With the popularity of "The World of Man", many actors have successfully come out of the circle, compared with the kind Zhou Bingkun and his wife, Lei Jiayin and Yin Taohong all over the country. At the same time, "spy warfare expert" Yu Zhen has also become the biggest "bright spot" of the show, and has successfully gone out of the circle with the "Luo Shibin" who makes people grit their teeth.
No one thought that this "spy tough guy" would have such a charm. I believe that in this role, Yu Zhen spent a lot of thought and seriously pondered the inner direction of the character. That kind of "rogue" and irresponsible, the interpretation is vivid, the limelight once overshadowed Lei Jiayin, but the self-directed and self-acting "bad film" "Outside the Drum Tower" beat it back to its original shape in minutes.
Who's going to carry this pot?
When it comes to the image of a tough guy, young people will think of their idols, and the elderly will think of Yu Zhen for the first time. It can be said that this kind of material Yu Zhen is hand to hand. With unforgettable facial features, he has created one "spy drama" role after another over the years.
After graduating from the Central Academy of Drama, he also had a dream of fame. In recent years, with his own strength, he has become a "professional household of anti-Japanese drama". Often appearing in the image of a positive character, the audience looks at it with relish, Yu Zhen is also happy, but the plot is thunderous, and his acting skills have always been ambiguous.
Until the release of "The World of Man", for the first time, I had a change in zhen, throughout the whole drama, although it was a supporting role, but it bloomed a different light. This male god who once "hid thunder in the crotch" actually had such a style, and his acting skills were raised to another level across the suit.
Recalling the plot of the thunder people, it was only a few minutes, but it was precisely because of this "thunder" that the gold content of the entire work was reduced. It's like a few criminals in a city, and you question people in an entire city. Everyone should respect history and take it seriously.
Yu Zhen, the "old bacon", took such a difficult step, and I also understand it very well. In the era of small fresh meat, if you want to be deeply rooted in the hearts of the audience, you should "insist". Just like us who work part-time, do anything, only the persistence of "admitting death" can we find a way to live.
And Yu Zhen's diligent efforts really made the audience remember him, although they were all bad reputations. But for an actor, it may not be a good thing. If there is no accumulation of works, let alone the so-called popularity, want to be appreciated by the director, basically in the dream.
With a unique style, Yu Zhen got the role of "Luo Shibin" in "The World of Man", can you say that you can't do without the previous efforts? Obviously, there is a subtle connection between them, if Yu Zhen chooses to back off when he is notorious. There will be no current variety, let alone a role like "Luo Shibin".
Wonderful acting skills, audience praise and criticism, Yu Zhen successfully out of the circle, can also be regarded as a shame. I don't know if it is to take advantage of the chase, he directed himself and acted in a work "Outside the Drum Tower" at a speed that could not cover his ears and steal the bell, and successfully released the diaphragm in the golden file to the audience.
The screenwriter of "Outside the Drum Tower" is the real culprit, and I think the insult of the bad film should not be carried by Yu Zhen. The character is portrayed as an actor, then the plot is outrageous to speechless, and the screenwriter should not stand up and say a word. Good villain or someone who wrote "Under the Gate of Zhengyang"?
Wow the crowd back to the original form
Compared with the small view of "The World of Man", this "Outside the Drum Tower" is reluctantly a period film. The story is about an old carpenter with several apprentices. The eldest apprentice Yu and the granddaughter of the old carpenter have a leg, and the jealous second apprentice holds a grudge in his heart, and the design makes Yu Zhongsheng, played by Yu Zhen, lose his footing, and finally smash the person to death and go to prison.
Although he was imprisoned, his heart had always been deeply in love with his goddess. Forced to be helpless, the heroine married the second apprentice Yin Dongyi, and Yu Zhongsheng in prison learned the ins and outs of the matter and began a series of revenge roads. Compared with the love for the heroine, his hatred for Yin Dongyi is called a beautiful.
No matter what the other party does, Yu Zhong will come to the opposite, and eventually because of the fight between the two people, the heroine and relatives are in pain. The two men who were enlightened through and enlightened let go of the hatred in their hearts, and finally Entered the palace of marriage hand in hand with ZhongSheng and the heroine, and Yin Dongyi turned himself in to end.
The acting skills of Yu Zhen and the heroine are really embarrassing to the point that I am speechless, and from the first episode onwards, I have not understood what kind of human design this is. The heroine obviously knows that it is a pillow person, hurt Yu Zhongsheng, and can choose silence, what kind of fairy love is this?
Enron's enjoyment, instead, uses marriage as a tool to torture Yin Dongyi. Please, screenwriter, the long-cherished wish in the heart of this male second is to marry his own goddess. After three episodes, the heroine is not deeply in love, but more like a brainless silly white sweet, who does everything by nature.
And Yu Zhongsheng and the heroine, the two people standing together, do not look like a pair of lovers at all, do not know whether it is because of the external, or the problem of acting skills. Eyebrow flirtation is more like an exchange of intelligence in spy dramas, it seems that Yu Zhen has once again embarked on the old road, and the whole person has released himself.
What does a sweet love affair look like? People who have experienced it understand very well that when the heroine is in love, she is dazed, when she is framed by the bell, when she is ready for revenge, it is like finding the weakness of the "enemy". Is the director snoozing, such a scene can be directly past?
The core of "Outside the Drum Tower" is "revenge", but the dog blood of the storyline is "Mary Sue revenge"? The plot is taken out alone, and it cannot stand up to scrutiny. Art comes from life, not to make people feel difficult to figure out, afterglow as a director, really amazing to me.
Taking the nostalgic route, the taste of the age is strong, but it pushes itself to the original position. I have to say that I overestimated Yu Zhen's ability and managed to get out of the circle. Now he lifted a stone and dropped it on his own feet.
epilogue
But to be fair, I see Yu Zhen's ambition, compared to the field of actors, involved in the circle of directors, his goal is very ambitious. But even the most basic acting skills have not been upgraded to another level, how to talk about the grand plan to dominate the industry?
It was hard to get out of the circle with "Luo Shibin", took off his previous hat, and faded the cloak of "spy war". Unexpectedly, a "Outside the Drum Tower" once again sent it back to the original point. Can't help but make people feel ridiculous, what is Beijing Satellite TV trying to express?