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He Shaoji Linhan "Wu Rong Monument"

author:Calligraphy code

He Shaoji Linhan's "Wu Rong Stele" was written in 1862, a volume of line binding, counting eight pages and sixteen faces, three lines on each side, four lines, a total of 186 words. During the Republic of China, it was tan Zemin's collection, and in 1926, Tan provided the Shanghai Commercial Press with photocopied and published, and later entered the library of the Shanghai Arts and Crafts Import and Export Company. Due to the continuous reprinting and publication of this volume in modern times, it has a great influence on calligraphy, and it is one of the most famous works of He Shaoji's book in the world, which is extremely precious and rare.

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He Shaoji Linhan "Wu Rong Monument"
He Shaoji Linhan "Wu Rong Monument"
He Shaoji Linhan "Wu Rong Monument"
He Shaoji Linhan "Wu Rong Monument"
He Shaoji Linhan "Wu Rong Monument"
He Shaoji Linhan "Wu Rong Monument"
He Shaoji Linhan "Wu Rong Monument"
He Shaoji Linhan "Wu Rong Monument"
He Shaoji Linhan "Wu Rong Monument"
He Shaoji Linhan "Wu Rong Monument"
He Shaoji Linhan "Wu Rong Monument"
He Shaoji Linhan "Wu Rong Monument"
He Shaoji Linhan "Wu Rong Monument"
He Shaoji Linhan "Wu Rong Monument"
He Shaoji Linhan "Wu Rong Monument"
He Shaoji Linhan "Wu Rong Monument"
He Shaoji Linhan "Wu Rong Monument"

The original stone of the "WuRong Stele" is in Jining, Shandong, and the "Li Discernment" is believed to have been written in the first year of the Eastern Han Dynasty Yongkang, and the oldest is the late Ming Dynasty Tuoben, which is quite damaged later, and is a famous Han stele with few surviving Tuoben. In the eighth year of Xianfeng (1858), He Shaoji lectured at the Luoyuan Academy in Jinan, in order to trace the laws of Han Li, began to specialize in lishu, and in the next few years, almost all the monuments of the Eastern Han Dynasty were written all over the place, "Tokyo graphite is my teacher, although the arm and wrist are weak and courageous", which shows the diligence of his strength. He Shaoji has accumulated decades of calligraphy skills to model the Han stele, or take its gestures, or appreciate its knots, or appreciate its brilliance, widely consulted and extensively, and taken from the gods in the relics, meaning that there must be something exclusive, this volume shows the thick feeling of the stele stones with a slow and clumsy pen, although some of the characters are not written, the meaning of the text is not very consistent, but the chapter method is interspersed with concessions, the style of the book is simple and ancient, and it is his Lingu force work, which is enough for the later learning of Jinliang.