This mango sound synthesis completely exploded, "Sound is endless".
In the first issue, on the day of the broadcast, the network heat gradually rushed to the first. In one go, dozens of hot searches have been won, and many hot songs in the music round have created a number of slaughtering charts on major music platforms. NetEase Cloud Music soared in the top 7 of the top 7 songs, are all covered by the program sound source, Yan Mingxi's "Worm" performance out of the circle.
The second issue, which premiered on Mango TV at 12 noon, has not yet been broadcast on TV, and it took only 4 hours to rush to the first place in the popularity of the whole network. The total number of views in 8 days has exceeded 600 million.
When the music variety show is on the verge of collective mute, and even the entire domestic variety show market in the first half of the year has not been able to find a hit, finally, there is a variety show that has won the attention and love of multi-circle audiences across age groups and regions, and there is no doubt that it has become the fault C position in this year's music variety.
But the fire is not only the variety show itself, but also the Hong Kong music.
Although many music critics, including Guangdong listeners, have also questioned the presentation of the program for Hong Kong music, and even the hong Kong music itself, but seeking truth from facts, whether it is Cantonese songs or Hong Kong music, the program seems to open the magic of time, so that those classic warmth once again touch us.
There is no perfect variety show in the world, is it to let Hong Kong Music stay where it is and become a small circle game for some fans, or to let it break out of the circle and get the greatest resonance? Perhaps, some people choose the former, but I believe that many people, like me, will choose the latter.
As the program enters the second period, on the one hand, the feelings left by Hong Kong music, Hong Kong entertainment and Hong Kong stars are still there; on the other hand, the quality of this period is not only supported by "feelings".
Although Wu Keyue, who has been called by fans, did not appear, there were golden songs of a generation such as "Yong", "Cycling", "Lover", and "Afterlife", and there was the out-of-line play of Li Jian, Li Keqin, and Li Keqin' double-Li combination; and Ye Qianwen Li Wei Zhou's pen Chang lit up the whole scene.
There is the 74-year-old Great Demon King Lin Zixiang's sword is not old, and there is also the cute treasure teenager Zeng Bit's yi difficult peace.
And when Zeng Bit buried his head into Lin Zixiang's arms and shed tears, "My father passed away very early" "At that moment, I really treated him like a father, many things, it seems to be released."
How many people, once again, couldn't help but break the defense. Anyway, the female team members who listened to the song said while moving, "Oh we are all in tears, it's over (losing)".
How long has the internal entertainment been, and there has not been a sound synthesis that makes so many people break through the defense? Here's my observation.
Best individual play of the game
Number one player: Miriam Yeung", "Yong"
Competitors: Lin Zixiang, Ye Qianwen
From the last program, it can be seen that Yang Qianwei is in a brave state.
In the last issue of "Unconditional", Yang Qianwei sang very well, probably better than all the mainland variety shows she participated in last year, but what she did not expect was that this time she was in a more courageous state.
And Yan Mingxi performed his classic song "Yong", Yan Mingxi wore a white robe and walked up the steps to stand in the light, while Yang Qianxi was black and melted in the shadows, one bright and one dark, one high and one low, the two emotional singing gradually pushed the emotional layers to the climax.
Although it is Yang Qianwei's own song, it is obvious that she has sung the old song with a new taste. When she sang this song, she debuted shortly after, suffered from many people's doubts, and sang with a lonely courage, with a kind of "determination to see death as a return to the blood flow".
And now that the thousand sails have passed, there is no past to look down on, but there is more gentleness and firmness.
Therefore, Yan Mingxi is like Yang Miriam at that time, singing loudly that "the red light along the way is red again, no one can stop me, looking at thousands of troops and horses are rushing straight", while Yang Mixi is after the world, "still willing to hold on, laughing as a weapon for you", "Obviously it is empty, and then do your best to make up for it". There is a hint of romance in toughness.
Until the last sentence, the two female singers looked at each other and smiled. "I have no tenderness but this heroism." It is as if a brave word has been passed down from generation to generation.
To say that it is a pity, it is that Yan Mingxi still sings very well, but after all, it is not like the last "Fei Fei", the air sound and false tone are interpreted to the extreme, and Yang Qianwei's sense of existence is too strong, she sings alone, and the effect presented I think is not too different from the chorus.
The other two individuals who played best in this field were the two in-laws.
First of all, Ye Qianwen, the first show debut is really very amazing, before lin Zixiang's show she was out of the state of waving her hand to retire, did not expect the first one to come out of Lin Zixiang, the big devil king to win.
Winning, Lin Zixiang has nothing to say, because Ye Qianwen's performance is really both the thickness of the years, the presentation of technology and the expression of feelings, the level has not deteriorated, but the emotions have become more and more mellow with the brewing of the years. When she sang, I had only one thought in my mind, which was— "A woman is old, can she still be so beautiful?" ”
A red coat, a silver hair standing in the light, out of the dust, graceful, the unique personality and taste in the bones, everything has not changed.
And this scene of Ye Qianwen completely released herself, a long list of English rap without breathless fluent output, I only have one thought in my mind, that is, - "A woman is old, can she still be so strong?" ”
I have never thought before, what will happen to the 60-year-old self, may dance in the square, but a 60-year-old Ye Qianwen who does not have a stiff face, singing and dancing on the stage, this physical strength, state and stage performance, many 20-year-old love beans have it?
Speaking of Lin Zixiang, the last time the Great Devil King sang "Shine Out of the Thousand Points Of Light Suite". When he clenched his fists and sang "Boys Be Self-Reliant", the whole audience was ignited.
But in fact, people who are familiar with Lin Zixiang's state can hear that his state is not very good, not compared with Lin Zixiang at the peak, or compared with the state of the past year, it is only average.
Of course, the audience still sounds very energetic, but what I regret most is that Lin Zixiang is not only a singing style, but only the famous high-pitched scenes of the Great Demon King, which obscure the light of other sides of him.
But I thought that Lin Zixiang would only soar high pitch, which was mistaken.
The best thing about Lin Zixiang in this scene is that he can finally let many mainland audiences get rid of this misunderstanding, not soar high, and gently sing the mellowness of the years?
As for where good, no hurry, finally said.
The best song and dance of the show
Number one contestants: Ye Qianwen, Li Wei, Zhou Bichang, "I want your love"
Competitor: None
"I Want Your Love" is definitely the hottest stage in this program, no, it should be said that it is the hottest stage I have seen in the domestic music roundup this year.
The original song was sung by Gülen in 1957 and is also known as the "Vital Touchstone" due to the difficulty of the song.
The three female singers in this scene have their own characteristics and unity with each other, just presenting the style of different versions of "I Want Your Love" in the Hong Kong music scene such as Faye Wong, Mui Yanfang, Lin Yilian, etc., some are optimistic and playful, some are sassy and casual, and the song combines combustion, passion, ugly and subtle comedy.
The most absolute thing is Ye Qianwen, who is both a vocal responsibility, jumping up as if the white hair is dyed. Li Wei's performance is still very much in his own style, while Zhou Bichang is super cute.
The performance state of the three people is very exciting, so that the stage is full of infectious, although there are a few places where the live performance is slightly flawed, but under this atmosphere and appeal, due to the moment of loss of control brought by enthusiasm and excitement, I think it is harmless, but it is just "So Crazy", which makes me love this performance even more.
In contrast, the stage of "Lover" is really not good enough.
If you compare the two stages together, the conclusion is: if you can't give a song new life, then at least don't lose the taste of the original song.
As one of the classic songs of the beyond band, Liu Zhuohui said about the song that "Lover" is obscure and sad. As for this stage, you can see that the unique timbre and voice lines are fused and collided in the accompaniment, and the singing is also very hard, but
The essence of the song is still faded.
Best Choral Technique of the Show
Number one players: Li Jian, Li Keqin, "Spark"
Competitors: Shan Yichun, Liu Xijun (afterlife)
Seriously, when I first saw this chorus list, I pinched a sweat for Li Jian Li Keqin, because the original song was Liang Yongqi, who was suffering from the trough of his life around 2000, and returned to the peak of "Fireworks". If you change to two singers who are so quiet in style to sing, can you rub out the fireworks?
The result was that I was overconsidered.
The two people's clear voices are incomparably compatible, respectively, in Cantonese and Mandarin cross-singing "After that, if there is no torch, I am the only light", regardless of timbre, emotion, and eloquent expression are very qualified, and the visual effects, atmosphere, and the two people's eye interaction performance are very ornamental, especially the moment when the eyes of the two people look at each other, there is a kind of fireworks burning not only for a short time, but also a firm gentleness and firmness after burning.
I thought it would be difficult to perform this song well, but I didn't expect to have a chemistry and sense of substitution that exceeded expectations.
Another praiseworthy thing is that the prelude to the song is Tan Yonglin's "Gushing Heart", and the original English golden song is "The Golden Bridge on the River of Sorrow".
The clever arrangement, coupled with the opening of the two singers, has a sense of story, clean voice, long singing, and the showmanship of not deliberately pursuing skills, which can always touch people's hearts.
In contrast, the arrangement of Liu Xijun and Shan Yichun's "Afterlife" is also very neat, but as netizens said: without erhu, there is no soul.
From the shape, it can be seen that the two singers intend to highlight the difference, Liu Xijun wears a blue suit, which contrasts with Shan Yichun's dark green long skirt, because of the difference in singers, the theme of the song has also expanded, from love to family and friendship, can hear that kind of sincerity and moving, the performance of the two singers is also good.
But perhaps Andy Lau's version is too impressive, and in general, the new version does not make me forget the impression of the original song at a certain moment.
In this sense, I heard another proof of this chorus: Who said that Andy Lau can't sing? After all these years, has any version of "Afterlife" surpassed the Huazai version?
No.
The best song and best scene of the show
Number one player: Lin Zixiang Zeng Bit "Bicycle"
Competitor: None
The most defensive moment of this game: Zeng Bit hugged Lin Zixiang
There is no suspense, not that other singers are not performing well, the stage is not good, but this year's music synthesis has just appeared on another classic stage.
The diversity and texture of the mango variety stage created by the "I Am a Singer" team is the advantage of "Sound and Endless" to stand out.
In this song, this advantage is also played to the fullest.
It's not just a matter of filling up the sense of atmosphere and mood, but it's like watching a small music movie.
Ordinary people interpreting the scene of this song may think of doing a lot of props, such as the set of the amusement park, but the main scene of this scene is a bench and a platform.
But the background board naturally brings out a lot of feelings and information, making it impossible not to integrate into the scene of the song.
In fact, the scene is so powerful, the singer sang to six points I can already give eight points.
But Li Keqin will also choose people, "Zeng Bit is the first on the field, Lin Zixiang is a master, then you are a pair." As a result, this old one and young one came up, directly sang to the level of 9.9999 points, and the singing part was infinitely close to perfection. So how do I give this score?
From the name "Sound and Endless", it can be seen that it contains a kind of "inheritance".
And this is also the most perfect embodiment of the concept of inheritance since the beginning of the show. It is the true inheritance of singers who witness the history of Hong Kong music and the new generation of Hong Kong music.
Zeng Bit made his debut on the talent show "All the People Make Stars". Previously, there was almost zero visibility in the mainland. A song "First Love" sang a dark horse.
I was worried that in the last scene he sang very soul, and the final impromptu fake sound was great, which in style, may not be as good as Hu Xia and Lin Zixiang.
Never expected this "father-son" combination to be so ghostly and sharp?
As soon as the two tones collided, my tears began to flow, and the highest state of the song was emotional, and I think countless audiences were emotional at that moment.
The middle song incorporates Xia Shaosheng (that is, Chen Xiaochun's "Deer Ding" Chen Zongruer) into the "Empty Stool", and the voices of the two singers are constantly intertwined, as if the characters of a father and a son are in dialogue with each other. Especially Lin Zixiang, as soon as he opened his mouth, it was as if he was a father who felt indebted, constantly switching between "sighing" and "regretting".
Many Cantonese fans say it is not right, because the original songwriter said that this song actually contains a lot of anger and dissatisfaction with his father.
But the meaning of the adaptation is originally to give the song a different connotation, isn't it?
At least I understood the inexplicable regret and loss of Zengbit in the song. And Lin Zixiang's vibrato contains such a deep sense of love.
At first, one person sang, one person sat, father and son were always separated, and then the two people sang closer and closer, and finally sat on a bench. The scene is so wonderful, and in the end, the song seems to freeze time.
In a way, the family affection in the song is like a blunt knife soaked in salt water, piercing the hearts of many viewers.
Singing here, in fact, the whole song has been very, very complete, enough to enter the best stage this year. Unexpectedly, there was also the finishing touch, that is, the hug of Zeng Bit at the end.
I don't know how many people shed tears at that moment, but I think this is real art, this old and young, are real artists, because real art is what can arouse the noblest emotions of human beings.
"Cycling" is.
Later interviews with the audience learned that Zeng Bit's father died very early, and I was satisfied that Mango Station did not put this scene before the performance, because the song itself was already moving enough. It's a good cut and a real respect for the singer.
So although the stages of "Yong", "Hanabi" and "I Want Your Love" are all very good, in fact, the bullet screen has already selected the best of the game that has not been announced.
"Don't don't assume I know", "Cycling", of course, "Cycling".
Written at the end: Why is "Sound and Endless" imperfect, but it makes so many people move?
In any sense, this variety show has become popular.
Even in TVB, which has not been well received this year, the show also recorded a 16.9 point rating on Sunday night, that is, about 1.18 million people watched the show.
But why is "Sound And Endless" on fire?
There is an answer in the hot search: the sound roundup must be mango.
The answer is, of course, correct. But why is it Mango again, why is it the "Singer" team that created the "sound ceiling".
There are many reasons that have been mentioned, such as the traffic password of Gangle.
In fact, since last year, this traffic password has become more and more powerful, the Greater Bay Area gala has been successfully viewed, and the Hong Kong star variety show of Mango Station has also succeeded.
For another example, Mango's unique musical advantages, especially the hard power of the "Singer" team's variety show in the independent internal entertainment.
Only in the mango tone can the audience see Mao Buyi singing "Distant Her", sitting under dead trees, oil lamps and starlight, like a movie, while Zeng Bit sang "First Love" when colorful retro neon filled the screen, and of course, the bench and platform of "Bicycle".
Only in the mango tone synthesis, the audience will hear Huang Jiaju's "original sound reproduction" at the climax of the female chorus of "Sea and Sky".
For another example, this variety show finally let us see the new power of Hong Kong music.
For example, Yan Mingxi, who sang "The Dragon", is indeed amazing in strength.
Two consecutive surprises, Zeng Bit, the "explosive head who loves to sing", if the retro, Funk and Soul sides are further excavated, the future is unlimited.
But in fact, in the final analysis, it is this show that makes the "Hong Kong music DNA" of the majority of fans, even ordinary audiences other than fans, move.
In this era of music differentiation, probably only Hong Kong music only needs a note and a lyric to inspire everyone's resonance in an instant.
Although geniuses often come out together in an era, No matter how powerful Xingang Music is, I don't think there is such an unborn genius as Huang Xia, who thought of playing five scales upside down and writing a proud song "A Laugh in the Sea".
But there is finally a variety show that allows the audience to see Hong Kong music again.
There's nothing wrong with it, it's not perfect. For example, musicality is relatively conservative, and the presentation of Newport music is not enough.
It's controversial. For example, is it a Cantonese song or a Hong Kong music?
But no one can deny that the show has truly blossomed the charm of Hong Kong Music again, that cross-era light!
That's what's ultimately more important.
In the end, inspiring a generation of sincere love for Hong Kong Le is the root of the success of the show.
Although the show does not present a lot of Hong Kong music for the new generation, without this program, many young people today may not be interested in approaching to understand what Hong Kong music is.
In particular, during this special period, the lives of many people have been more or less changed by the epidemic.
When the wind and rain pass, people need a warmth and strength.
And this is exactly what this show gives to the audience, people a lot of times, from the memory, to find strength.
Perhaps, an uncle in his 40s will click on this program in a tired late night, after a long busy time, and then a familiar piece of music will sound, and the program will warm a lonely life in the middle of the night.
For so many years, Hong Kong Le has accompanied us, experienced the folding of life, experienced efforts towards a better life, experienced countless setbacks and sufferings, experienced heartbreak again and again, and also experienced warmth and comfort, and this variety show suddenly helped many of us to find those warm memories.
At that moment, I would feel that even if life is difficult, it is worth living, at least, and there is an old friend of Hong Kong Le.
So, in the end, do you want a perfect variety show, or a variety show that moves people?
I think that in fact, the most moving thing about Hong Kong music, Hong Kong films, and Hong Kong dramas is also its imperfection.
Imperfect, so real, like every one of us who listens to a song, we are not perfect.
For so many years, imperfect us and imperfect Hong Kong Music, just like this, with a sense of loneliness, experienced the days we walked together, looking forward to the next spark in life.
Such a variety show, I think, is always worth it.
Maybe the peak is difficult to return, but the brilliance of the past remains in the heart, and there is an old friend who runs with me to the unknown future, just like the song in "Cycling":
"It's hard to get away, I want to hug myself tightly, life is like a wilderness, like a child can lie on his father's shoulders, who wants to get off."
Hong Kong Music, it is difficult to leave, who wants to get off?