Without further ado, let's start today's Doctor's Review.
Jiang Yunsheng's new single "SAD", he opened his mouth I knew what kind of tonal song, with a little EMO feeling of the breakup of the bitter love song. This song is not bad, after all, the aesthetic is subjective, and each has its own opinion.
But at the beginning of this, there is no objection, right? This song is point 808, two guitar chords back and forth playing, plus a little electronic vocals to do harmony. Rap has speed, not like the sad rap strength, and the flow has not changed much, from beginning to end it is such a long sentence pause.
The main problem is that his rap tone and flow and emotional expression make me unable to feel which "Sad" of the song is. This song can only be said to be not difficult to listen to, but from the arrangement, vocal control, post-mixing I do not see much cattle, do not have to over-praise.
Huang Shuo's new EP "Hardcore Party", this small album I think is far from Huang Shuo's early peak work "Free Speech" series, but it is also a new taste. This EP was made for him by Eddie, who is also a loyal dance music lover, so a lot of dance music electronic elements have been added to this accompaniment.
There are some songs that do very well, such as "Hardcore Party", this song is a good example of an old drum set on the 808, that is, suitable for Huang Shuo's Flow arrangement, that little bit of tone similar to the strange tone of the guitar 1 string, and there is a sense of Trap at the same time suitable for hardcore, the fusion is very good.
But there are also some songs that I think are a bit abrupt to do. For example, "Make Luv", this Bass dance song, the arrangement is my favorite style, the special dance floor Bassline is also tough, but Huang Shuo's words are really a bit strange, no entertainment or very sinister.
There are also two partial BoomBap works with jazz elements, and the works on jazz Loop are more relaxed and melodious and a little Boygie, but Huang Shuo is still that fierce tone, which is very mismatched. However, the arrangement of these two songs is more general, which is not Huang Shuo's pot.
AR Liu Fuyang's new single "David Foster", AR's Phone Project series has finally come up with some interesting songs. This song is playing rhythm and brainwashing, as soon as I listened to the drums of the prelude, I remembered Outkast's famous song "So Fresh So Clean", AR this song played a riot, because of the current musical form, who dares to arrange the music without some melodic instrumental music?
This song is the drum beat, Hihat plus Bassline, the rhythm has always been Loop, and it is really difficult to give the audience a flow that will not be tired, but also to have some skills with a witty and ridiculous tone. This kind of playing song is what the listeners want, after all, in terms of the speed of AR, the previous song content is similar to the arrangement and no longer meaningful, it is really boring to listen to.
Kong Lingqi's new EP "Force Majeure", Kong Lingqi is indeed not a rap material, but singing R&B is still very good. The style of this album is very potted, the arrangement is modern and feminine, bright and warm.
Kong Lingqi did not have too many mixing and effects for the vocals in this album, retaining a relatively original and sincere voice to reflect the emotions in the content, which is not only to reflect the feelings, but also to be confident in his own voice singing skills, of course, people's self-confidence is also reasonable.
There are a lot of "singing" sections in this album, that is, some rapflow arrangements are sung out, although I prefer the traditional big opening and closing, to a little bit of turmoil, but I have to say that Kong Lingqi's pronunciation of this spit word is really good, many places are very densely arranged, but still able to take into account the rhythm and melody.
Xu Zhenzhen's new single "This Summer", the arrangement of this song is really good, with a strong sense of emptiness and atmosphere, it can put the listener into a dreamy and warm and comfortable environment, the reverberation is also very beautiful, and the orchestration is also on the right path.
However, Xu Zhenzhen's singing is a bit difficult to say, the accent, singing is out of tune, the voice is dry, and the words are swallowed. I really want to say, brother, don't be difficult for yourself.
YunBei's new single "Shut Up", this song is really too top. Stronger than the spooky horror atmosphere of ordinary Trap, the sense of atmosphere formed by the melody orchestration is too strong, and at first it only feels gloomy when it is only the piano, and when it enters the violin tone, goosebumps rise.
The studio version of the song is listened to, the atmosphere is good, the vocal mix is well done, the delay in the Hook part, the hook strength after the mastering is appropriate, and the details are very detailed.
But this song is also suitable for live singing, after all, it is still a Trap foundation, Hook is dry enough, and the lyrics have a certain content and attack, which is perfect for the scene.
White Tiger collaborated on Fishhead's new single "The Goods", a New Boombap with a bit of Japanese elements, and this song has added a small and slight portamento.
The portamento is still more suitable for the melodic orchestration in this song, and there will be no conflict between the distortion of the portamento and the eerie gloomy atmosphere of the orchestration melody. As for the part of Boombap is a very normal and ordinary drum beat, the white tiger's driving is also a standard, the most important thing is to listen to the fish teacher, a mouth that casually and calmly rogue temperament comes out, his Versa is too short, I really did not listen enough.
Gao Tianzuo's new single "Speech" by Subway Z, a Low-Fidelity BoomBap song, in fact, BoomBap does not have to deliberately do low-fidelity to shape the sense of age, because in terms of the drum tone and flow degree of this song, it has long passed the era of Wutang.
In addition to the low fidelity of the song itself is no problem, smooth, dynamic, interactive sense of everything is enough, although the accompaniment is a little more track, but also taste right. However, I still don't like the sound of the horn as the main Loop of the whole song, it is too rogue.
Mengxu's new EP "Super Calm Demozzz Vol.1", which is his use of five abandoned songs from the new album as a prelude to the album, the first part has released two singles.
The first song, "The Existence of Flow", I think it is quite funny, and it does reflect the "flow" on The Loop. At the same time, I think his vocal control is also very interesting, although there is a bit of a soundtrack poem recitation, but the vocal mood is very high and bright and the overall atmosphere of the accompaniment is very in tune, not to say that there is no Flow, there is still a shadow of Rap.
However, the second song "In the Clouds" I don't like it very much, I think The Auto-Tune is too full, or the vocals are shaking and tearing, I prefer to fly a little sound.
Double C's new single "True Self", a content-oriented Auto-Tune music, this song is able to give the listeners some touch, talk about life, talk about social, talk about themselves.
Although the composition and arrangement are general, the lyrics are still touching, very real, in the name of the true self, it is indeed to show the most authentic side to the audience. At the same time, these contents are also the current mentality of many young people, and the resonance is relatively large.
Sha Yiting's new single "Snake Eyes", I like the prelude to this song, a little classical, magnificent and solemn. However, in the back of the Trap paragraph is very general, although you can still hear some classical strings, but in the flow control is a little unnatural, the flow conversion is a bit deliberate, losing the classical magnificent feeling, only cool and handsome is still a little too fierce.
Zhao Lei's new single "We Are One" has been a lot of environmental protection songs recently. Zhao Lei's song is relatively clear, because the accompaniment is very small and fresh, Boombap classically uses some West Coast-style synthesizers, and Hook's melodic singing section is also very beautiful.
There's nothing wrong with that, especially hooks, and synths are too sticky. However, Zhao Lei's rap seems a little awkward, and the strength and content are a bit too heavy for this arrangement, not very matched.
KnowKnow, Dok2, and Xie Di collaborated on the single "Like Earth", a Drill single, and the accompaniment of this song is a standard Drir, a little gloomy atmosphere of strings, portamento, broken HiHat.
However, the cooperation of the three is a bit of a problem, Dok2 and Xie Di's Flow is more cool and handsome, and this BPM and string atmosphere does not match, Know Know impression is the first time to try Drill, the tone control is quite good.
However, the content of his lyrics is still the same old routine, crazy Brag, and the street hustle content that Drill should emphasize is a bit different. Although the song has a luxurious lineup, it is really not outstanding in recent Drill works.
GALI collaborated with Darwensey on A Midsummer Night Fever. A synth funk, a lot of bass rhythms, which I couldn't resist. Listening to the song at first, I thought that many synth melodies were too soft, the timbre was too dreamy, and a little too gentle for Funk and the overall rhythmic speed.
However, after carefully listening to the environment combined with the content of the song, summer, evening wind, and campfire, so that something with a little softness is just right, too dance floor is not good.
Among the above songs, which one is your favorite, you are welcome to communicate in the comment area.