When discussing the importance of rhythm, the famous Soviet dramatist Stanislavsky once pointed out: "Where there is life, there is action; Where there is action, there is activity; Where there is activity, there is rhythm. It can be seen that rhythm is full of many aspects of life, and life is the source of artistic expression, and the importance of rhythm to art is self-evident. The handling methods, authenticity, and details of the control and omission of speed and rhythm in the Stanislavsky system are the basic performance principles to be followed by actors, and they are the most appropriate theoretical guidance for the shaping of the character image. The characteristics of performance require actors to interpret elements such as rhythm, shape, and language more carefully and accurately. Si Shi emphasized: "Rhythm directly affects feelings." It can be seen that rhythm is one of the decisive factors in artistic expression of technique and feeling. The specific form of rhythm in the performance is reflected in the scheduling, lighting, and choreography changes in performance creation, which require the undertaking of rhythm, which directly affects the transmission of the feeling of the performance, and its main forms of expression can be divided into the following types:
Internal tempo vs. external tempo
The internal rhythm, also known as the psychological rhythm, is the joy, sadness, length, and speed of the character's inner emotional changes. External rhythm, manifested in the size of the body language, the length of time, etc. It mainly includes two aspects: physical action rhythm and line rhythm. Internal rhythm is the internal factor of external rhythm, and external rhythm is the external embodiment of internal rhythm. The change of internal psychological rhythm directly affects the change of external limb rhythm, and the change of external rhythm is changed through the reaction of body and language to the internal rhythm. However, the relationship between them is always uncertain and inconsistent. The performance of the external rhythm is obvious, it is the manifestation of the internal rhythm.
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@ Fujian Broadcast Choreographer Performance
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