Pan Hong is one of the most famous actresses in the 1980s, the only superstar who can compete with Liu Xiaoqing in popularity, she dedicated a series of phenomenal masterpieces such as "Distressed Laughter", "People to Middle Age", "Du Shiniang", "Cold Night", "Well" and so on for the audience in the 1980s, each film is a strong contender for various awards of the Golden Rooster Awards, Pan Hong won the Golden Rooster Film twice in the 1980s, opening a precedent in chinese film history, plus the comedy film "Stock Madness" in the 1990s let her win the Golden Rooster and Hundred Flowers Double Award. The three Golden Rooster Awards have not been surpassed so far. At the peak of Pan Hong's appearance when she was young, she became an oriental goddess loved by Chinese and foreign film fans, and an out-and-out "million charm".
With the gradual decline of Chinese films in the nineties, Pan Hong's marriage with MiJiashan has also come to an end, Pan Hong has become a real middle-aged single woman, Pan Hong's prosperous beauty and unique temperament have also begun to decline, after the mid-nineties Pan Hong has rarely served as a big heroine in the movie, to the new century, Pan Hong from "Wutong Rain", gradually with the role of mother-in-law to participate in the creation of TV series, the initial mother-in-law image and her previous role of gentle and obedient knowledge of the tragic image of women There is a great contrast, The audience is still very surprised, but with more and more roles in this image, the assimilation and typification of roles are becoming more and more serious, Pan Hong's creative passion is obviously less and less, and the creation and performance of pan Hong's effortlessness makes Pan Hong's performance vicious circle, and the resources are all scrap characters in boring family dramas, either mean and neurotic, or strong nagging, with no aesthetic significance. What is comforting is that the TV series in which Pan Hong participated can basically be broadcast on various David TV every year, and the audience can still see her performance, compared with the embarrassing situation that Liu Xiaoqing participated in the film and TV series only filming and reporting, and rarely seeing the release of the film, Pan Hong's last fig leaf has not been ripped off. However, compared with the contemporary Song Chunli and so on, it seems to be bleak in the evening, Song Chunli has always been able to play a pivotal role in well-made TV series, the performance has been improving, and the old age is still a strong contender for various performance awards, and indeed the leader among the elderly female stars.
When she was young, Pan Hong had a strong melancholy that could not be dissolved, a unique life and a sad family change in childhood made Pan Hong wary of people and things, and the scandal with director Yang Yanjin made her life more frosty because of the filming of "Distressed Laughter", but fortunately, her great success in her career made her reputation rise, temporarily alleviating the sad background of her life.
After the divorce, Pan Hong never got married again, it is said that she had a brief relationship with the writer Zhang Xianliang, perhaps the introverted Pan Hong would have been difficult to open her heart, and the shadow left by the failure of the first marriage is difficult to disperse, Pan Hong has become accustomed to a lonely life alone, and the world is cold and also forged this fragile and kind woman to be incomparably strong, perhaps her heart has been completely closed, and she can no longer walk into a stranger. Pan Hong seems to have no siblings, no children, only her elderly mother is her only concern. In her later years, Pan Hong's face was difficult to see the shy and melancholy smile she had when she was young, replaced by sharp eyes, capable shapes, and black-rimmed glasses that also covered the once beautiful and amorous watery eyes.
Without the nourishment of love, without the warmth of affection, without the joy of heavenly happiness, an elderly woman seems to have lost the direction of her efforts, her heart is like a dry well, and her eyes are becoming more and more indifferent, which has to be said to be the sadness of a superstar who once had unlimited scenery. Because life has become different, there is no life experience for roles such as mother and mother-in-law, so the characters created are also like castles in the air, lack of fireworks, people can not resonate, the role is pale and powerless, and her later works do not even have a chance to nominate for an acting award.
No matter how successful a woman's career is, there is no sweet ties between family and children, and life becomes lifeless. The fall of a generation of superstars is a sad song of an era!