A pale girl fixed in an icy metal skeleton.
If you look at the poster alone, you might think it's a cyberpunk-style sci-fi film. The scenes that come to mind are distant futures, ghost spaceships wandering in the universe, or underground bunkers hidden in a hidden corner of the earth.
The rectangular metal passages, although bright but cold and sharp, one standard metal door after another make us lose our sense of direction when walking in the corridor.
At the end of the corridor there was only one door open, and the darkness inside the door seemed to erode the light in the corridor.
The flickering lights on open doors herald failures and ominousness, so we would never normally set foot in such a space.
However, where the black hole formed by the door hole clashed with the light blade formed by the corridor, there was a doll upside down, lying on its back on the guillotine at the junction of light and shadow as if it were about to be cut off.
From its furry hands and feet, we can tell that this is a worn-out teddy bear, worn just right, like a sleeping tee.
This symbol, which clearly represents the child, will stimulate our primitive instincts, and protecting the cubs of the same kind is like protecting our own cubs.
But movie lovers know that this doll has a flag that has no return.
As the protagonists of the story, we have our own aura of wisdom, ignoring all spoilers, and we are bound to walk into the dark room.
In the middle of the room, a bright pillar of light of unknown origin was enough for Edison to lift the coffin, which ran obliquely through the room like darkness.
A wheelchair, a petite shoulder in thin white, and a miserable white neck above the shoulders were exposed above the back of the chair.
The pillar of light illuminates all of this, and the rest is hidden in the darkness.
As we weighed whether we should get any closer, the wheelchair slowly turned around and the girl stared into our eyes like in the poster.
At this point, we guess that either this girl is the last blood of human beings imprisoned by AI, or this girl is a ghost wandering in a spaceship.
When we watched the positive film, we found that this movie was not at all related to the previous imagination.
The director of "Titanium" last work was "Raw Eating".
Eighty percent of friends who have watched "Raw Eating" have guessed what tone "Titanium" is.
The absurd and chaotic life of young french youth. Fruiting, killing and self-harm.
Some people do not understand why the heroine, after recovering from a car accident when she was a child, pounced on her own car and hugged and kissed.
This is because the little heroine found her father's love in the car.
From the beginning of the movie, the little heroine and her father are in a state of mutual dislike. This father can be said to be one of the few gentle men in this movie. However, his gentleness was the reason for his daughter's dislike.
Many people interpret the beginning of the movie, the little girl died interfering with her father's driving is a challenge to patriarchy. Don't be funny, now this year, where is the father's still patriarchal power. What the daughter wants is the love of her father.
In the face of such a father who can't kick his feet and fart, what the girl desires most is what she can't get the most. Her gentle father could not give her, so the girl was full of effort to provoke her father. Her irritation was a demand, and all she wanted was something that her troubled father could get.
As a result, Dad couldn't give it to her, but the car was given to her. What the girl wants is to teach her a hard lesson when she makes a mistake. Being taught by her father, the good villains can also be regarded as communication, and her father beat her violently than her father turned up the volume of the radio and ignored her.
Her demon father didn't even touch her finger, but the car taught her a harsh lesson. The car accident shattered the girl's skull and had to implant a titanium skull.
The girl judged that the car loved her, and she loved the car.
After the heroine grew up, she became a car model, danced on the car, and had many fans. Men and women asked the heroine for pleasure, but they were all killed by the heroine.
The heroine's means of killing is to insert the hairpin on her head into the other party's ear and eye while the other party is passionate in her arms.
This is not because the heroine is cruel, as I said earlier, her way of communicating is to hurt the other party, and piercing into the other party's flesh may be her excitement.
But human flesh and blood can't afford to play like this. The heroine can abstain from sex, can't stand the always sent to the door by herself, after three times and twice, the heroine has become a serial killer.
Of course, the heroine's side hustle does not affect her life. This heroine just danced in a wild car, and there were fans trailing. Fans have bad luck and forcibly kiss the heroine to mobilize the desire of the heroine, and the result can be imagined, and the victims of the serial murder case have added a new Ding.
The heroine returned to the auto show venue to clean the dirt on her body. A human suitor hangs up, and another car suitor that has become a fine one appears. It is the one mentioned earlier that the heroine is dancing on. Until here, the heroine finally succeeded in obtaining a satisfactory suitor.
The encounter between the heroine and the car is simply a cult. What is even more magical is that the heroine and the car give birth to offspring.
The heroine's life before the crime was very similar to That of Clark Kent. Wearing glasses is Clark, and taking off glasses is Superman.
The heroine is an idol car model with a hairpin, and a serial killer when she takes off the hairpin. It can be said that it is hidden in the city.
In the eyes of those of us, the heroine's life is not only beyond our comfort zone, but even beyond our discomfort zone, which causes extreme discomfort.
Causing extreme discomfort, I have to admit that the director of "Titanium" is good at this. But here's the problem, this is the comfort zone of the heroine.
The female mainly has always been like this, enjoying herself in a comfortable little day, then, this movie is not a thriller called "Titanium", but a slow variety show called "Longing for Life". Dancing, killing, eating, angry daddy. It can also be regarded as a different kind of quiet good.
Even if it is a slow variety show, it is necessary to create some surprises and break the tranquility of pastoral life, in order to cause dramatic conflicts.
For the heroine of "Titanium", such a strong person, the amount of surprise must be enough to knock her out of the track of daily life.
The first piece of news was the crime. Although in chronological order, pregnancy precedes the crime, the power of pregnancy is revealed after the crime.
The occurrence of the case, from the living environment, forced the heroine to leave home, from the flesh, forced the heroine to integrate into the new life.
However, we also see that the heroine kills a person without any waves, such a strong person, the living environment and the physical toss, still belongs to her comfort zone.
Although pregnancy occurs physically, its effect is aimed at striking the spirit. Ren's heroine is an iron-clad woman, no matter how she surprises the storm, as a woman, she can't do anything about the matter of luck. This undoubtedly succeeded in dragging the mentally resilient heroine out of the comfort zone of the spiritual level.
The director of "Titanium", from "Raw Eating", wanted to express the emotions, or the desire to vent was the conflict between "self-destruction" and "survival instinct".
At the beginning of the film, the little heroine wants to attract the attention of her indifferent father, prompting her to try to self-destruct.
By the time the heroine reaches adulthood, the act of self-destruction has become a habitual behavior for no reason.
What is self-destruction, self-destruction is not suicide, suicide is not wanting to live, there is no desire to survive.
Self-destruction, on the other hand, is the opposite of the desire to survive.
The heroines of "Raw Eating" to "Titanium" are seeking self-destruction, but at the same time they all show a strong desire to survive.
"Raw Eating" is the triumph of survival over self-destruction, and "Titanium" is the reconciliation of self-destruction and survival.
The heroine died after giving birth to a titanium skeleton baby.
This means that self-destruction consents to the heroine's self-destruction if she survives her offspring, and the desire to survive agrees to survive as a child under the premise of the mother's self-destruction.