"Contemporary Surreal Painter Wu Guoying: Xu Beihong - Art for Life" This article is included in Zhao Meiyang's "Road Remote Knowledge Horsepower - Opening the Door to Enlightenment" general collection - the ninety-ninth sub-collection "Ascending to the Spectacular Heaven and Earth".
When: January 22, 2019...
Art for life
Sketching into the soul of a galloping horse,
Tao Li Tianxia painted Qiankun.
Danqing giant source South China Sea,
A generation of grandmasters is full of energy.
Excerpt from Zhao Meiyang's "Road Remote Horsepower - Opening the Door of Enlightenment" Ninety-Nine Articles "Ascending to the Heights of The Magnificent Heaven and Earth"
Wu Guoying wrote in the winter of Wushu in Zhizhi
concentrate:
1. Art for Life: Xu Beihong's Students' Art Literature Collection is a book published by The Forbidden City Publishing House for Xu Beihong in 2010, and the author is the National Academy of Painting of China.
【Source】"Art for Life: Xu Beihong's Students' Art Literature Collection" Introduction: The outbreak of the War of Resistance Against Japan temporarily put a stop to the controversy over "heavy expression and re-realism" over "art for art's sake and art for life's sake" in the long-term Western painting movement. Under the slogan of art science, the style of realism gradually occupied the mainstream, that is, as Xu Beihong lamented, "our country has raised the rise of realism because of the War of Resistance". To this end, Xu Beihong was really excited: "The War of Resistance changed all our people's concepts, and aesthetic concepts in China have been infinitely developed." All the prejudices that bound us that day have been swept away, and they are still wandering in the beginning, but now they accept it frankly, and those who have no scruples are also realism.
2, sketching into the mind: sketching, art term, into the mind, refers to the occurrence of a strong interest in the things in front of the eyes and a high degree of concentration or reach a subtle state.
【Source】 When Xu Beihong and Jiang Biwei went to Japan to study, Kang Youwei specially wrote a book to "Sketch into The Gods" for his grand deeds.
3. Running Horse Soul: Refers to the horse painted by Xu Beihong, which has the unique attitude of "washing away all the ancient horses and empty horses", and has a unique spirit and arrogance.
【Source】Zhao Meiyang's "Contemporary Chinese Painter Tengmo's Painting Language Life - Standing Out" "Looking at the anecdotes of Chinese art, Qi Baishi painted shrimp, Xu Beihong painted horses, and Huang Gui painted donkeys has become a household name.". The famous painter Mr. Li Keyan praised Huang Ji's dog as "the first in the world". Mr. Huang Ji himself also said: "It is difficult to draw a dog when painting a beast, and the Song people are very capable of painting dogs, and there is no master since the Ming Dynasty. In view of this, "Tengmo: A Brief Analysis of the Freehandness of Chinese Painting" mentions that Chinese painting is "the art of writing the heart", and although the shape is important, the meaning is the "sublimation" of the form, and it is necessary to "get carried away with the shape". The shape to be drawn makes people feel "more like" the original shape. The exploration of Tibetan mastiff ink is exactly the shape drawn by Tengmo that makes people feel more like the "good" shape of Tibetan mastiff.
4, Tao Li Tianxia: Tao Li: refers to the younger generation or the students taught, especially refers to Xu Beihong's many students, all over the place.
【Source】 The students trained by Xu Beihong during his teaching at the Central University can be roughly divided into three periods according to different historical circumstances: the first period was from the late 1920s to the early 1930s, mainly Wang Linyi, Wu Zuoren, Li Wenjin, Zhang Anzhi, and Xiao Shufang; the second period was from the early 1930s to the early stage of the War of Resistance Against Japanese Aggression, including Huang Yanghui, Chen Xiaonan, Xia Tongguang, Feng Faqi, Sun Zongwei, and Wen Jinyang; the third period was from the early period of the War of Resistance Against Japanese Aggression to the end of the 1940s, including Ai Zhongxin, Kang Shoushan, Qi Zhenqi, Mei Jianying, Zong Qixiang, Li Hu, Dai Ze, Wan Gengyu, Zhang Daguo, Wei Qimei, Liang Yulong.
5. Qiankun: A pair of categories of ancient Chinese philosophy. Later, it was used to refer to heaven and earth in general.
【Source】 "Zhou Yi" uses "dry" to represent heaven and yang, and "kun" to represent earth and yin.
6, Danqing giant: giant, metaphorical outstanding, excellent meaning, in a certain aspect of the first place, Danqing giant, generally refers to Xu Beihong in the fine arts and related aspects have a special status.
[Source] "Mencius Teng Wen Gongxia" "In the people of the State of Qi, I will take Zhongzi as a giant." ”
7. Nanhai: Guide Mr. Kang Youwei, in Xu Beihong's early life struggle, there were two elders who were very important to him, one was Kang Youwei, a prominent figure in the period of the Penghu Reform, and the other was Cai Yuanpei, the "eternal president of Peking University" in modern history.
8. A generation of masters: In the history of modern Chinese painting, Xu Beihong and Qi Baishi occupy an important position, and their influence and status are incomparable to other painters in the same period. Xu Beihong (1895~1953) was born in Yixing, Jiangsu Province, to a family of rural painters and learned to paint since childhood. After liberation, he was appointed president of the Central Academy of Fine Arts and president of the China Artists Association. He has been committed to art education for many years, and gradually established a systematic and complete art education system. As a "generation of grandmasters", Xu Beihong deserves it. Xu Beihong was an outstanding art educator and an outstanding painter. He painted a large number of works in his lifetime, and people especially loved Xu Beihong's works were those galloping horses. These handsome, athletic, proud elves, or hestabbing on the top of the wilderness, or galloping in the wilderness desert, yearning for freedom and light, full of the passion and style of the times. Rich and grotesque ink rhymes, the unique artistic conception of the metaphor makes these horses a symbol of Chinese painting.
9. Haoqi storage: refers to the long-term existence of Haoqi, and the haoran qi will always exist.
[Source] Mencius's "Mencius Gongsun Ugly" "I am good at raising my haoran qi".
On October 30, 2018, Wu Guoying visited Europe
On December 29, 2018, Zhao Meiyang visited Wu Guoying Studio at night to conduct research on "Wu Guoying and Chinese Surrealism"
The author is the initiator of The China Art Platform, the founder of the Global Artist Code system Zhao Meiyang [Global Artist Code 189], a strategic management expert, and an art finance expert.
【The Way of the Master】Comprehensively track and record contemporary surreal painter Wu Guoying [Global Artist Code 087], contemporary Chinese painter Tengmo [Global Artist Code 186].
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