Facing Chen Baoguo and Zhang Fengyi, the two old drama bones, I decided to go to see "Mountains and Rivers and Moon Ming", but after eight episodes, I found that I still overestimated director Gao Xixi's ability to control this kind of large-scale historical drama.
I thought that I would focus on the power of the court like "Daming Dynasty 1566", or focus on the growth of the emperor like "Kangxi Dynasty" and "Yongzheng Dynasty".
However, he chose to develop in the direction of ancient puppet dramas, and made Zhu Di, who was clean and neat in his decision to kill, into a stupid and embarrassed second son.
"Mountains and Rivers Moon Ming" has now been brushed by bad reviews, and more people are expressing their dissatisfaction with one star, and even feel that they are not as good as "Daming Fenghua", at least the scene of "Daming Fenghua" is still very interesting.
I think that this drama has at least three failures, of course, it is just my personal opinion, and the family's words should be complained about.
There is a problem with the human design
Zhu Yuanzhang, played by Chen Baoguo, has indeed been weakened a lot, and when I say weakening, I mean that the imperial qi in his body has been reduced, but it has increased the approachability of ordinary fathers and the indecisive nostalgia for the past.
Compared with Zhu Yuanzhang, played by Hu Jun, who I am more optimistic about, Chen Baoguo's version I don't like very much, and even think that many times, I think that I am possessed by Bai Qiye, that look, that tone, even the small expression when I am proud and delicate are exactly the same.
I admit that he has a deep affection for Zhu Biao and Empress Ma, but in order to strengthen Zhu Biao's determination and sacrifice Zhu Yuanzhang's city government, this is a bit too historical.
Zhu Yuanzhang's history of his fortune Everyone should know that a broken bowl began to become an emperor, although the Qing Dynasty may have smeared Zhu Yuanzhang to some extent, but Gao Xixi will not make Zhu Yuanzhang so shallow and indecisive, he is a father, but he is also an emperor.
There is also Xu Da played by Zhang Fengyi, when he sat with Zhu Yuanzhang, I couldn't even tell whether Zhang Fengyi was the emperor or Chen Baoguo was the emperor.
Moreover, Zhang Fengyi's acting skills this time are very poor, and Xu Da, who plays xu da, is too tight, reading lines one by one, and lacks the style of a general.
The most ridiculous thing is that Zhu Di was actually portrayed as a silly white sweet. I know that Silly White Sweet often describes female characters, but Zhu Di in "Mountains and Rivers Moon Ming" is Silly White Sweet. Why not, the first place to escape marriage, there is no bit of competence, this is sure to rebel?
Speaking of escaping marriage, can Gao Xixi think of it, and it is not embarrassing to take the set of ancient puppet dramas here?
There are other actors, such as Zhang Tianyang's Tie Xuan, Wang Yichun's Yao Guangxiao, and Liu Yukun's Sheng Yong, these are all important characters after Zhu Di's rebellion, but they are only brushsed over, which makes the plot develop in the future? How to connect?
If you can't shoot, you can follow the "Those Things of the Ming Dynasty" of the Bright Moon that year, don't obscenity history, don't tamper with human design, and don't add oil and vinegar to distort history.
There are too many emotional lines
The matter of arranging marriage for Zhu Di continued from the first episode to the eighth episode, but it was not done, and zhu Di was arranged to escape the marriage, and then let Zhu Di directly tell Xu Miaoyun not to marry her.
In history, there is no such a scene of escaping marriage and repenting of marriage, Xu Shi entered the palace from an early age, chose the side of Zhu Di, and Hongwu was crowned as the Princess of Yan in the ninth year. That is to say, in order to increase the dramatic conflict to enrich Zhu Di's emotional line, he actually fornicated such a play.
The most disgusting operation is that after getting a Mongolian princess, Zhu Di met, and then gave this princess so much drama, and even heard that Zhu Di was given a marriage, and also showed a jealous appearance.
Make no mistake, Zhu Di's white moonlight is Xu Miaoyun, she is Kennesuke, the two of them have a deep relationship, no one can destroy.
It is said that many scenes were deleted at the beginning, including Zhu Di's emotional scenes. But I think it is still not deleted, this Mongolian princess should not appear, or mention it, there is no need to forcibly arrange her to entangle with Zhu Di too much.
I think that there must be this princess's role in the back, anyway, I have walked on the road of ancient puppet dramas, and I simply broke the jar and broke it, which is also the reason for being complained about. Gao Xixi forgot his original intention, distorted history, and learned the routine of traffic drama.
In historical dramas, emotional dramas are dispensable, and since they choose to retain, they should not engage in palace fights, but become auxiliaries to power struggles, or add icing on the cake for the growth of the characters, not deliberately creating no emotional lines for dog blood.
The narrative lines are too confusing
From the war with Wang Baobao, it can be seen that the editing of this drama is very chaotic, one battlefield and one court, the problem is that the battlefield and the court are sometimes not on the same line at all.
I actually want to see how Xu Da killed Wang Baobao, after all, when I first watched "Those Things of the Ming Dynasty", I was interested in playing against Wang Baobao. Unfortunately, this battle is not clear, so it is like talking on paper.
Xu Da almost didn't fight Wang Baobao head-on, not even a decent platoon, and he was all at odds with Zhu Di there. And before the defeat of the Blue Jade Soldiers, it was not explained clearly, as a ming Dynasty fierce general, he almost lay down and performed eight episodes.
The battlefield is not understood, there is no decent plot in the court, the line of "Daming Dynasty 1566" basically has to be broken open and analyzed, many times there are words in the words, not thorough but worth savoring.
But when it comes to "Mountains and Rivers And Moon Ming", Zhu Yuanzhang has lost his ambition, Zhu Biao has lost his benevolence, and the fight between the two major groups of the Ming Dynasty has also lost its taste, and it is like a family, the key is that the preface does not match the afterword, it is very messy.
I still haven't figured out, what is the point of this show? Is it Zhu Di's growth? Is it a court battle? If you really want to shape Zhu Di, then you should put more energy on Zhu Di, don't go east and west.
Gao Xixi may not be very sober, he is not as good as Zheng Xiaolong in the harem scene, and he is not as good as Zhang Li in the filming of the power plot, so he quietly photographs Zhu Di's growth.
Don't distort, don't change, don't be obscene, just talk about the relationship between Zhu Di and Zhu Yuanzhang Zhu Biao, how Zhu Di was forced to rebel from the Yan King, isn't this very good?
Want too much, think too much, but also want to shoot more than eighty episodes, but the ability is insufficient, and finally deleted into this rotten look, visual inspection of the final reputation will not exceed 6 points.
#影视杂谈 #