"Dear Child" can be said to be a life emotional drama that has once again aroused the audience's hot discussion after "Heart Residence". Compared with the contradictions in "Heart Residence", "Dear Child" is more headache for the audience in terms of painting style texture, and it is more likely to trigger the empathy of female audiences.
According to the data, the TV series "Dear Child" is currently online for 6 episodes on satellite TV, but the live broadcast attention has successfully broken 1, ranking second in the ratings list. More importantly, the update speed of this drama on the online network platform is faster, and the popularity of cat's eye is also outstanding.
Click on the Douban comment area of "Dear Child", and there are many opinions. Some viewers think that the plot of this drama is too depressing and suspected of creating anxiety, but some netizens think that the texture of this drama is real and worth pondering.
Although in terms of plot, "Dear Child" is almost polarized, in terms of the shaping of the actors, the audience has to obey. In the online plot now, from the protagonist to the supporting roles are excellent, especially the shaping of the old drama bones, every look is full of drama.
Yue Hong plays Fang Mu, and every time she makes the audience break the defense
Actress Yue Hong's role in portraying the local mother is actually not much, but her performance in the play has left a deep impression on the audience. From the beginning when Fang Yinuo gave birth to a child, to Fang Yinuo's divorce, Fang's mother was the backing that Fang Yinuo could completely rely on.
In the scene where Fang Yinuo just gave birth to a child, everyone circled around the newborn Hehe, Xiao's mother held the child in her arms, Xiao Lu couldn't find anyone, and Fang Yinuo struggled to climb up to reach the water cup in the corner of the table but no one cared.
As soon as Fang Mu entered the house, she immediately found the weak Fang Yinuo, and she hurriedly handed the cup to Fang Yinuo's hand, and her eyes were full of pain.
Of course, Xiao Mu is not a bad mother-in-law, she just has a big grin and does things roughly. But the contrast between the mother-in-law and the mother-in-law still makes the audience break the defense in an instant.
Later, Xiao Mu accidentally fell down Hehe, and also attracted Fang Mu to live in Fang Yinuo's small room. The two argued in the living room over the child's affairs, and the unforgiving Mother Fang also completely tore her face and buried Xiao Mother's mother. In this scene, the mother-in-law played by Yue Hong has been sitting on the sofa, and she did not stand up and make a big fuss like Xiao Mu, but instead stood up the character's cultural and quality side.
In the scene where Zhu Zhu made trouble at the centenary banquet, Yinuo pretended to calmly hold the child and left, and Yue Hong shaped the local mother to follow behind without half a doubt, carrying things and trotting, portraying the image of a distressed girl's mother to the fullest.
Of course, in addition to the distinct personality of the character setting, Yue Hong's ability to impress the audience so much by shaping the local mother is also related to the shaping power of the actor. Compared with Xiao Mu, Fang Mu is more careful and meticulous, and more methodical planning, and it is difficult to please the role with rigid attributes itself, but Yue Hong's life-like acting skills have touched the audience.
In the play, Yue Hong's mother could not bear to watch Fang Yinuo get involved, spared no effort to help Fang Yinuo with a child, and after Xiao Lu's betrayal of marriage was revealed, she was also the first to propose a "divorce", and she could not see her daughter being wronged a little. Yue Hong in these plays, her acting skills are natural and vivid, as if she has become the only support for all the misfortunes of the heroine after giving birth to a child.
In fact, as an actor, although Yue Hong portrays a small supporting role in the play, it is not small.
As a classmate of Jiang Wen and Lu Liping, Yue Hong is also a powerful faction from the class
It is reported that actress Yue Hong is a student of Zhang Renli, a professor at the Central Academy of Drama, and she is a student of the same class as Jiang Wen and Lu Liping, a big coffee of the acting school. Although Yue Hong is not famous for the two of them, she is also from the same class, and her strength is also outstanding.
Yue Hong has had a dream of being an actress since she was a child, but her family situation is poor, and she is too far away from the bright actors on the screen. At the age of 15, she enrolled in the Central Academy of Drama in Chengdu and successfully passed the interview with a poem in dialect.
But unfortunately, after the college entrance examination results were listed, her score did not reach the standard. Since then, she has done the hardest physical work, but she has never given up her dream of being an actor.
With her love of acting, Yue Hong became the most promising student in the eyes of the teacher. After graduation, she entered the Bayi Film Studio Actors Drama Troupe, and the movie she starred in, "Wild Mountain", made her win the pursuit of many actors for a lifetime at a young age, the Golden Rooster Award for Best Actress.
Yue Hong's acting career is lucky, but also unfortunate. When her career was on the rise, Yue Hong met a partner she thought was right, and the two soon married but parted ways when their daughter was 5 years old. The unhappiness of marital feelings consumed part of Yue Hong's energy.
But no one expected yue hong, who had suffered a lot of emotional pain, to find stomach cancer in 2002, but fortunately, the disease was discovered in time to be controlled before the stomach cancer spread, and the fight against cancer was successful.
But the fact is that because of her body and marriage, Yue Hong has made more difficult efforts in her career, but she still missed many opportunities. Looking back at Yue Hong's works now, there are also many classics that have been recognized by authoritative awards, but compared with Jiang Wen and Lu Liping, who are actors of the same period, her fame is still too low-key.
Today's Yue Hong is active on the screen, but most of the roles portrayed are supporting roles such as Fang Mu, who do not play much. Although with her strength, it is inevitable that people will feel regrets, but fortunately, Yue Hong has long since come out of the predicament and insisted on her love.
More importantly, any film and television drama is indispensable to supporting roles. In many high-quality works, there are excellent actors who create brilliant supporting roles, laying the texture of the whole play. Yue Hong's interpretation in "Dear Child" has played such a role.
At present, "Dear Child" has just started broadcasting, and Yue Hong's scenes are not many, but almost all of them are highlights. I believe that in the subsequent plot, Yue Hong can still maintain the current rhythm and bring more surprises to the audience.
Of course, "Dear Child", as a work of realism, is full of powerful actors. In addition to Yue Hong, Li Qinqin and Liu Lin, who appeared in the first few episodes, all contributed very wonderful performances.
They don't have many scenes, but their acting skills are outstanding. And the protagonists like Ren Suxi and Qin Hao, who have many scenes and intensive outbreaks, have also shown a better level with the cooperation of supporting roles. Therefore, in the shaping of the actor, "Dear Child" is worthy of the audience's pursuit.
As for the various controversies in the plot, in fact, it depends on the direction of the subsequent plot. I also hope that "Dear Child" can also let the audience see some of the beauty in the family relationship in addition to the elements of depression and anxiety.