On February 1, 2022, the first day of the Lunar New Year in the Year of the Tiger, the topic related to the Spring Festival Gala program "Remembering Jiangnan" was on Weibo's hot search. Poetry and painting, fishing hermits, music and dance, and even golden stone seals are all carved in them, and the audience reads the classics and tastes Jiangnan in the picture scrolls, and the audience sighs at the beauty of Chinese history, the beauty of mountains and rivers and the beauty of culture.
In the "Fuchun Mountain Residence Map" that "came alive" in the Spring Festival Gala "Remembering Jiangnan", the mountains are rolling and rolling, the rivers are vast, and more than ten Jiangnan women walk in the smoke and rain, and successively meet woodcutters, fishermen, readers, walkers, etc., who follow the music or chant, or poetry recitation, which is very poetic, rhythmic and beautiful.
First of all, Feng Yuanzheng played the walker, chanting Wu Rong's "Fuchun" in the Tang Dynasty. Feng Yuanzheng looked relaxed, smiled, and spat out: "There are mountains and waters in the world, and the landscape of Fuchun is not human." The Changchuan River is not spring green, and the reflection of the peak falls in the middle. ", bringing the audience into the beautiful scenery of the Fuchun River.
"The world's best landscapes, ancient and modern push Fuchun." Fuyang, since ancient times, the scenery is beautiful, flexible, beautiful, pleasant, all seasons are beautiful. In the spring, the peach blossoms in the middle of the mountain are everywhere, and the clouds and mist are fragrant; in the summer, the new sand lotus is reflected in the sun, and the Wangzhou fishing boat sings at night; in the autumn, the Yang family's ginkgo biloba is golden, and the Yushan rice is full of warehouses; in the winter, tongzhou Jiangzhu Yanlan, the Longmen Ancestral Hall Ji Xue...
The beauty of Fuyang has long been seen in the articles and poems of ancient and modern celebrities. "How good it is to go up the Fuchun River, ZijiuTulai got its name." More than 600 years ago, the great painter Huang Gongwang of the Yuan Dynasty painted the famous painting "Fuchun Mountain Residence Map", which allowed countless people to appreciate the beauty and beauty of Fuchun Landscape. And this year's Spring Festival Gala version of "Fuchun Mountain Residence Map" has made the ancient Fuchun landscape come alive, which makes people's eyes open and marvel.
In fact, the feelings of ancient and modern poets and painters are often the same, and countless literati and inkers throughout the ages have also lingered here, chanting the poetry of Fuchun landscapes and landscapes, which are grand, and Fuyang in these poetry and songs is still very beautiful. If we say that the Tang Dynasty poet Wu Rong's "there are mountains and water under the heavens, the landscape of Fuchun is not human." The Changchuan River is not spring green, and the reflection of the peak falls in the middle. "It is to describe the beauty of the Fuchun River from a macroscopic perspective. Then his "water sends the mountain into Fuchun, and the river is picturesque and sunny in the evening." The clouds are low and the sails are heavy, and the tides are falling and the sand birds are down. "It is the beauty of the Fuchun River depicted in the microscopic description, so that people will involuntarily emerge in front of their eyes a picture of the spring color of the river scenery with clouds and smoke rolling, the shore willows shaking new, and the spring water of a river reflecting the sunset.
In addition to the Tang Dynasty poet Wu Rong, there are many literary artists who have expressed their praise for the beauty of the Fuchun River in poetry, such as Ji Xiaolan of the Qing Dynasty, who said in "Fuchun to Yanling Landscape is Very Good (Part II)": "Thick like spring clouds are light like smoke, jagged green to the riverside." The slanting sun and flowing water push the canopy to sit, and the green color is as desired on the boat. "People row on the Fuchun River, feel that the sky is green, the water is green, the mountains and water are also confused, and it is always a verdant. Ji Xiaolan's poem is to write this wonderful feeling.
"Thick like spring clouds and light like smoke", since there are two "like" words, it cannot be said that what is written here must be cloud smoke. So what is this thick cloud and light smoke? It seems to be an empty green formed by the "common color of the Tianshan Mountains". It is difficult to distinguish the boundary between clouds and smoke (sky) and green mountains. This empty green is "jagged green to the edge of the river." The second sentence literally has another meaning - the green to the riverside of the empty green, must be reflected in the blue water, showing the analogy effect of "no green color at all" (Yongtao), especially beautiful. The word "jagged", the thickness of the right color, is far and far, and it is not a "one-size-fits-all" also.
This scenery is fascinating, so there is a love affair of "leaning sun flowing water pushing the canopy to sit". As the sun sets, it adds a contrasting color to this green-dominated picture, which is inevitably "half river and half river red" (Bai Juyi), but this does not destroy the tone of green. "Flowing water" is certainly written about the water of the Fuchun River, but it also contains the dashing attitude of "floating from the stream" and borrowing the sails to make itself. The canopy that covers the canopy of the cabin is mobile and can be pushed to overlap. The poet did not drill out of the boat barn to look at the river, but "pushed the tent" to sit in the cabin to watch it, in order to see the mountains and water all the way to Yanling. Therefore, these three words also have meaning.
The last sentence "Green color can get on the boat as many as people want" is a good sentence. "Green color" can "follow people", which is the subjective feeling when the boat is traveling and "countless good mountains along the river", which is both a visual illusion and a human touch. Along the way, the mountains greet each other, and how hospitable Fuchun River is! And all the way to the green color with people, Fuchun River is how much love yo! This "green color follows people", clinging to it, and even "wanting to get on the boat". The poet uses the anthropomorphism method to not only write about the scenery on the river, but also writes about the love of nature.
In addition to the poems of Wu Rong of the Tang Dynasty and Ji Xiaolan of the Qing Dynasty, there are many poems that sing about the landscape of Fuchun. In the final analysis, the beautiful scenery of the Fuchun River, whether in the poem or outside the poem, is so beautiful and elegant, it is no wonder that our venerable ancestors called Fuyang Fuchun in the first place. "Spring breeze ten miles do not live up to the Qing", I hope you come, meet the blossoms!