There are all kinds of political correctness in Hollywood at present, but the most influential and familiar to everyone is certainly ME TOO (feminism) and BLM (black).
In fact, for now, both kinds of political correctness have infiltrated Hollywood.
For example, there are many black actors who use this to "force the palace".
Some capitals hope to use these trends to make money, so they launch a lot of movies with big heroines.
Well, there are also some children's shoes that can't help but question this:
Which of these two major political correctness is more influential in Hollywood?
Of course, although the two current trends are relatively consistent in interests, the goals are relatively clear, and sometimes they even join forces (such as black women) to ferment.
But in Hollywood's past history, women's rights and black people have really confronted each other.
It is said that during the filming of the first season of the American drama "Heroes", there was a black and white couple in the series.
The male actor's name is Leonard Roberts, a small black actor with eighteen lines.
The woman is a little more famous, is the heroine of "Death is Coming", called Ellie Rattle.
Originally there was no trouble, because the two were husband and wife in the series, and the nature of the American drama was understood by everyone, there must be no intimate drama.
Therefore, the director originally arranged a two-person scene.
However, after learning about this, Ellie was furious with the production team and refused.
Ellie even shouted at the scene:
"Don't you see me as a woman, as an actor, as a human being?" Don't I even have the right to refuse this?! ”
At that time, Roberts was surprised, for such a scene, Ellie involved in "women's rights", which made Roberts feel very uncomfortable.
Because Ellie, the actress, is not a white lotus who "absolutely does not accept intimate scenes", she has also shot countless kinds of bright portraits.
The black actor later ran to ask another white male actor on the crew, because in the series, Ellie's character also had intimate scenes with his character.
The white actor said that she is very cooperative, and her work attitude is serious, not only very open, but also there will be a lot of improvisation, making him feel very happy.
This lighted the signal of "racial discrimination".
For this reason, Roberts was very angry, he said that this is not an ordinary job, everyone is just an actor, filming a scene, treated differently? Why? Just because I'm black?
Of course, due to the different positions of the two people, the role weight is also different, and the result of such a fight is that Roberts' role is later gone.
So it seems that the confrontation between feminism and black people, the former won?
But in fact, the real winner is someone else.
Yes, or the old white man behind the capital.
Here, capital has adopted the classic "double dragon out of the sea" tactic.
The first trick is to throw the pot.
First, a series creator named Kling, when informing Roberts that his character is gone, says that it is Eli who is behind it.
He said Ellie didn't think her character had any chemistry to interact with Roberts' character, and there was no point in continuing to shoot.
The second trick, a sugar and a whip.
Kling told Roberts that he would love to keep him, and had written a lot of relevant and interesting scenes for his character in the second season.
But he couldn't compete with the whole crew, and Ellie was higher than him, and he couldn't help it.
There were some people on the crew who, like him, supported Roberts, but there was nothing they could do.
After Roberts had finished filming his final scene, another producer came up to him and patted him on the shoulder and said to him:
"Don't think black people lose and white women win because of this incident."
Good guys, this set of tactics down, but the capital is innocent white lotus, the evil people let Eli this white actress take it.
But in fact, this set of statements, carefully considered words, is also full of loopholes.
If Ellie really had the power to let you capital dismiss an actor at will, was she still arguing with the crew for a scene in the beginning?
In the same way, if you really want to keep Roberts, he will definitely continue to be active in this series, and he will definitely not die.
To put it bluntly, it is that the capital wants to make Roberts disappear, not to affect Ellie.
Ellie is a blonde girl, and it is valuable to design several intimate scenes in the series.
This would have been normal, but the capital's routine of throwing the pot + disguising adult friends is very hypocritical.
Interestingly, however, Roberts at the time also believed this statement.
However, later on he found out that something was wrong.
According to him, he realized that the purpose of the old white men of capital was to divide them into two different groups with white women, and then throw the other side of the pot and let them fight each other.
But even if Roberts figured it out, it didn't make sense, what kind of storm could he set off as a small black actor of eighteen lines at that time?
However, after the ME TOO and BLM movements were launched, Roberts mentioned it again.
Then the responses of others are interesting.
The official of the original series pretended to be dead and did not respond.
Indeed, this hammer is so real that it is necessary to dare to respond for fear of being scolded to death.
As for Avery, he issued an apology response:
"It hurts me to hear about Roberts' experience when he was filming, and it makes me sad that he sees our relationship that way, because I remember it wasn't like that."
"I respect his right to be an artist and to speak up for them (black people), and I'm sorry for any role I played in his painful experience, and I wish him all the best with his family."
Of course, Avery's apology may be another reason.
Because the staff involved in the production of the series at the time, at least 10 or more confirmed that Roberts was telling the truth.
In this case, Ailey seems to have only one option to apologize.
At first glance, it seems that black people have triumphed over feminism again.
But still that sentence, the old white men behind the capital, watching the black people and feminists clash, I am afraid that the teeth that are not smiling have fallen off.
In any case, no matter who wins, as long as it does not affect their interests, they will always be the winners.