Every year has today, the years have this dynasty, good nights are short, things are people and things are not things. There is a thought in each solar term that resonates with people, only because each festival contains similar warmth, and different people have different attachments flowing in their hearts.
Lantern, may the poetry of the ancients bring you round dreams, round love, round mood, round days, round luck!
"The Lantern of the Folding Laurel Order"
[Yuan] Anon
Love the Lantern 35 scenery,
The moonlight is beautiful, and the lights are brilliant.
The moon is full of ice wheels, the lights burn the land and sea, and people step on the spring sun.
Three beautiful things can be rewarded, and four ruthless and hateful.
Afraid of the dim light of the lamp, the quiet and desolate,
Corner Pin South Building, Moon Under the West Wing.
This song adopts a structure that is a starting and bearing and turning. In front of it is the brilliant lights and bustle of the Lantern Festival, and the back is the bleak scenery after the hustle and bustle. The contrast between the two makes people deeply feel the author's loneliness and poignancy.
《New Year's 15-Night Light》
【Tang Dynasty】 Zhang Hu
A thousand doors are unlocked and ten thousand lights are bright, and the imperial capital is moved in the middle of the first month.
Three hundred people danced with their sleeves, and for a moment there was a sound of words in the sky.
This poem describes the scene of families going out, empty alleys, coming as much as they want, and returning to the First Year's Eve, making the Shangyuan Lantern Festival the most poetic and soul-destroying moment.
"Qingyu Case: New Year's Eve"
【Song Dynasty】 Xin abandoned the disease
Flowers and trees bloom at night in the east wind. More blowing down, the stars like rain.
BMW carved car fragrant road.
The sound of the phoenix vibrates, the jade pot turns, and the fish and dragon dance all night.
Moth snow willow golden wisps. Laughter filled the dark incense.
The multitudes looked for him a thousand times.
Suddenly looking back, the man was there, and the lights were dimmed.
The city is full of lights, full of street tourists, fire trees and honeysuckle, all-night singing and dancing. However, the author's intention is not to write the scene, but to reflect the difference of the person who is "in the middle of the lights". This word depicts the lively scene of the lantern festival all night long, Liang Qichao said "self-pity and loneliness, sad people do not have arms." "Thinking that this word has sustenance can be described as a confidant."
"Sheng Cha Zi , New Year's Eve"
[Song Dynasty] Ouyang Xiu
On New Year's Eve last year, the flower market was lit up like day.
The moon is on the willow tip, and the person is about after dusk.
On New Year's Eve this year, the moon and lights are still there.
Not seeing last year's people, tears wet spring shirt sleeves.
Things are the sorrow of human beings, the desolation of the contrast between the present and the past, so the beautiful scenery becomes a sad scene, and the night scene of the flower market intertwined with the moon and the lamp is changed from bright to dim. The sadness of indifference and coldness pervades the next piece of the word. Lamps, flowers, moons, and willows are, in the eyes of the protagonist, but the embodiment of desolation, the catalyst of sadness, and the testimony of acacia. Now the beauty is difficult to find, tearful eyes are also sad, tears are full of sleeves. Another: The author of this poem is still controversial, and there is also a saying that Zhu Shuzhen is Zhu Shuzhen.
《New Year's 15th Night》
【Tang Dynasty】Su taste
The fire tree and silver blossoms, the star bridge iron lock open.
Dark dust goes with the horse, and the bright moon comes one by one.
The wandering tricks are all plums, and the songs are all plums.
Kingo couldn't help but be at night, and the jade leaked uncontrollably.
This poem describes the scenery of the Lantern Night in Chang'an City. According to the "New Language of the Tang Dynasty" and the "New Record of the Two Capitals of the Tang Dynasty", every year on this night, flower lanterns are displayed in Chang'an City; for three days before and after, there is no martial law at night, and the people who see the lights are really crowded. The cars and horses of the rich and nobles are noisy, and the songs and laughter of the citizens are gathered together, and the whole night is spent in a lively atmosphere.
"Six Songs of the Night of the First Century·
【Tang Dynasty】Cui Liquid
Jade leaks silver pot and Mo urges, iron off gold lock open.
Who can sit idly by when they see the moon? Where does the smell of the lights not look?
The four words of "who's home" and "where" contain too much content, and it exhausts the night scene of the Lantern Festival in Beijing, where people are boiling, cars are like flowing water, lights are flashing, and the bustling Lantern Festival. The use of two consecutive cross-sentences not only expresses the meaning of the magnificent scenery and the meaning that people have to go to the point flexibly, but also gives people room for infinite aftertaste.
"New Year's Eve"
[Song] Zhu Shuzhen
The fire tree honeysuckle is red, and the sky is open to the spring breeze.
The new joy began to be in the busy, and the old things were reminiscent of the dream.
I hope that if I am temporarily a person, I may wish to stay in the hazy moon.
The one who appreciates the lights is drunk, and may not be here next year.
As a traditional Valentine's Day, the bustling and lively Lantern Festival also provides opportunities for young men and women in ancient times to fall in love and date. The poem describes the scene of the lantern meeting at the Lantern Festival. "I hope that if I am temporarily an adult, I may as well stay in the moon hazy" - I don't want to worry about anything in love, it is a sentence of heart. Because this poem has the same tone of writing and thinking as "Last Year's New Year's Eve", it has become a proof of Zhu Zuo in the controversy over the public case of "Sheng Chazi".
"Lantern Festival"
[Ming] Tang Yin
There is no light without a moon that does not entertain people, and there is no light in the moon that is not a spring.
Spring to the human world is like jade, and the lamp burns the moon and the next month is like silver.
Full of streets Zhucui tour village women, boiling ground sheng song Saishe god.
Don't show Fang Zun to laugh, how to get rid of this good day.
The usual Yuan Ye poems mostly describe ancient urban scenes. And this "Lantern" is based on the countryside, and the whole poetry is beautiful and touching. The villages where the lights shine are beautiful, and the village girls under the lights and moons are even more beautiful. They are youthful, jubilant and laughing. It is worth mentioning that the ancients said: Lighting a lamp under the moon can be described as a big scenery. I am afraid that there is only one situation in which it is possible to "enjoy the lights under the moon", that is, on the day of the Lantern Festival!
"Butterfly Love Flower Mizhou Shangyuan"
[Song] Su Shi
Lights Qiantang three or five nights,
The moon is like frost, and the illumination is picturesque.
The bottom of the tent blows incense spit musk,
Not a little dust with the horse.
Lonely mountain city people old also!
Drumming and blowing, but into the Nongsang Society.
Fire cold lamp frost exposed,
The snow is falling in the wilderness.
The whole word is sketched with a rough pen, depicting the different scenes of the Shangyuan Festival in Hangzhou and the Shangyuan Festival in Mizhou, revealing the author's thoughts about Hangzhou and the lonely mood when he first came to Mizhou, but still not forgetting to care about the people's livelihood. The image of "dusky snow means clouds hanging in the wilderness" seems to be miserable, but there is a kind of joy of "Ruixue Mega Year".
"Ancient Toad Palace , Lantern Festival"
[Ming Dynasty] Wang Pan
Listen to the Lantern Festival, the noise of the old days,
There are also a thousand songs and a thousand dances.
Listen to the Lantern, this year,
There are also a thousand sorrows, and there are also a thousand resentments.
Where are the red dust car BMW?
Just send the dusk ancient wood jackdaw.
Poetry also wears down, wine also wears down,
Snubbed the spring breeze, haggard plum blossoms.
This song is a work that reflects the reality of society. Xiao Ling described the lively and joyful atmosphere of the Lantern Festival in previous years, and at the same time wrote about the coldness of the Lantern Festival and the grievances of the people. The contrast between the present and the past reflects the decline of the Ming Dynasty and the deterioration of the people's lives, and expresses deep sympathy for the suffering and life of the common people, and expresses strong dissatisfaction with the cruel rule of the government.