"See you again in Nara"
Orphaned in Post-War Japan.
This subject is slightly sensitive, and the filming of World War II is full of sweat and cattle, and there are very few orphans after the war.
Some Japanese people born in northeast China, or Japanese children who were brought to China when they were young, originally wanted to follow their parents to explore and take root in The Northeast as a new territory of Japan. As a result of Japan's defeat in the war, parents left China in a hurry, too late to take away their children, many were adopted and raised by the people of Northeast China, returned to Japan after adulthood /middle age to find their own families, could not speak Japanese, from the inside to the outside is a Chinese look, difficult to be accepted by Japanese society, but also difficult to be accepted by their brothers and sisters who grew up in Japan (afraid to divide the family property), more unfortunately, even their parents and family can not find. The orphan who is looking for in this film is like this, and finally dies in fear.
Wonderful metaphor: the old lady released the crab that her granddaughter bought for herself to eat into a lake, and the granddaughter was surprised to stop it, saying that this is a sea crab, you are not releasing or killing, the old lady said, can only let it adapt to its own efforts.
However, this film is more ink in the emotional escalation of the trio formed to help the Old Chinese Lady find relatives, so the tone of the film is very warm, and the emotions surge in Japanese restraint and blandness.
A lot of interesting and touching blanks, two foreign old people looking at each other's photos silently better than sound, deaf and dumb people writing and communicating when the crowd waits quietly, the last long shot of the trio walking on the streets of Nara at night, there is no dialogue, the three people just walk back and forth, as if walking into a family, as if walking, the sky will be light.
"Post-Screening Communication"
Director: Peng Fei, born in 1982, should be a beijinger.
After graduating from college, I studied with director Cai Liangming as an assistant for six or seven years, all the way to find my own style, and this film took only one machine and 19 days to shoot.
At the end of the film, the long shot of that road, I walked many times when I was in Nara, very quiet, and I shot it.
The director also appeared in the film as a Japanese cattle shop owner, learning cows to learn pig's feet and learning horses. Yi cha, born in a Peking opera family.
"Spring River Plumbing"
This is my favorite film of the day.
But I didn't watch it because I saw it 2 years ago and it was amazing. It tells the director's family memories and stories of growing up in jiangnan town (Fuyang),
Many of the actors in the film are his relatives in real life, and they really play the role. The picture, the mood, the rhythm are all right. A talented director's debut.
Please go and see.
Save time for movies and watch exhibitions in the Academy of Fine Arts. As a result, the post-screening communication was missed.
Online information: Gu Xiaogang, born in 1988, a native of Fuyang, Hangzhou, studied clothing marketing, and became interested in documentaries due to the opportunity to make images during college. After turning to the creation of drama films, he planned the long-scroll film "A Thousand Miles of Jiangdong Map", which lasted for four seasons in two years to complete its volume 1 "Spring River Plumbing".
"Back to the South Heaven"
I don't know why.
As the name suggests, the film is as stuffy as Hui Nantian, and the dialogue, emotions, performances, narrative rhythms, and story conflicts are all stuffy. I don't know why. Depression without exit, abrupt repressive neuroticism, incomprehensible inner performance.
Gao Ming, born unknown, Jiangxi people.
For a few years, I was in a very bad mood, trapped by negative spirits, and there was no way to come out, and making this film was also a process of healing myself.
The above film looks and feels here to find the reason.
"Why is the song slow and half-beat"
The real life picture of Henan's rural areas, the flying sand, the dilapidated village, the old man sitting at the temple entrance, the actors are almost all local villagers.
Especially Henan dialect, I don't know why, I listen to it very kindly.
Almost all of it is composed of long shots, except for two long motion shots at the end and one tail, most of which are long shots of fixed scenes in the middle, one of which is the whole process of the ewe giving birth to a lamb, a fixed long shot, classic.
In order to catch up with the sisters before going to bed good night KISS, did not participate.
Online information: Dong Sex, born unknown, Henan Anyang people. "Why the song is slow and half-beat" should also be his debut work.
(12 o'clock is here again, and the rest of the book shadow list is detailed)