
Appreciation of Guan Yunshi's "Double Tone Qingjiang Introduction"
Purple snow
Abandoning the micro name to go to the heart quickly, a smile outside the white clouds. Zhiyin three or five people, how to hinder the pain of drinking? The drunken robe dance is narrow. The name of the competition is like a car going downhill, who is thrilling to break? Yesterday's Jade TangChen, today's maim. Scramble to avoid the wind and waves and walk in the comfort nest. ”
Guan Yun Shi Was a famous song artist in the late Yuan Dynasty. The personality is witty, and its music is bold and flowing. He despised the name of merit, saw through the smoke and clouds of Beijing, the turmoil of the eunuch sea, and abandoned the official to become a romantic literati, which can be seen from this song.
"Abandon the micro name and go to the heart quickly" is plain as words, and the opening sentence is the purpose of the whole song. How refreshing it was to give up a meager merit and go to the free life of a literati. There is Tao Yuanming's heart of "returning to Xi". A word "哉" spat out slowly, as if spitting out the yearning for freedom and the contempt for officialdom that he had in his heart. "A smile outside the white clouds", this sentence supplements the previous sentence "The heart is fast", the mood is cheerful, as if a smile is strong until the blue sky. Its heroism and heroism are self-evident. The yuanqu style is bold and open, and it is fully exposed. This is a classic example.
"Zhiyin three or five people, why bother drinking?" The life he envisioned was to be with a few acquaintances, drinking and having fun, and being dashing and promiscuous.
"What's the obstacle?" That's a wonderful question. A "pain" word shows the drinker's pride and mind to the fullest. Then even better is the "drunken robe dance is narrow in the world". A good "drunken robe dance is suspected of narrow heaven and earth"! There is even the same pride and romance as Li Bai's "holding up wine to invite Mingyue, to yingcheng three people" and Su Dongpo's "when is the bright moon, asking the wine to the sky". The "drunken robe dance" is drunk and proud in exaggeration.
The theme of the yuan song is wide, there are almost no forbidden areas, and the crown is obscene and elegant. Moreover, the rebellious ideology is greatly enhanced than the traditional poetry and literature of the previous generation, the zhongjun thought is weak, the self-consciousness breaks the original group consciousness, and the independence and liberation of personality have become the direction pursued by the literati of the Yuan Dynasty. Guan Yunshi not only despised the name of merit and regarded his companions as companions and tigers, but also loved the life of the literati of the book club and pursued the style of free and unrestrained.
"The name of the competition is like a car going downhill", and the simple and easy-to-understand metaphor reveals his profound understanding of the officialdom. Historically, officials have been fighting with each other, and for the sake of a little snail horn, they are dead and alive, and in the end it is just a steep slope under the car, and its situation is dangerous. However, the authorities are confused and the bystanders are clear. "Yesterday's Jade TangChen, today's cruelty", the sharp contrast is shocking. When Emperor Wuzong, Emperor Renzong, and Emperor Yingzong ascended the throne, they all massacred the former imperial ministers, which was a characteristic of the politics of the Yuan Dynasty, and it is not difficult to understand the pain of Guan Yunshi's words in combination with historical facts. What a glory the "Jade Tang Chen" was, and in the blink of an eye, how miserable! "Scramble to avoid the wind and waves and walk in the comfort nest." Where is it better to escape the storm and get away with everything? Leaving the darkness of the officialdom, the wind is happy and comfortable and free, and the author deeply appreciates the beauty of such a life. His bold pursuit of singularity is inseparable from the independent style of the literati of the Yuan Dynasty advocating making a living from their own pens. They are not unusual for high-ranking officials, they despise foolish and loyal subjects, they live in the city, and they dare to tell the truth.
The resignation officer threw himself into the arms of Lin Quan mountain, "smiled outside the white clouds", and walked into the comfort nest to avoid the wind and waves.
This metaplogue expresses the obvious reclusive thoughts and expresses the prodigal son of the literati at that time. Can be written with Ma Zhiyuan "Grunt to stop a sleep before giving it away, when the chicken is singing, everything is endless, and the year of the struggle for fame and fortune is thorough!" Watch the dense turns of the ants platoon, chaotic bees brewing honey, rushing to fight for blood". The faint fame and fortune and contempt for meritorious fame have a deep and bold meaning than Tao Yuanming's "distant self-deviation". The rapids of the Yunshi rushed back bravely, exposing the turbulence of the eunuch sea and the extremely indifferent thinking of the loyal king. Compared with the works of many poets in the Southern Song Dynasty, there is less bitterness and helplessness and more boldness. His "Double Tone Qingjiang Introduction" style is swift and exciting, unique.
When people read it today, they also add recognition.
(Author's picture)