article that he was loyal to Cheng Gaoben, higher than Cheng Gaoben, the plot was reasonable, and the language was very appropriate.

Liu Yeqing wrote a poem: "Forty times to find the true text, to understand the dream of the red chamber." The layman is a fool, and the gentleman turned out to be Xueqin. "Ten years of hard work is unusual, and then the absurdity is played into a great wilderness, the words are pasted with Cao Gongyi, and the stubborn stones make up for the heavens and the fuhua chapter." "Ten years of hard work is unusual, and then the absurdity is played into a great wilderness, and whoever makes up for the dream of a hundred years, Cao Gong will be born shaoyang again."

Mr. Yao Duojun of Beijing, who works for the State Administration of Radio, Film and Television of China, read on March 23, 2019 that "Cao Wen Archaeological Restoration after the Eighty Times of the Dream of the Red Chamber: The 81st to 100th Time" and "Tang Guoming Archaeological Restoration of Cao Xueqin's Hundred Returns to the Dream of the Red Chamber" wrote poems: "The stone broke the sky and shocked Tang Guoming, unlocked the Red Chamber and made meritorious achievements; the snow celery lipid character blood, three hundred years later there is a zhiyin." ”

On May 23, 2020, Chen Baojin uploaded the "Anhui Demonstration High School Peiyou League 2019-2020 School Year High School Spring League Language Test Paper and Answers" in Baidu's library, the 21st question, please compress the following two news in one sentence... Material 1 "Tang Guoming Archaeological Restoration of Cao Xueqin Hundred Returns to the Dream of the Red Chamber Published": In 2016, the advent and publication of Tang Guoming's "<红楼梦>Cao Wen Archaeological Restoration after Eighty Times: The 81st to 100th Time" brought surprises to the world, filled in the regret of the defects of "Dream of the Red Chamber", and made us read the real original appearance of Cao Xueqin's "Dream of the Red Chamber". Therefore, it is safe to say: because of the discovery of Cao Xueqin's writing after the eighty times of "Dream of the Red Chamber", "Dream of the Red Chamber" is no longer mutilated, and "Dream of the Red Chamber" has since stood in front of world culture as it was.

On July 27, 2020, an online reporter named "Kang Kang Reorganized Dream of the Red Chamber" replied after the article "Don't Accept the Fact that Writer Tang Guoming Restored the Archaeological Restoration of Cao Xueqin's Writings": ... It is the original appearance of the Dream of the Red Chamber, and the first eighty times it is strictly sewn...

An old man wrote a poem: "Yuelu Mountain is poor, and the red chamber of the book case listens to the sound of rain." Looking back at the red dust human affairs, he sighed low and smokey clouds. ”

(3) Judging from the history of its publication

In 2011, he first published more than 20,000 words in the form of a synopsis in the second issue of Shaanxi Yan'an Literature.

In June 2013, it was published in the second issue of Zhejiang Floating Jade Magazine.

On July 31, 2013, the international newspaper that distributed the world in the United States began serialization.

In February 2014, the series of the Peruvian Daily International in South America ended.

The "Cultural Exchange" column of the Website of Hunan Shaoyang Cultural Exchange Association was serialized in full from May 29, 2014 to April 5, 2015.

On May 9, 2015, the full text was published on the Dream of the Red Chamber Research Network, which belongs to the magazine "Red Chamber Research", an authoritative journal of Guizhou "Red Studies".

In September 2016, "Cao Wen Archaeological Restoration after the 80th Dream of the Red Chamber: The 81st to 100th Time" was published by Unity Publishing House.

On April 21, 2017, the official platforms of the Journal of Dream of the Red Chamber released the "2014-2016 Red Studies Bibliography" compiled by Hu Lianhao, which was selected as the second place in the 2016 bibliography. In 2019, it was included in the "Dream Of Dreams" published on the official platforms of the "Dream of the Red Chamber" and sorted out by Hu Lianhao.

On December 9, 2017, Tang Guoming's new book launch was hosted by the Writers Association of Fenghuang County, Xiangxi Prefecture, Hunan Province.

Writing his dream of reading a complete copy of Cao Xueqin's hundred copies of "Dream of the Red Chamber", he has lived in Changsha for more than 10 years under the Yuelu Mountain in Changsha for more than 10 years since 2001, and his painstaking reading and study of "Dream of the Red Chamber" and its "Archaeological Restoration of Cao Xueqin's Hundred Returns to the Dream of the Red Chamber" and the craftsman spirit story "There is another such reader" won the first prize of the 8th "My Reading Story" essay in Hebei Province in April 2018.

(4) From the example of Tang Guoming's such archaeological restoration and reproduction of Cao Xueqin's writings from cheng Gaoben forty times

a. The use of some words in the text of "Dream of the Red Chamber"

The mood auxiliaries "of, the earth, and the de" in the text of "Dream of the Red Chamber" were all used as "at that time", "he, she, and it" were all used as "he" at that time, "that" and "which" were all used as "that" at that time, and "like" were all used as "elephants". In this book, all the texts about the text of "Dream of the Red Chamber" are in accordance with the usage at that time, and do not think that it is a typo. In addition, such as "let sit", "waste", "trampled", "ambushed", "stubborn", "has been", "complained", "survived", "nai annoyed" and so on... These words were used correctly in the context of "Dream of the Red Chamber" at that time, and now they seem to be wrong, but if you carefully understand the whole sentence, you will realize the beauty of such use. This is not what I personally want to use, I am following the original wording habits of "Dream of the Red Chamber".

b. In the last two paragraphs of the 120th original text of Cheng Gaoben, the process of resurrecting Cao Wen by archaeological restoration is shown:

Note: In the following "<>", the deleted words and sentences are deleted, the words and sentences in "()" are reduced, and the words and sentences added in "[]" are reductive.

This day, the karate people passed in front of Qinggeng Peak again, saw that the unused stone of the heavens was still there, the handwriting on it was still the same, and looked at it carefully from the beginning, and after seeing the back of the text, he went through how many words of the result were recorded, [Behind the conversation, there was an extra "Police Illusion List", all the way to read, only to see the beginning: Jia Baoyu - not merciful. Next, it is: the main book of the Twelve Books of Jinling to the sub-books of the Twelve Books of Jinling, from the beginning of "Lin Daiyu - Love" to the end of the four pairs of books, the names of the remaining women cannot be recognized. He <点>(shook his head) and sighed, "I used to see this strange text of Brother Shi, and I originally said that I could smell the legend of the world, so I once copied it, but I did not see it restored to the original." I don't know when to repeat this good story, Fang Zhishi brother next time, grind out the light, cultivate into a circle of enlightenment, can also be said to have no regrets. I am only afraid that I will be old and long, the handwriting will be blurred, and there will be mistakes, so I might as well transcribe it again, find someone who has nothing to do in the world, and entrust him to spread it all over the <, knowing that strange and not strange, vulgar and not vulgar, true but not true, false and not false. Or dust dreams, chatting about the birds calling home, the mountain spirits are hospitable, and even more from the petrification flying, I don't know >. "After thinking about it, I copied it again, and still went to the prosperous place, and searched everywhere, not the person who made meritorious achievements, that is, the people who were clothed with spare words, and those who had leisure to talk to the stone. Straight to the mouth of the rapids, there was a man asleep in the grass temple, and because he thought that he must be an idle man, he wanted to show him the copied "Book of Stones". The man could not wake up again. The empty karate man pulled him hard again, and then slowly opened his eyes and sat up, <便>took a cursory look, and still threw down: "I have already seen this matter with my own eyes." There is nothing wrong with your transcription, I am only referring to you alone, entrusting him to pass it on, <便>which can be attributed to this public case. The empty karate man was busy asking who it was, and the man said, "You have to stay in a mourning red Xuan on a certain day in a certain month of a certain year, and there is a Mr. Cao Xueqin, who only said that Jia Yucun told him to be so and so." "After saying that, I still fell asleep.

The empty karate man firmly remembered this, and did not know how many lifetimes and several disasters had passed, and sure enough, there was a mourning Hongxuan, and saw that Mr. Cao Xueqin was reading the ancient history there. The empty karate people <便>spoke jia yucun, and Fang showed this "Stone Record". Mr. Xueqin smiled, "Sure enough, it is 'Jia Yu Village Dialect'!" The karate man then asked, "How did the gentleman recognize this man and <便>be willing to preach it for him?" Mr. Cao Xueqin smiled and said, "Saying that you are empty, it turns out that your stomach is indeed empty." It is a false village dialect, <但>[there is] no Lu yu hai feng and the contradictions of the back fallacy [also unknown], [but know the strange but not the strange, the vulgar and not the vulgar, the true but not the true, the false and not the false.] Happy to have to go with comrades two or three, [or talk about the dust of the birds calling home, dreaming of laborers, and more from the petrified mountain spirit hospitality;] wine and food are full, under the rainy sunset lamp window, the same dissipation of loneliness, and do not have to be mr. adults to taste the world; it seems that you are looking for the root of the matter, that is, carving a boat and asking for a sword, and the rubber pillar drumming. The empty karate man listened, laughed in the sky, threw down the manuscript, and drifted away. As he walked, he said, "It is indeed perfunctory and absurd!" Not only does the author not know, the scribe does not know, nor does the reader know. However, the game pen and ink, Tao emotional adaptability only! Later generations saw this strange biography, and also inscribed four sentences for the author's origin of the words to turn the clouds:

When it comes to bitterness, the more absurd it is.

From the same dream, Hugh laughs at the world's foolishness!

c. The text of Cao Wen, which was resurrected from the last two paragraphs of the 120th original text of Cheng Gaoben:

This day, the karate people passed in front of Qinggan Peak again, saw that the unused stone that made up the heavens was still there, the handwriting on it was still the same, and looked at it carefully from the beginning, and after seeing the text behind it, he went through how many words of the result were received, and after the conversation, there was an extra "Police Illusion Love List", all the way to read, only to see that the beginning was: Jia Baoyu - unforgiving. Next, it is: the main book of the Twelve Books of Jinling to the sub-books of the Twelve Books of Jinling, from the beginning of "Lin Daiyu - Love" to the end of the four pairs of books, the names of the remaining women cannot be recognized. He shook his head and sighed, "I used to see this strange passage of Brother Shi, and I originally said that I could hear the legend of the world, so I once copied it, but I did not see it restored to the original." I don't know when to repeat this good story, Fang Zhishi brother next time, grind out the light, cultivate into a circle of enlightenment, can also be said to have no regrets. I am afraid that as the years go by, the handwriting will be more blurred, and there will be mistakes, so I might as well transcribe it again, find someone who has nothing to do in the world, and entrust him to spread it everywhere. "After thinking about it, I copied it again, and still went to the prosperous place, and searched everywhere, not the person who made meritorious achievements, that is, the people who were sparing their mouths and clothes, and they had the leisure to rap with the stones. Looking straight to the mouth of the rapids, there was a man asleep in the grass temple, thinking that he must be an idle man, so he wanted to show him the transcribed "Book of Stones". The man could not wake up again. The empty karate man pulled him hard again, and then slowly opened his eyes and sat up, took a cursory look, and still threw down: "I have already seen this matter with my own eyes." There is nothing wrong with your transcription, I am only referring to you alone, entrusting him to pass it on, which can be attributed to this public case. The empty karate man was busy asking who it was, and the man said, "You have to stay in a mourning red Xuan on a certain day in a certain month of a certain year, and there is a Mr. Cao Xueqin, who only said that Jia Yucun told him to be so and so." "After saying that, I still fell asleep.

The empty karate man firmly remembered this, and did not know how many lifetimes and several disasters had passed, and sure enough, there was a mourning Hongxuan, and saw that Mr. Cao Xueqin was reading the ancient history there. The empty karate people spoke jia yucun, and Fang showed this "Stone Record". Mr. Xueqin smiled, "Sure enough, it is 'Jia Yu Village Dialect'!" The karate man asked, "How did the gentleman recognize this man and be willing to preach it on his behalf?" Mr. Cao Xueqin smiled and said, "Saying that you are empty, it turns out that your stomach is indeed empty." It is not only a false language, whether there is a luyu haifeng and a contradiction in the back, but it is known that strange and not strange, vulgar and vulgar, true but not true, false and not false. Happy to have to talk with comrades two or three, or talk about the dust of the birds calling back, dreaming of laborers, and more from the petrified mountain spirit hospitality; wine and food are full, under the rainy sunset lamp window, the same dissipation of loneliness, and do not have to be mr. adults to taste the problem; like you look for the root of the matter, it is to carve the boat and ask for the sword, and the rubber pillar is drummed. The empty karate man listened, laughed in the sky, threw down the manuscript, and drifted away. As he walked, he said, "It is indeed perfunctory and absurd!" Not only does the author not know, the scribe does not know, nor does the reader know. However, the game pen and ink, Tao emotional adaptability only! Later generations saw this strange biography, and also inscribed four sentences for the author's origin of the words to turn the clouds:

When it comes to bitterness, the more absurd it is.

From the same dream, Hugh laughs at the world's foolishness!

——This is how I Tang Guoming pursued Cao Xueqin's "Dream of the Red Chamber" at 8 square meters a day and from 3.5 yuan to 8 yuan per day. Gentlemen, is this a sample of the nobility?

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About the Author:

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Tang Guoming's calligraphy: goose feather thesis

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Tang Guoming followed his principle of "knowing your reason and force, looking at his reason and force, combining the reason and force of all families, knowing and doing, and getting my reason and force", and because of the inspiration of the "Goldbach conjecture 1+1" and the world mathematical problem "3x+1" conjecture, he came up with the famous saying of "halfway philosophy":

1, 1 is the halfway of 2, all things are always in the middle of the way, all things are always on the way.

2, halfway is a kind of drifting never to the end of the homeless state of zero.

3) We are neither in the past nor in the present, nor in the future, we are only on the way, in the present.

4, there is no far away, the far you reach, but it is a far away halfway above.

5. Write about the gains and losses of heaven and earth, and strengthen the mental strength of the world. I'm rewritten by everything, I'm rewriting everything.

6, force to determine the clean, rational world. All things are increasing and decreasing, not being born and dying. The universe began in an increasingly and decreasing parity in which the sun never extinguished.

7) The culture of mankind father and mother is literature and mathematics.

8, on the way, we have nothing but to have this moment.

9, people only put themselves in the middle of the way, there are many possibilities to achieve their own.

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Tang Guoming said: There is no point in continuing to write "Dream of the Red Chamber" for ten thousand years

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Tang Guoming's Cao Xueqin's writing pen found in the 40th time after Cheng Gaoben in "Dream of the Red Chamber" is like looking for a corpse after being divided, organizing the bits and pieces of Cao Wen's flesh and bones found, and then reproducing Cao Xueqin's writing twenty times after the eighty times of "Dream of the Red Chamber" in an archaeological restoration way.

It naturally fits the hundred times of "Dream of the Red Chamber" mentioned many times in the fat batch, called "Cao Wen Archaeological Restoration after the Eighty Times of the Dream of the Red Chamber: 81 to 100 Times".

On the basis of the 67th Cao Wen of "Dream of the Red Chamber" that is still reproduced in an archaeological restoration, it is proofread again with the first 79 times...

In addition, the first eighty times and the other times are the first eighty times of "Dream of the Red Chamber" published by the People's Literature Publishing House in May 2000, which was proofread by Mr. Yu Pingbo.

Zhengzhou, Henan, September 2004, Haiyan Publishing House, 1st Edition, Mr. Zhou Ruchang used all the fat batches to collect the school's eighty times "Dream of the Red Chamber"

In April 2003, the 1st edition of the Writers Publishing House, Mr. Zheng Qingshan, revised the "Stone Record of the Fat Book Hui School" for eighty times as the main school,

After the mutual proofreading of the 3rd edition of the People's Literature Publishing House "Dream of the Red Chamber" in 2008,

Plus the twenty times after the eighty times of the eighty times I went to the pseudo-authentic archaeological restoration on the basis of the last forty times of Cheng Gaoben, "Cao Wen Archaeological Restoration after the Eighty Times of the Dream of the Red Chamber: The 81st to 100th Time",

And synthesizing this before and after the language style unity, the context is connected, returning to Cao Xueqin's original original pen of the hundred times version -

"Reproducing Cao Xueqin's Hundred Returns to the Dream of the Red Chamber" (formerly known as "Tang Guoming Archaeological Restoration of Cao Xueqin's Hundred Returns to the Dream of the Red Chamber").

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Who is Tang Guoming?

A man in the bright moon and breeze who cannot move, who cannot burn, who does not collapse from wind and rain, who steps on the mountain and goes on the road;

A literati who bleeds without losing the feelings of the long wind, burns without destroying the style of goose feathers, investigates the gains and losses of heaven and earth, strengthens the heart of the world, has the bones of the goose feather style, the flesh of the clear wind and the bright moon, the blood of the idle clouds, and the long wind and the feelings of the heart;

A human intellectual who has the heart to benefit the world and benefit all generations; to advance with the times and think of danger, to seek truth from facts and to seek peace and spiritual feelings under the world;

A half-way philosopher, half-way philosopher, half-wayist youth who put forward half-way philosophical theories, literary adherents, ideological pioneers, and soul sympathizers;

A person in the dream of the Red Chamber who knows your reason and strength, sees his reason and force, unites the reason and force of all families, knows and acts, and obtains my reason and strength;

A goose feather poet who shouts out to the world and the world, I am the useless king who has been passed down through the ages;

A free ancient poet who advocates removing the shackles of the framework and writing ancient poems as naturally catchy and naturally sound, with water to flow and clear water out of dust.

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The half-way humanistic spirit embodied in Tang Guoming's body, as tang Guoming's famous poem "The Reader" said——

Thunder does not fall, fire does not move, wind and rain do not collapse, like a long moon breeze / eclipse at any time, up and down, writing as you like, like idle clouds and flowing water

To the raging tide, turn a blind eye and listen to it, bleed without losing the feelings of the long wind / Live at the foot of the peaceful mountain, the poor are carefree and rich, and the fire does not damage the goose feather style

Advancing with the times to recognize the truth of the world, thinking of danger and striving to be strong / Seeking truth from facts to transform the actual destiny, cultivating morality and the world

Reading thousands of books, investigating the time of heaven and man, through the changes of ancient and modern times / walking thousands of miles, the principle of poor heaven and earth, and becoming a family

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Tang Guoming, male, Han ethnicity, half-way philosopher, goose feather poet, dream of the Red Chamber, free ancient style poet, bright moon breeze person, member of the Hunan Writers Association, a famous writer and scholar who now lives in Changsha, a collection of literati, poets and philosophers, who created archaeological restoration and reproduction of Cao Wenhongxue, pioneered goose feather poetry, pioneered halfwayism, and created poetic flow literature.

Since his publication, he has published several articles in literature, red studies, and mathematics in Zhong Shan, Poetry Journal, and other books and periodicals at home and abroad.

In 2012, he published Zweig's more than 100,000-word non-fiction novel "The Biography of Magellan" and the more than 10,000-word short story "I Am Magellan" in Hemingway's "The Old Man and the Sea". The novel was first drafted in 2008, published in 2012, and now published in 2021 for almost 10 years. From 2008 to 2021, it has been continuously revised, and there are now more than 15,000 words left, which can be said to be Tang Guoming's first novel work with halfwayism.

Since 2013, its inkblot "Goose Feather Post" can be exchanged for 3,000 yuan.

In 2016, he published the famous work "Archaeological Restoration of Cao Wen after the Eighty Times of the Dream of the Red Chamber: The 81st to 100th Time", which was included in the Red Chamber Of Red Chamber In 2017 and included it in the Red Chamber Journal's 2014-2016 Red Studies Bibliography.

In 2018, his autobiographical work "Such an Argument for Goldbach Conjecture 1+1 and 3x+1" won awards at the Shanghai Writers Association and East China Normal University.

In 2019, he published the half-way literary poetry collection "Goose Feather Poems" by Internet celebrities so far.

Since 2013, his dream-chasing deeds of pioneering archaeological restoration of Cao Wenhongxue, pioneering goose feather poetry, and demonstrating Goldbach's conjecture 1+1 and 3x+1 conjecture to obtain the "Halfway Philosophy" have been successively adopted by Hunan Satellite TV, Zhejiang Satellite TV, Beijing Satellite TV, Guizhou Satellite TV, Liaoning Satellite TV, Hubei Satellite TV, Anhui Satellite TV, Southern Satellite TV and other TELEVISION stations through TV programs such as "China Dream Show", "Wonderful Chinese Characters", "Favorite is China", "There is something to say"... It has been fully displayed and reported, and has been reported by countless newspapers and network media in the United States and at home and abroad so far.

In 2017, he demonstrated the world mathematical problem "Goldbach conjecture 1+1" and the world mathematical problem "3x+1" conjecture, and discovered the universal law formula from "3x+1", and came up with the "halfway" philosophy by arguing "1+1" and "3x+1": you are always on another unknown halfway, you are always placed in an unknown "zero township"...

In April 2018, he completed "Reproducing cao xueqin's hundred returns to the dream of the red chamber" (formerly known as "Tang Guoming Archaeological Restoration of Cao Xueqin's Hundred Returns to the Dream of the Red Chamber").

In April 2019, the bimonthly magazine "Taihu" in Wuxi, Jiangsu Province, published Tang Guoming's half-way literary exploration of "goose feather novel" original pioneering work "Soldiers Sticking to the Fortress of the Great Wall".

What is Tang Guoming's "goose feather novel", as the writer Tang Guoming himself said-

The goose feather novel is to absorb the poetic and unbroken creative technique, just like the goose feathers are separated from the swan, flying around in the wind, and the goose feathers are still the goose feathers on the swan.

In June 2020, he completed the halfwayist literary exploration novel "Goose Feather Novel" "Zero Township".

On October 29 and October 30, 2020, Tang Guoming became a hot search for two consecutive days because of the Weibo news topic #Men Live in 20 Years and Want to Restore the Dream of the Red Chamber for two consecutive days, becoming a popular figure in the Internet "hundreds of millions of traffic".

From October 9, 2021 to October 15, 2021, Tang Guoming was on the internet for the news topic #Men's Snail Rental House 21 Years Of Restoration of Dream of the Red Mansions#.

In April 2022, Tang Guoming published a cross-stylistic novel that has been painstakingly attempted to explain halfwayism philosophy in a literary way for 22 years, and an encyclopedic epic that integrates poetry, literature, history, mathematics and philosophy, and creates "poetic flow" literature, "Soldiers On the Fortress of the Great Wall".

On April 8, 2022, Zhengguan News released news about Tang Guoming on the whole network, "A Man in Hunan Lived in 22 Years to Restore the Dream of the Red Chamber", reporting that Tang Guoming pioneered halfwayism and goose feather poetry.

April 9-11, 2022 The Paper released about Tang Guoming's #Man Snail Residence 22 Years After Recreating the Dream of the Red Chamber 80 Times Cao Xueqin's Writing #News On Changsha Same City Hot Search.

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Summary of Tang Guoming's mathematical and "halfway philosophical theory" achievements in the process of arguing goldbach's conjecture "1+1" and the world mathematical problem "3x+1":

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1、“1+1”：

No matter how large a prime number is, except for primes 2 and 5, its single digits are always 1, 3, 7, 9; no matter how large and even, its single digits are always 0, 2, 4, 6, 8, and "any even number divided by 2" plus subtracts the same positive integer can give two prime numbers equal to this even number; and the two unequal prime numbers are distributed in the interval between the "even number divided by 2" and equal to the difference between the numbers. This theory holds in the known interval of even prime numbers, and in the face of endless unknowns we can only agree with this theory in the advance of the number of intervals and an interval number, so the Goldbach conjecture, that is, the general formula of "1+1" is:

t﹦[（t÷2）﹣q]＋[（t÷2）＋q]

(When the even number t>2, q is the difference between two prime numbers and "this even number divided by 2"; except for the prime numbers 2 and 5, the range of single digits of the prime number can only be cycled in 1, 3, 7, and 9. ）

2, "3x + 1" and the law of universal flux, universal always on the way formula:

With an odd number of single digits that are 1, 3, 5, 7, 9, multiplied by 3 plus 1, it will be incremented to an even number whose single digits are 0, 2, 4, 6, 8, and we call this operation rule that increments from odd numbers to even numbers "odd change", and then use 2 consecutive integers to divide the even numbers into odd numbers, and we call this operation rule that decreases from even numbers to odd numbers "even"... Any positive integer greater than zero, through a continuous such "odd-even" operation, such as the infinity of infinite numbers is always in the "3x+1" conjecture through the "odd change" and "even" principle to reach 4, 2, 1 on the way...

The nth power of 2 is the final line of all "3x+1" conjectures " odd " and " even " coefficients " that reach the 4 , 2 , and 1 streams , and the starting line of the return to the infinite data universe from 4 , 2 , and 1. On this n-power line of 2, there are innumerable shunt points from the 4th, 2th, and 1st returns to the convergence point of the 4th, 2th, and 1th streams, but these points are on the number points of the 2-power combination of 4+6n. Therefore, following the "3x+1" conjecture "odd change" and "even change" rule through the convergence point of 2 n power combination 4 +6 n numbers, the return flow can be divided out of the odd number x combined with 1 + 2n or combined 2 + 3n number group, and following these number groups backflow, the backflow will reach the endless number flow of 4, 2, and 1 through "3x +1", "odd change" and "even change". It describes the endless odd even numbers that follow the "odd" and "even" running rules to finally reach the result of 4, 2, and 1. It is the universe that is inactive from disorder to order from beginning to end, and then from end to beginning, so that it exists in the universe and creates the best and most appropriate expression of the poetic generation and demise and extinction of all things in the universe, so the formula of this law of universal flux is:

...... 2x ↔ x ↔ 3x＋1 ↔ （3x＋1）÷2 ↔ ...... 2 to the nth power ↔ ... ↔ 4、2、1......

namely

...... 2+4n ↔ 1+2n ↔ 4+6n ↔ 2+3n...... ↔ 2的n次方 ↔ ...... ↔ 4、2、1......

- This is how everything in the universe is so poetically generated and died in the form of bands, dying and generating. This is the law of universal flux and the formula that all things always change on the way. According to the principle of "3x+1" conjecture "odd change" and "even change", the birth of everything in the universe should be a band and a band similar to the "3x +1" conjecture "strange change" and "even change" process, with the change size of n data and constantly arranged and generated.

The endless odd even numbers it describes follow the "odd change" and "even change" running rules and finally arrive at 4, 2, 1 The result is the best and most appropriate expression of the universe "everything is always on the way", and it is also the best expression of the world as an infinite whole, and it is also the best expression of the "3x +1" conjecture "odd change increasing" and "even change decreasing" principle in the future, and after entering the 4, 2, and 1 cycles of orderly operation in the form of big data, a kind of human dream "God", beyond the insight of every human being, and even includes all wisdom and omnipotence." The superego "will be born out of this world in the form of mathematical information. Moreover, the world's things are "even when" decreases back to "odd time", and returns to "odd time" will increase back to "even time", and world things are so following the "3x+1" conjecture "odd change increasing" and "even change decreasing" principle in the best description of all conservation and balance. At the same time, this formula also philosophically explains the cyclical and orderly operation of the world life system, just like the 4, 2, 1 forms of cyclical orderly operation, which are evolved from countless unknowns following the "3x+1" conjecture "odd change increasing" and "even decreasing" principles to meet us - that is to say, it is the best mathematical form of the solution that philosophers have been asking about "why the world has become so".

In any case, everything is always always on the way to 4, 2, and 1 through the "odd change" and "even change" principle, and everything in a certain moment and a certain historical period is only in its "strange change" and "even change" data flow, or in combination with 2 + 4n or 1 + 2 n or 4 + 6n or 2 + 3n or 2 + 2 or 2 or 2 or 2 or 2 or 2 or 2 or 2 or 2 or 2 or 2 or 2 or 2 or 2 in the 2 or 2 of the data separation point of other operating forms, always in an unknown halfway, always placed in an unknown "zero township"...

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3. "Halfway" philosophy (Tang Guoming follows his principle of "knowing your reason and force, looking at his reason and force, combining the reason and force of all families, knowing and doing, and getting my reason and force", and because of the inspiration of the "Goldbach conjecture 1+1" and the world mathematical problem "3x+1" conjecture, the "halfway philosophy")

Under the premise that n is an integer, the n power divided by 2 is the smallest and the nth power of 2 is the greatest, Tang Guoming follows his principle of "knowing your reason, seeing his reason, conforming to the principle of all families, knowing and doing, and getting my reason", and because of the inspiration of the "Goldbach conjecture 1+1" and the world mathematical problem "3x+1" conjecture, the "halfway philosophy" is obtained:

1 is halfway through 2 – everything is always in the middle of the way, everything is always on the way, and when you reach "1+n", you are in the halfway of "2+2n". That is, when you arrive at 1, you are halfway to 2, when you arrive at 2, you are in the middle of 4 or when you reach 1, you want to reach 2; when you arrive at 2, you want to reach 4. But you arrive at 1 at this moment, you arrive at 2 at this moment, you arrive at 4 at this moment; in the face of the infinity of the future, you are neither in the past nor in the present, nor in the future, but only on the way, only in this moment; you are either eternally existing in the infinitesimal flow of space-time on the power of 1 divided by 2 and spinning in circles for survival in the infinitesimally free way to the power of n, or you are in the space-time of the greatest and infinitest energy on the nth power of 2, and you will be infinitely eternal. You will always be in the middle of another unknown, and you will always be placed in an unknown "zero town".

We are neither in the past nor in the present, nor in the future, we are only on the way, in the present, we are all on the way. Our lives are not elsewhere, we are just living on our way. We are all halfway products. There is no far away, the far you reach, but it is a far away halfway above.