Chinese
Junyu
+
When we say perfection, when we say people, in fact, imperfection is also an aesthetic.
Su Shi's "Water Tune Song Head" has a word: "People have sorrows and joys, and the moon has yin and sunshine, and this matter is difficult to complete." ”
Yin and yang are lacking, originally the world, but it makes people think of detachment, which is the most simple spiritual aesthetic of Chinese.
The aesthetic realm is interconnected, and when it resides in the literati's plaything, it gives birth to a voluminous world. The universal mind of the world is to pursue perfection, ignorance, imperfection, and is also a high aesthetic.
Kant said in the Critique of Judgment: "Connoisseur-judgement does not depend at all on the concept of perfection. According to Kant's criterion, imperfection, even if it is useless and imperfect, can become an object of beauty. Therefore, the famous Sculpture of Venus with a Broken Arm in the West became an immortal work.
China and the West are connected, the fragmentation of China's "Dream of the Red Chamber" casts another aesthetic height, in the 19th century in China, a popular "eight broken painting", that is, with the technique of brush strokes, in a nearly realistic way, hand-painted broken stele expansion, scorched yellow scrolls, broken golden stones... It shows the literati's admiration and innovation of "mutilated beauty" at that time.
The study is clean and playing, mostly for the heirlooms, the predecessors are the same, day and night, it is really a desk treasure. Whether it is a brick platform, a Buddha statue, or a rare porcelain, these artifacts are damaged to a certain extent. The factors that contribute to these deficiencies are as diverse as those.
Some are natural causes, they have been baptized by nature, they have witnessed time; some are historical reasons, they have gone through turbulent years, they have recorded the truth; some are technological reasons, through the roughness of creation. What the world sees today is caused by a variety of factors, it is like a recreated work of art, half completed by craftsmen, half made by time. This is a thousand opportunities in historical time and space, encountering the viewer at this moment.
Their "mutilation" did not affect their artistic charm in the slightest, but were favored by the scribes.
Southern Dynasty Sheikh's "Painting Theory" will be "vivid qi rhyme" listed as the first of the six laws, an artifact, whether mutilated or complete, as long as the breath is right, the qi rhyme is still there, that is a good work of art, in addition, we can also appreciate from the shape, color, texture, material and other aspects of the utensils, when these are in line with personal aesthetics, people and utensils have resonance, in order to see the charm of the utensils.
Dacheng is lacking
There is creation in the world, which is damaged by years.
Above the lines, see the gentle flow, the meaning.
Under the shape, see quaint and indisputable, rhyme
Placed on the desk, such as a conversation with the sages.
Although the instrument has shortcomings, it is not complete.
Or to become or to be absent, only in the mind.
Big wins
Fill things, leave a little gap.
At seven o'clock, the wine is slightly drunk, but it is lazy
Pen and ink stains, falling to Tuo Xiao Sparse, is to see the Law
The Xuan room is elegant because of the utensils, and the beauty is poor
Quaint and dilapidated, implicitly
Or profit or rush, not over the rules
Mozi has a saying: "Sweet melon bitterness, there is no beauty in the world." "In life, we constantly pursue perfection, and even pursue white and flawless, but the so-called "gold has no feet, no one is perfect", perfection always coexists with shortcomings, with an aesthetic vision, to see the world's surplus and lack, you will find that the moon before the window, no matter the round lack, just like the jade flawless.
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