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The Renjiao Society's "Buried Room Ming" annotated the original Qingyuan, and the Flying Sky Dance "used the canon" to be ruthlessly punched in the face

author:Nanyang Founder
The Renjiao Society's "Buried Room Ming" annotated the original Qingyuan, and the Flying Sky Dance "used the canon" to be ruthlessly punched in the face

Zhuge Caolu

First, the dispute over "using the canon" to say

The Renjiao Society's "Buried Room Ming" annotated the original Qingyuan, and the Flying Sky Dance "used the canon" to be ruthlessly punched in the face

Buried Room Ming

Recently, the "Nanyang" in Liu Yuxi's "Buried Room Ming" in the sentence "Western Shuzi Yunting, Nanyang Zhuge Lu" refers to today's Nanyang, or does it refer to the "Nanyang County" of the Han Dynasty? The author and Mr. Flying Dance clashed fiercely.

The author believes that according to the administrative divisions of the Tang Dynasty, Gulongzhong belongs to the jurisdiction of Yiqing County (Hanzhong Lu County) in Xiangzhou, and Wollongong in Nanyang belongs to the jurisdiction of Nanyang County in Dengzhou. According to the administrative division of the Tang Dynasty scholar Liu Yuxi "Nanyang" guide Yang County, and the predecessor of Nanyang County was Wancheng, so Liu Yuxi said "Nanyang Zhuge Lu" is Nanyang Wollongong Zhuge Caolu.

Mr. Feitianwu believes that "Nanyang Zhuge Lu" belongs to the phenomenon of "using codex", "Nanyang" refers to "Nanyang County", "Nanyang County" refers to Deng County, and Deng County refers to Longzhong, so Liu Yuxi's "Nanyang Zhuge Lu" is Xiangyang Gulongzhong.

Can Mr. Fei Tianwu's "dictionary" say stand up? Does the latest Humane Education Society textbook support "using the canon"? This article discusses these issues.

Second, Nanyang during the Tang Dynasty

The Renjiao Society's "Buried Room Ming" annotated the original Qingyuan, and the Flying Sky Dance "used the canon" to be ruthlessly punched in the face

During the Tang Dynasty, around Nanyang

During the Tang Dynasty, Nanyang referred to Wancheng without a doubt.

During the Sui Dynasty, the Sui Dynasty government moved the administration of Nanyang County to Yong County (present-day Dengzhou City), the original Nanyang County Zhiwancheng was changed to Nanyang County, and later Nanyang County was abolished, and Dengzhou Tangzhou was established to administer the original Nanyang County territory, so there was no Nanyang County in the Tang Dynasty, Nanyang was Nanyang County, and Nanyang in the Tang Dynasty was the former Wancheng.

Xiangyang in the Tang Dynasty, known as Xiangzhou, was the seat of administration of Shannandong Province (the administrative level of the Tang Dynasty was equivalent to the province), Xiangzhou was equivalent to today's provincial capital, Gulongzhong belonged to the jurisdiction of Zhonglu County, a county under the jurisdiction of Xiangzhou, and Gurungzhong was under the eyes of the provincial capital city of Xiangzhou, which belonged to the outskirts of the provincial capital.

Judging from the administrative divisions of the Tang Dynasty, Nanyang is today's Nanyang, and definitely does not refer to Gulongzhong in Yiqing County, Xiangzhou.

Second, the "dictionary" does not exist

(1) What is the "usage code"?

Usage is a rhetorical technique of language. That is, those who use allusions in poetry and increase the subtlety and elegance of words and sentences are called "dictionaries" (使用典).

(2) Whether Liu Yuxi "used the codex"

"Allusions" were created by predecessors and are derived from poems or anecdotes of former celebrities.

"Nanyang" is a place name, not an allusion, so "Nanyang" is not Liu Yuxi's use of allusions; then "Nanyang Zhuge Lu" is Liu Yuxi's use of allusions?

"Nanyang Zhuge Lu" is Liu Yuxi's original, so the "Nanyang Zhuge Lu" mentioned by Liu Yuxi is not a "use code", and the "Nanyang Zhuge Lu" mentioned by people after Liu Yuxi is called "use code".

Fei Tian Dance said that Liu Yuxi was "using the codex", please ask Mr. Persimmon Liu Yuxi whose "allusion" is used?

Third, "using the code" is untenable

"Usage" is a rhetorical technique in the language, but the use of any rhetorical technique must not cause the reader to misjudge.

If Liu Yuxi really "used the codex", and Zhuge Lu was really in Gulong in his mind, he would say "Xiangzhou Zhuge Lu" directly, simply and clearly. He said that "Nanyang Zhuge Lu" belongs to the pants and farting, which also leads to the reader's misjudgment, and the reader will think that Zhuge Lu is not in Nanyang in Gurung, which is contrary to its original intention.

No one wants their works to be misjudged, and Liu Yuxi also does not want readers to misjudge, so Liu Yuxi absolutely does not have a "dictionary", and Mr. Persimmon's "use of the dictionary" is simply untenable.

IV. Renjiaosha abandons the "use of canonical theory"

No textbook can be 100% perfect, and the textbook can only be improved by continuous revision. The Renjiao Society's continuous revision of the annotations on "Nanyang" in the "Buried Room Ming" fully reflects the continuous updating of the Renjiao Society's understanding of "Nanyang" involving the issue of cultivating land.

1. In 2003:

Nanyang, around present-day Xiangyang (襄樊) in Hubei (襄樊) (Xiangyang of the Han Dynasty).

Comments: Very absurd, how Nanyang ran to Hubei, the people of the whole country laughed off their teeth!

2. In 2012:

Namyang, the name of the county. Zhuge Liang's hermitage was in Longzhong, Deng County, which belonged to Nanyang County.

Comments: There is no blatant absurdity of the 2003 version, but still let Nanyang administer Gulongzhong in Zhonglu County, Nan County!

The Renjiao Society's "Buried Room Ming" annotated the original Qingyuan, and the Flying Sky Dance "used the canon" to be ruthlessly punched in the face

Renjiaosha 2012 edition of "Buried Room Ming"

3. In 2019:

"Nanyang" is no longer annotated as "Nanyang County", nor is it said that "Zhuge Liang's hermitage is in Longzhong, Deng County", and it is clearly stated that "Zhuge Liang lived in Nanyang's hermitage".

Comments: The Renjiao Society suddenly woke up and finally restored the original face of Nanyang, no longer letting Nanyang Long arm govern Nan County Gulongzhong!

The Renjiao Society's "Buried Room Ming" annotated the original Qingyuan, and the Flying Sky Dance "used the canon" to be ruthlessly punched in the face

Renjiaosha 2019 edition of "Buried Room Ming"

Fifth, "using the code to say" is not a fig leaf for a certain statement

Not only Liu Yuxi alone, but also a large number of literati in the Tang Dynasty wrote about Zhuge Liang in Nanyang, not only these but also the Tang Dynasty inscriptions that show the existence of Zhuge Caolu, and by the time Yue Fei stayed overnight in Wollongong in the Song Dynasty, the handwritten "Table of Teachers", a large number of historical facts have proved that before the Yuan Dynasty, Zhuge Liang's cultivation of Nanyang Wollongong has been deeply rooted in the hearts of the people, and it is by no means the "Wollongong in the Yuan Dynasty" that some people clamored for.

Mr. Fei Tianwu acts as a "thug" in a certain place, distorts historical facts, and uses "classics" as a fig leaf to confuse historical black and white. He no longer has any concept of right and wrong on the issue of cultivating the land, and his fallacious reasoning and heresy are really overwhelming!

The Renjiao Society's "Buried Room Ming" annotated the original Qingyuan, and the Flying Sky Dance "used the canon" to be ruthlessly punched in the face

Sixth, the Renjiao Society punches the face and dances in the sky

The above Renjiaosha's reinterpretation of Nanyang of the Buried Chamber reflects the erroneous cognition that renjiaosha is constantly reflecting and improving, and striving not to hand over to the next generation.

The Renjiao Society's original Qingyuan on the annotation of the "Buried Room Ming" was returned to the students' real Nanyang, and the Flying Sky Dance "used the canon" to be ruthlessly punched in the face!

The Renjiao Society's "Buried Room Ming" annotated the original Qingyuan, and the Flying Sky Dance "used the canon" to be ruthlessly punched in the face

Punch in the face mercilessly