Abstract: In this era, many artists with the atmosphere of the times and distinct personal styles have emerged. They take the inheritance and development of China's excellent traditional culture as their own responsibility, continuous efforts, continuous innovation, through the ancient and modern, integrated into the East and the West, so that the Chinese painting and calligraphy art showed a new look, the Chinese art gradually pushed to the peak of world art. In order to discover and display the style and excellent works of contemporary artists, "Entering the Winter Olympics and Art to the Future" specially recommends large-scale activities for artists to show the style of contemporary art masters to the whole country and the public.
Liao Jianren, male, born in April 1963 in Liangping, Chongqing, pen name Ba Ren Moke. Since childhood, he has loved calligraphy, and in middle school, he used the calligraphy masters Weng Yiyun and Hu Wensui five-body stickers as a model for temporary study, and in 1984, he was recruited as a full-time cultural cadre by the Liangping County Cultural Bureau for his calligraphy and painting skills. After that, he immersed himself in yan liu ou zhao, the second king mi fu calligraphy, wei stele, and small seal.
He is currently a director of the Liangping District Elderly Poetry Calligraphy and Painting Research Association, a member of the China Hard Pen Calligraphy Association, a member of the China Yuelian Society, a member of the Chinese Calligraphers Association, a national senior calligrapher, a senior calligraphy trainer, a senior calligraphy appraiser, and has been hired as the deputy secretary-general of the Calligraphy Art Research Association of the China Yinglian Society, the vice president of the Chinese Poetry Calligraphy and Painting Network, the vice chairman of the National Calligraphy Art Committee, the visiting professor of the Confucius Museum, and the visiting professor of the Institute of Education Standardization of the Chinese Academy of Management Sciences. Elected as the "National Poetry, Calligraphy and Painting Elite Figure" in 2019, the "National Poetry calligraphy and painting style figure" in 2020, the "Most Influential Contemporary Art Master" in 2021, the leading figure in the Chinese art world, the major domestic media Han Mohe New Year, the Danqing Song Shengshi column specially recommended artists, the 2022 CCTV New Year New Year Era Focus Figures, especially recommended Chinese brand artists. Invited to participate in the 2021 Spring Festival Gala of Chinese Artists.
His works have been selected into the collection of masterpieces of Chinese contemporary writers and painters, CCTV's "Two Sessions Special Issue", and have been published by hundreds of media such as People's Daily "Minsheng Weekly", Cultural Tourism China, Learning Power, Tianjin People's Publishing House "Centennial Hanmo Not Living Up to Danqing" and other hundreds of media, and published in new Zealand, the Netherlands, Luxembourg, etc. It is distributed in Finland and other countries and disseminated at home and abroad.
Flowing clouds, natural and smooth
Mr. Liao Jianren's calligraphy is uniform and smooth on the pen, the font is thick and powerful, slightly ethereal and free, with a Wei monument style. Mr. Liao Jianren's writing is admirable, the pen is in place, strong and powerful. Some people say that seeing words is like face, when I see Mr. Liao Jianren's calligraphy, I can feel Mr. Liao Jianren's resolute character and open-mindedness from the lines. The words reflect the flowing clouds, natural flow, superhuman, worth learning.
Carefully reading Mr. Liao Jianren's calligraphy works, you can clearly feel the rich ink color, handsome style, vivid and elegant, varied and natural unique style. The lines of the whole work are strong and steady, the layout is appropriate, it seems to flow like clouds and water, and it is flowing and free, showing that the calligrapher's skills are extremely mature, and they have reached the state of pure fire. If you think about it carefully, the viewer can taste the unique taste. The works are bright and handsome, pleasing to the eye, and each stroke is vigorous and powerful, and the charm is free, making his calligraphy reach a certain height and have unlimited beauty. The layout of the work is reasonable, the lines are smooth, and the sparseness is smooth. The calligrapher skillfully moves the pen, in one go, the structure of the handwriting, the stretch of the strokes, and the mastery are very clever. The overall feeling of the work is very handsome, tiger and tiger, inspiring and inspiring. Mr. Liao Jianren's calligraphy has a very free and cheerful characteristics, compared with many calligraphers, forming a unique style, the flowing pen and ink posture, showing his deep thinking about calligraphy, rooted in skillful pen and ink, she is often able to navigate, the art of calligraphy into a visual feast, but also hidden feelings.
Mr. Liao Jianren's calligraphy works are written in his calligraphy, structure and chapter style, making them beautiful works of art. His writing is strange and clumsy, and sometimes it seems that he has completely abandoned the pen, but he is very interesting. The calligraphy incorporates the fortitude, courage and enterprising of Confucianism, and also contains the emptiness, dispersion and calm and leisure of Lao Zhuang, and often with a kind of non-seeking rich change, in the pen to save the earthly glitz, in order to seek the meaning of emptiness and true taste. His calligraphy is freely flowing with his pen, like a flowing stream, natural and smooth. The pen and ink ups and downs, thick and light, with the charm of Ouyang Inquiry, with the bone muscles of Zhao Mengfu, are deeply appreciated by many literati and inkers. It is also a collection of calligraphy art masterpieces.
Huaxia Hanmo - Xue Ran
April 9, 2021