Abe Kuan, born in the 60s, a handsome uncle with a high nose and deep facial features.
According to the aesthetic standards of the 80s, a big man, a high education, and a high income are the standards for a good man, and Abe Kuan just meets this standard. At 189 centimeters tall, Abe was on the cover of the inaugural issue of the fashion magazine MEN'S NON-NO and became the magazine's exclusive contracted model.
Abe Hiroshi's appearance is not inferior to European and American models, so it has also won the love of a large number of female fans, it can be said that in those years Abe Hiroshi lived under the cheers and flashes of fans, however, at that time, Abe Hiroshi who wanted to transform to the film and television circle to achieve greater development was not smooth sailing.
<h1 class= "pgc-h-arrow-right" > the road to film and television is not smooth </h1>
Abe Hiroshi, who has just entered the film and television circle, is not satisfactory in terms of performance skills and line skills, especially the low and slightly depressed way of speaking has become the focus of people's criticism. The tall and mighty image in the magazine when he was a model was gone on the screen. The advantages that I have as a model are completely unsuitable in film and television, and the wind evaluation is not good, so there are few opportunities to appear.
In Abe's self-published book The Tragedy of Abe, there is also a detailed description of his own debut. For Abe Hiroshi today, that period of black history is already a small thing that can be laughed at.
Today's achievements of Abe Kuan are inseparable from his own diligence and hard work over the years, and the big stars who can span the three eras of Showa, Heisei, and Reiwa, and are not diminished in popularity, it can be said that there are only a few in addition to Abe Hiroshi.
< h1 class="pgc-h-arrow-right" > stage for a turnaround</h1>
For Abe's acting career, an important turnaround came from stage plays. Through "The Murders of Atami", which began to appear in 1993, Abe Hiroshi has mastered the performance skills and line skills that he was once ridiculed, and even the skills of comedy performances on the stage have also mastered.
By playing the role of the gay criminal police captain, Kinura Shinobei, Abe completely got rid of the title of vase man who could only shoot magazines. It can be said that the stage drama saved Abe Kuan, so that Abe Kuan's career in film and television performance can be revived.
However, as Abe's second film and television performance, although it has improved compared with the previous one, it has not yet reached a remarkable level. After all, the role he plays is not suitable compared to his appearance, and Abe Kuan, who should be a tall and powerful image of robbing the rich and helping the poor, still needs to find a suitable interpretation route for himself.
<h1 class= "pgc-h-arrow-right" > gold always shines</h1>
What really made Abe show his fist was TV Asahi's TRICK.
In this drama, Abe Hiroshi plays a genius physicist, Ueda Jiro, and it can be said that this role is in line with Abe's temperament, or Abe's temperament is exactly in line with this role.
Through his acting skills, Abe Hiroshi also interpreted the characteristics of this role, that arrogant feeling, the careful eye calculation, etc. very well, and it is through this drama that the audience re-acquainted with this tall and handsome Abe Hiroshi.
However, the times are changing, the aesthetics are changing, and the audience's good is also changing. The same is true for the aesthetics of male actors, from the Showa era to the Heisei era, from tall and mighty to oily cream kosoku is more popular. Of course, in the era of Abe Hiroshi, Abe Hiroshi's appearance naturally became a front wave, and he was photographed on the beach.
Later, Abe Hiroshi also starred in several mainstream film and television works, all of which were shown with a tall and mighty positive image, although it received a lot of praise, but ultimately lost in the ratings.
< h1 class="pgc-h-arrow-right" > Abe Kuan, who has successfully transformed</h1>
In order to cater to the tastes of audiences in today's society, Abe Kuan tried to transform and play some civilian roles, in 2004's "Living Father".
2006 'The Man Who Can't Get Married,'
And 2012's "Back to My Home"
In these dramas, Abe Hiroshi plays roles close to life, the role of a man in a midlife crisis, and the role of a strict wife, all of which make Abe Hiroshi play very brilliantly.
Especially later in the director is Kore-eda's two works, "Walking Non-Stop" and "Deeper than the Sea" in the performance of the small character played by Abe Hiroshi can be described as wonderful, but also can be regarded as Abe Hiroshi's film and television works to make him earn enough popularity.
<h1 class= "pgc-h-arrow-right" > Abe Kuan</h1>
After the successful transformation, Abe Kuan, in 2019, contributed to the work "Still can't get married", which is the sequel to the "Man Who Can't Get Married" produced in 2006, and the score of the new work on Douban is not as good as the previous work, but it still has a good score of 7.9 points.
Looking back on the development process of Abe Kuan for more than 30 years, it can be said that he is a model of inspirational success, the fledgling suffered setbacks without giving up, followed the trend of the times to change his own drama path, gave up the righteous personality he successfully shaped, and put down his body to play some small roles in the city.
This kind of forbearance and persistence when encountering setbacks, the spirit of thinking of danger in times of peace and seeking breakthroughs when at the peak are worth our reference and learning.