"The Voice of Heavenly Gifts" continues with high energy, Zhou Shen and Liang Long subvert the chorus "Count You Cruel", and the multi-element stage is full of surprises. "Lark on Earth" sincerely does not deceive me, the beautiful drama, the superb dialect rap, the flower cavity, only the unthinkable, no Zhou Shen can not do it.
Liang Long has a very personal character, not only is he a "legendary figure" in the Chinese music scene, but even represents the rock spirit of the black land of Northeast China. Zhou Shen did not hesitate to choose to cooperate with Liang Long, congratulating the "little white porridge" for getting his wish, and finally being unscrupulous and "demonizing" together.
Liang Long is also a "naughty comedian" and actually chose the classic popular "Count You Cruel". To tell the truth, the style of this song does not seem to match Zhou Shen, no wonder Zhou Shen laughed at himself: if I didn't sing well, my image would be "ruined".
Always believe in the strength of "Zhou Wild", the impression, so far, it seems that there is no style that Zhou Shen cannot control. Moreover, Zhou Shen partnered Liang Long, and the chemical reaction of the "Great Demon King Level" was full of surprises, and it was not possible to obey.
The "condensed little prince" wore a small burgundy fragrance and tried to get out of the pace of "six relatives do not recognize". However, the cello string prelude is somewhat unexpected. Bach actually drank the second pot head, the audience has not yet reacted, hardcore rock seamless explosion, fancy arrangement is enough to make people dazzling.
Zhou Shen opened his voice to "cheat", and the delicate shallow singing was too high. With the most gentle voice, singing the fiercest song, the contrast is extremely comfortable, and "Zhou Baida" completely understands the music.
Liang Long, as always, "made a demon" when he opened his voice, and the orchid finger was injected into the soul. However, two completely different styles actually collide with the visual sense of "Northeast Chaos Stew". "Trick Wave Group" subverts the chorus, weird and good, somewhat magical.
To tell the truth, the familiar "Count You Cruel" adaptation space is not large, unexpectedly, Zhou Shen used various techniques to support the "chaotic stew". In the first half, "Little White Porridge" has a disdainful face, a declarative singing voice, laziness and a sense of story.
In the interlude part, Zhou Shen cleverly integrated into the Guiyang and Hunan dialects, which seemed to be impossible to hit with eight rods, but in fact echoed the northeast wind of Liang Long. "Deep rap" re-emerged from the jianghu, and "Zhou Wild" fit full score.
GAI's comments are very graphic: Zhou Shen forcibly pulled Liang Long to play the roller coaster, Liang Long asked how many laps can be ended, Zhou Shen was excited to answer, the excitement has just begun.
Indeed, the wonderful that cannot be counted in detail, from the beginning to the end, the roller coaster of "Dalabang Bar" is more energetic than the "second pot head". In particular, the female voice drama, out of the magic of the dialect rap, seems to be familiar with the master, but the power behind it is breathtaking.
At the end, Zhou Shen's "ghost laughter" is like a series of fake wine drinks, the finishing touch of "thick ink and heavy colors", harmonious and interesting and lively. "Raw rice" dreams at night, and it is estimated that they all want to come to a cup of "two pot heads".
I have to admit that Zhou Shen's control of the stage is becoming more and more relaxed, a variety of elements, a variety of collisions, a person's voice is everything in the world, and the "lark in the world" must be hit on the public screen.