shame
Director: Yulia Andem
Writers: Yulia Andem
Starring: Lisa Tiger / Josephine Frida Peterson / Iman McKini / Ulika Farshi / Anna Svinida / Marlon Langland / Thalia Sandvik Mohr / Thomas Hayes / Hermann Timeras / Carl Martin Ergospo / Christina Erdegg / Cecily Martinspole / David Alexander Shehou
8 countries remake, Douban average score of 9 points.
The daily life of European high school students is warm and poignant.
Produced by Norwegian National Radio and Television, the three views are extremely positive.
Where to see the cinema
Aired2019-3-15
When you think of Norwegian film and television, what comes to mind?
Is it the world's longest 134-hour live broadcast of a non-stop TV series?
Or is it the "old" tradition of watching the same old Disney cartoon on time every Christmas at three o'clock in the afternoon?
This boring stereotype was completely ended a few years ago by a youth drama called "SKAM".
SKAM means shame in Norwegian.
In the beginning, it was a youth education mini-series launched by the Norwegian National Radio and Television (NRK) Channel 3 (NRK P3), which is mainly aimed at teenagers.
The way it is broadcast is extremely innovative.
SKAM has a dedicated website that resembles a social networking site homepage.
There is a time stream on the page that updates the video clips from time to time, and this is the plot.
The timeline of the play completely coincides with the audience's timeline, as if chaotically entering the reality SHOW scene.
By Friday, the video will be summarized into a new episode.
Each episode is free in length, from ten minutes to an hour, completely breaking the narrative routine brought about by fixed durations.
Not only that, but the characters in the play also have real social network accounts, the official website will synchronize the interaction of the characters, and you can even get their same emoji.
In short, the roles in this drama are no different from a group of netizens you know.
You can always pay attention to their dynamics and see their most authentic life.
Formal innovation is not all SKAM.
Behind the innovation is the show's director and supervisor, Yulia Andem, an extremely responsible woman who cares for teenagers.
Why use such a form to make a youth education film?
Because no one likes to be preached from above.
Yulia Andem consulted many psychologists before filming, and through six months of visits, learned about the dreams, beliefs, pains and fears of Norwegian secondary school students.
This makes the performance of the characters very smooth and very daily, without any traces of contrived scripts, making the transmission of information very natural.
The transmission of information, that is, the transmission of "education".
Shame is called "Shame" because it dares to present the truest form of Norwegian teenagers.
Intimate relationships full of confusion and stress, bullying at school, beliefs, discrimination, parental dereliction of duty... (Many sensitive words are omitted here...) ）
Whether it is positive or negative in the eyes of the public, it is "sunshine up" or "decadent and degenerate".
"Shame" neither simply sings an ode to mainstream values nor bluntly condemns children who make mistakes, but uses a story, some encounters and exchanges to solve a child's confusion.
The purpose of "education" is naturally achieved in the respect of "looking directly" and in the silent tacit understanding.
Take the hottest third season, for example.
The protagonist, Isak, a sophomore in high school, is, in the eyes of others, a sister-in-law.
No one knows that, deep down, he is a deep closet with discriminatory ideas about homosexuals.
He was confused about his own orientation, about intimacy, about homosexuals.
All of this, after he meets another protagonist, Even, is under pressure to unravel.
Peek at each other for 1 .gif
Peeking at each other for 2 .gif
Isak can't accept his orientation, not because he feels heterosexual.
What he cares about is the stereotype of this group .
Orchid fingers, girly, and so on.
Isak resists being labeled as stereotyped, and this is also a very representative idea of the deep cabinets.
But a friend of Isak's who came out told him —
Those who wear tights, apply mascara, and dare to go out and fight for their rights are those who, even if they are intimidated and hated, have always stood up and stated their position.
Some of them were even beaten and killed, not because they wanted to be different, but because they would rather die than hide their true selves.
Sana, a fellow religious tableman, also started from her own faith and told Isak that
Hatred does not come from religious beliefs, but from fear.
Because, her faith tells her, all beings are equal.
With their help, Isak truly got to know his heart and figured out what he really wanted.
As the play says, everyone is an island, and the only bridge to other islands is language.
Even in Norway, coming out is not an easy task. Isak's text message to his parents was tearful, clicking on the big picture to harvest love.
This season, there's an interesting detail.
Isak's cabinets were always difficult to open before coming out.
After coming out, it was easily opened, so simple that he couldn't believe it.
Such metaphors abound in the play.
How popular is SKAM?
According to the Danish media, "It was Shame that made Norway look so cool for the first time."
In Iceland, many fans have said that they are ready to start learning Norwegian under the influence of Shame.
Norwegian Prime Minister Erna Solberg said her children watch it at home.
The eldest son of The Norwegian Crown Princess Mette-Marit, he also ran to the end of the second season to run a dragon suit.
In China, you can find countless homemade videos of Chinese fans generating electricity for love on the Bilibili animation website (B station).
The Norwegian original version is only standard after reading it, and there are many people who have read the 8-country version.
Yes, after the norwegian original version was broadcast, it became a Nordic phenomenon, and various European and American countries have invested in the shares, France, Italy, Germany, the United States, the Netherlands, Spain, belgium, have all filmed their own versions.
Among them, the french and Italian versions are the most popular.
Come and go, the beautiful Italian sister to understand -
Does the little french brother of the ecstasy really not look at it——
The German children are so cute—
……
Don't lose in the pit, friends!
Finally, the main player of the play sends a line from the play to everyone.
Life is in front of you.
Whether it is the youth of other people's families or the youth of their own families;
Youth is good, youth is no longer good...
Seizing the day in front of you and living well is a blessing that the playwright wants to send to everyone.
You see, this last black screen, the screen is reflected, is not the current you.
Editor-in-Charge: Ery
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