Joint Publishers:
Rongcheng Xinzhi Research Institute Ethnic Folklore Research Center
Qian Xiaoping Ancient Silk Reproduction Institute
Times Memory (Tianjin) Cultural Industry Development Co., Ltd
The Tongjian Waiji records that "the daughter of the Xiling clan, Concubine Yuan, was the yellow emperor's concubine, who cured silk, raised silkworms, and provided clothes, and was worshipped as a silkworm in later generations." "China was the first country in the world to cultivate silkworms and invent silk weaving techniques. The weaving and embroidery techniques, deeply rooted in ancient history and farming culture, have lasted for thousands of years, and are one of the important mirrors of the progress of civilization and the changes of the times. Brocade and embroidery are ancient Chinese handicrafts, the interweaving of warp and weft threads, and the embroidery painting with needle ghostwriting paint the magnificent magic of splendid Chinese silk culture.
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According to the "Book of Shang", as early as 4,000 years ago, the chapter and clothing system stipulated that "clothes painting and embroidery". There are many kinds of Chinese embroidery, and the techniques are rich in variations, including the traditional four famous embroideries Su embroidery, Cantonese embroidery, Shu embroidery, Xiang embroidery, and there are also ethnic embroidery with strong local ethnic characteristics.
Min embroidery
Fujian embroidery has also been a famous Chinese embroidery in history, unique, with rich connotation and historical heritage. In the Yuan Dynasty, the "Wen embroidery bureau" was set up in Fuzhou, and the products of the wen embroidery bureau were listed as tributes. From then until the Qing Dynasty, Fujian embroidery was a representative and famous embroidery in China, which could be juxtaposed with Su embroidery and Xiang embroidery. In the early years of the Republic of China, Fujian embroidery also won grand prizes at the World Exposition. Min embroidery is centered on the fuzhou area of Fujian Province, and has always maintained its strong characteristics of southern Fujian, with bright colors and exaggerated techniques, setting off a gorgeous and lively visual effect, and the finished products are mostly found in costumes and sacrifice occasions. Fujian embroidery has many essences, such as nail thread embroidery, ancient dragon scales, swastika lace, etc., the most difficult is the three-dimensional pattern. Compared with Min embroidery, the characteristics of Min embroidery, red and green, various patterns, and mascots such as dragons, tigers and phoenixes highlight the lively and joyful atmosphere, which is in strong contrast with the light and elegant su embroidery. The more practical nature is also one of the main reasons why the Min embroidery process has been preserved to this day.
Fujian embroidery is a traditional handicraft art in Fujian
It has bold colour schemes, a strong theme and a gorgeous effect
It's about momentum
It is more atmospheric than other embroidery species
The essence of Fujian embroidery lies in the three-dimensional pattern and the sense of relief layering
There are dozens of commonly used embroidery methods
Such as nail thread embroidery, ancient body dragon scales, swastika lace and so on
Among the many embroidery methods, the main embroidery is pan gold embroidery
In particular, the three-dimensional disc gold is the outstanding advantage of Fujian embroidery
The image comes from the Internet
Suzhou Qian Xiaoping Ancient Silk Reproduction Research Institute
Qian Xiaoping
Qian Xiaoping, director of the Ancient Silk Reproduction Research Institute, a national-level silk expert with outstanding contributions, the inventor of the second generation of artificial blood vessels, the founder of Suzhou Silk Museum, a deputy to the Third National People's Congress, and the national inheritor of Song brocade weaving skills.
Suzhou Qian Xiaoping Ancient Silk Reproduction Research Institute was established in 2006, formerly known as "China Silk Weaving and Embroidery Cultural Relics Reproduction Center". "China Silk Weaving and Embroidery Cultural Relics Reproduction Center" was established in 1996, under the leadership of Qian Xiaoping, successfully copied more than 20 precious silk cultural relics such as the pre-Qin, Lianghan, Sui, Tang, Ming and Qing dynasties, and won the third prize and the first prize of the State Administration of Cultural Heritage respectively. In 2008, the Publicity Department of the Suzhou Municipal Party Committee, the Suzhou Municipal Bureau of Culture and Guangdong and other five units jointly awarded the "Qian Xiaoping Song Brocade Weaving Skills Master Studio", aiming to continue to excavate, protect and inherit traditional silk culture and skills - especially the traditional Song brocade weaving skills that are on the verge of being lost.
Qian Xiaoping, the director of the institute, is a national inheritor of Song brocade weaving skills. Since its establishment, Qian Xiaoping Ancient Silk Reproduction Research Institute has successfully copied and created song jin works such as "Northern Song Dynasty Spirit Vulture Ball Road Pattern Brocade", "Ming Hongdi Swastika Peony Ruyi Song Jin", "Qing Ling Ge Sihe Ruyi Jin", "Song Jin Thangka" and Song Jin "Western Elysium" and other Song Jin works, which have been collected by the Okaya Municipal Silk Museum in Gunma County, Japan, the China Yunjin Museum, the China Silk Archive, the China Silk Museum and the Suzhou Silk Museum. At the same time, he has participated in various intangible cultural heritage exhibitions for many times and has received praise. In particular, Song Jin, the "Western Elysium World" that has been successfully researched and woven for six years, is the pinnacle of Song Brocade weaving skills.
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