The Straits Herald (reporter Xue Yang @ Taiwan Strait master brother) Taiwanese entertainer Zhang Junning, who was involved in the "Taiwan independence storm," personally responded a few days ago that "both sides of the strait are Chinese are part of the Chinese nation, and I am not Taiwan independence," which aroused heated discussion in public opinion on both sides of the strait. In this regard, the island artist Ke Yulun was angry and shouted, "I am not allowed to claim to be a Chinese instead of me."
Ke Yulun, who has participated in many classic movies such as "Riding the Wrong Car" and "The Juvenile Murder Incident on Muling Street", was once banned by the mainland for supporting the anti-service trade movement, and since then he has gradually become unable to mix in the entertainment circle, and now he has become the flank of the DPP's network army, relying on the clamor for "anti-Central Protection of Taiwan" to brush up his sense of existence.
Zhang Junning
<h1 class="pgc-h-arrow-right" data-track="16" > was banned by the mainland for participating in anti-service trade</h1>
Mentioning the name Ke Yulun, mainland audiences have gradually forgotten it. In fact, he debuted more than thirty years ago and was known to mainland film fans at that time. In 1983, when Ke Yulun was only six years old, he participated in Yu Jieping's directorial work "Hitchhiking" and played a mouse (childhood) in the play; at the age of 14, he starred in "The Juvenile Murder Incident on Muling Street", and began the learning path of New Wave films under the guidance of director Yang Dechang. Since then, Ke Yulun has successively made films such as "Mahjong", "Yiyi", "The Happier the More Depraved", "The Best Time", "Color Ring" and so on, and has been promoted by big-name directors such as Hou Xiaoxian and Ang Lee.
Ke Yulun once went to the mainland to promote new films
After 2010, Ke Yulun's acting path was also relatively smooth, and he successively appeared in "Roll Over! Ashin" "Forgetful Village", "When the Wind Rises Again", "Johnny Keck" and other films have played an important role, and the future is quite promising. The turning point occurred in March 2018, when Ke Yulun was exposed to have participated in the anti-service trade movement, suspected of involvement in "Taiwan independence", his starring movie "Johnny Keck" could not be released on the mainland, and the content about him in the promotional materials of "When the Wind Rises Again" was all hidden, and the Taiwan Affairs Office of the State Council also responded to this matter at that time.
<h1 class="pgc-h-arrow-right" data-track="15" > his father was obsessed with the "Taiwan independence" movement</h1>
If we say that Ke Yulun is engaged in "Taiwan independence," everyone does not feel particularly strange, because his father Ke Yizheng has been practicing "Taiwan independence" in recent years. Born in 1949, Ke Yi is a well-known director and actor in Taiwan, and became famous in 1982 for his film "The Story of Time and Yin , Jumping Frog", which cleverly satirizes the absurd and fallacious phenomena in modern life, leading to the frog-like lifestyle of young people and becoming the pioneering work of Taiwan's new films. Later, he directed films such as "Doll", "Reverse Girl", and "Blue Moon".
Ke Yizheng
However, after 2000, Ke Yizheng gradually broke away from the film and television circle because he was intoxicated with politics and mingled with the dark green forces. In 2015, he was nominated by the "Taiwan independence" political party "Time Force" to participate in the non-divisional "legislator" election, but in the end he returned home. After the DPP won the 2016 "general election", Ke Yizheng did everything to curry favor with it, claiming that "the 'power of the times' can be the backing of the DPP." On the day of Tsai's inauguration that year, he was also invited to participate in the so-called "state banquet".
Under the influence of the ears, Ke Yulun gradually embarked on the same path as his father. In March 2014, an anti-service trade movement broke out on the island, and Ke Yulun also went to the "Legislative Yuan" chamber to express support, which also laid a mine for his subsequent acting career.
<h1 class="pgc-h-arrow-right" data-track="10" > points resentment to the mainland</h1>
After Ke Yulun was banned, his acting career plummeted, and Taiwan media reported that he once had a recurrence of depression, and even his friends could not contact people, and his Facebook account was suspended for four months, which was like evaporating in the world. Ke Yulun was accused of being a "Taiwan independence", and large film companies did not dare to look for him to make films, and after 2018, he only made one movie, "Joy From Heaven", with a box office income of only NT$3.63 million. In terms of songwriting, Ke Yulun has also almost stopped, and in recent years, he has only collaborated with the fire extinguisher orchestra that supports "Taiwan independence" on a song "Stubborn nature".
When the rice bowl was lost, Ke Yulun was obsessed, and he also pointed his resentment to the mainland, once shouting, "Even if I don't act again in my life, I will always be a Taiwanese." He also hated the island's unification groups and was beaten last January for beating the middle finger of the Party for promoting Chinese reunification on a street in Taipei.
Ke Yulun's acting career plummeted
Nowadays, Ke Yulun has become a flank of the DPP's network army, often leaving messages on the Facebook page of Tsai Ing-wen and other green camp politicians, vigorously supporting the policies of the ruling authorities, or clamoring for "resisting China and protecting Taiwan" to brush up on the sense of existence; recently, Xiao S and Zhang Junning have been involved in the "Taiwan independence" storm, and Ke Yulun has also taken the opportunity to stir up trouble, vigorously provoking public opinion confrontation between the two sides of the strait and showing his "high style and bright festival" of safeguarding "Taiwan values."
From big-name actors to the flanks of the net army, Ke Yulun's history of decline confirms the saying, "no zuo no die".