Although they strive to learn peking opera and other industries, they always carry their own jianghu qi in some things, such as this problem of inheritance.
Other music and art industries also have the problem of teacher inheritance, but no industry makes the master like a gang, and the apprentice who wants to go out alone will also be labeled as a traitor.
However, you want to say that the cross-talk industry attaches great importance to the problem of teacher inheritance, but there are a large number of cases of jumping to worship the master, but some ordinary people jumping off the door are still not too much of a problem in terms of perception, such as Guo Degang jumping from Yang Zhigang's door to Hou Yaowen's door, the masters are all literal generations, the generations are unchanged, as long as the original master agrees, there will be no controversy.
However, there are still many artists in the cross-talk industry who have changed their generations and jumped the door, of which the jumping generation is relatively rare, and the descendant jumping door is common.
Descending to the door, that means that your original master will be called Master when they meet later, and your original master and brother will be called Master uncle when they meet again, and in the cross-talk industry that attaches special importance to generations, they are so easily short for a generation, what is the picture?
This article will take stock of the seven cross-talk artists who have jumped off the door of the descended generation, and see what they are all for, in order of generation:
First, the peak master Ban Degui
In 1933, when he was 13 years old, he studied under Zhang Jieyao, stage name Ban Songxia, and his brother was also Zhang Jieyao's apprentice, stage name Ban Songlin. Zhang Jieyao is a German character artist, so Bandegui should be counted as a Shou Zi generation.
In 1938, Bandui went to Tianjin to make a living, and since then he has known Ma Sanli, and once spoke with Ma Sanli at the tea house. And his master Zhang Jieyao has been touring all over the country.
In 1953, Bandui jumped to visit Ma Sanli, and because Ma Sanli was a Shouzi generation, Ban Degui was demoted to the Baozi generation of artists.
Ban Degui jumped out of the door this time, on the one hand, because his age is indeed small, Ma Sanli was born in 1914, and some people still think that he is young, so Ban Degui is really not very good with his peers. On the other hand, Zhang Jieyao had a conflict with his cross-talk colleagues, and after his liberation, he settled in Shaanxi and was not in Tianjin. Bandui wants to gain a foothold in Tianjin, and the best choice is of course to pay homage to a respected predecessor in Tianjin.
Moreover, Bandui did admire ma jia xiangsheng, and in his later years, he and Ma Jingbo collaborated on the performance of the Ma family classic "Kwa Residence".
2. Qizhi
Formerly known as Yang Qizhi, born in 1953 in Dalian, Shanxi, the army went to Hunan after the transfer of professions, and brought out a small apprentice soldier in Hunan, and the two soared into the sky after several years of hard work to become a famous cross-talk group alongside Feng Gong.
Qi Zhi once studied with Chang Baohua, which means that he should be a writer, and there is nothing wrong with the writing generation at his age. However, later, after he became famous, he still jumped out of the door to worship Hou Yaowen, and changed from a writer to a Ming character.
A very important reason for Qi Zhi to jump the door to worship the master was that at that time, the QuYi Troupe had unspoken rules, and if you wanted to enter the group, you had to worship the pillar in the group as a teacher, whether you jumped the door or not. This is also the origin of the rumor that Guo Degang worshiped Li Jindou in the beginning, and it is also a reason for Guo Degang to worship Hou Yaowen.
Entering the Qu Art Troupe, especially such a large unit as the Railway Literary troupe, is a good thing, for the sake of the future of the apprentice, the general master will not have an opinion, plus chang Baohua and the Hou family have a good relationship, so Qi Zhi's jumping door should be regarded as a great joy for everyone except for the small points of the generations.
3. Soldiers
Saying That Qizhi can not help but say dabing, Dabing's real name is Ren Jun, born in Changsha in 1968, met Qizhi in his teens, and followed Qizhi to learn cross-talk, so Qizhi is considered to be the enlightenment teacher and master of Dabing.
However, after the soldier became famous, after Jiang Kun and Hou Yaowen introduced li Jindou as a teacher, and Li Jindou was a Mingzi generation, after the soldier worshiped him, he was two generations younger than Qi Zhi, and later After Qi Zhi also jumped to pay homage to Hou Yaowen, the generations of the two returned to the generation of the difference, but also harmonious.
The soldier worships Li Jindou more or less or worships the door, his skills are all taught by Qi Zhi, and after jumping off the door, the soldier embarked on the fast lane of fame.
Fourth, the mountains
Born in Canada in 1965, his grandfather practiced medicine in Shangqiu, Henan during the War of Resistance Against Japanese Aggression, so he had a deep affection for China, and after graduating from undergraduate, he was sent to Peking University to study Chinese Chinese literature.
At that time, Hou Baolin was teaching at Peking University, and Dashan also became acquainted with Hou Baolin's beloved apprentice Ding Guangquan, and then began to learn to talk to Ding Guangquan.
However, later Dashan still worshipped Jiang Kun, Ding Guangquan was one generation older than Jiang Kun, Dashan was equivalent to demotion, and the foreigners who had originally studied cross-talk with him had become his uncles, and Ding Guangquan had become his master.
Dashan's jumping door should also be a factor of leverage, Ding Guangquan cultivated him, but could not give him a bigger platform, and Jiang Kun, who was in the sky at that time, could help Dashan make greater achievements in crosstalk. Therefore, Ding Guangquan is very supportive of Dashan's jumping door, and the two have always maintained a good relationship.
5. Zhou Wei
Zhou Wei was born in Tianjin in 1975, was admitted to the Northern Quyi School at the age of 15, joined the Second Artillery Literary and Labor Troupe after graduation, and later went to the People's Liberation Army Academy of Arts for further study.
Zhou Wei's master at the beginning was Tang Jiezhong, and this starting point was also quite high, and the two masters and apprentices also talked about a cross-talk of "Teachers and Students Fighting Wisdom" together.
However, later Zhou Wei still worshiped Jiang Kun as a teacher, it is said that this is also the opinion of the superiors, at first Jiang Kun was not happy, after all, this is Tang Jiezhong's apprentice, but Tang Teacher forced Jiang Kun to accept Zhou Wei with the overall situation.
Zhou Wei's reason for jumping off the door is relatively more complicated, after all, there is organizational participation in the middle, it can be said that it is both a personal climbing and an organizational training, and it turns out that the road after Zhou Wei jumped the door is getting wider and wider.
Sixth, Ying Ning
Born in Beijing in 1979, he liked quyi since he was a child, and joined Zhao Xiaolin and Ma Guirong's Laughing Haha Children's Qu Art Troupe to learn cross-talk, and his classmates included Wang Yuebo, Zhang Boxin and Sun Yue. When he was a child, Ying Ning also played the teenager Liu Baorui in the TV series.
Ying Ning's enlightenment teacher is Mr. Hui Wanhua, and when he grows up, he worships Zhao Xiaolin, and Zhao Xiaolin is a writer, so Ying Ning is a cross-talk actor of the Ming dynasty like Sun Yue and others.
However, later, Ying Ning got an opportunity to enter the coal mine literary troupe, and according to the custom, he needed to worship Wang Qianxiang, a pillar in the group, as a teacher, and Wang Qianxiang was an artist of the Ming dynasty.
Ying Ning was uneasy about this, he was not because he wanted to demote but worried about being sorry for Zhao Xiaolin and Ma Guirong, but his worries were superfluous, Zhao Xiaolin and his wife (who had not yet divorced at that time) were very supportive of his jumping door for the sake of Ying Ning's future, so Ying Ning smoothly entered the coal mine literary troupe.
Ying Ning's jumping door is somewhat similar to Qi Zhi but still a little different, because after all, he is just starting his career, and entering the coal mine literary and labor troupe is very important to his life.
VII. Li Gen
Born in Tianjin in 1986, his current stage name is Li Yuntian.
Li Gen won the first prize of the Tianjin Children's Quyi Competition when he was a child, and was called a prodigy of quyi, and later graduated from the cross-talk college class of the Central Academy of Drama, and his master was Li Lishan, a famous cross-talk artist, and Li Lishan was a cross-talk artist of the literati generation, and Li Gen was also a Ming character.
In 2005, 19-year-old Li Gen once went to the Spring Festival Gala, and he posted a sticker for Guo Donglin and Niu Li's sketch "Manly Big Husband", which was the one who quarreled with Niu Li with Allegro.
After that, Li Gen joined the Deyun Society, where he stayed for more than ten years, at first his name was Li Gen, and later he learned the stage name Li Jingqi from Guo Degang in Xihemen, and then he jumped the door, and also became Guo Degang's apprentice at XiangshengMen, and got the stage name Li Yuntian, so that he became an apprentice from Guo Degang's disciple.
For Li Gen's jumping door, in fact, it is similar to Ying Ning, all for a future consideration.
In summary, the jumping door of the cross-talk industry, especially the jumping door of the descended generation, is still for a purpose, eating.
Or, eat a better meal.