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Ancient poems depict the scenery of Quanzhou's world heritage

"Stone Lake dominates the east of the sea", "Who is the millennium immortal", "Thousand Feet of Qinghong Hanging Water Mei", "Ma You'an Business Travel", "The Tide And the Tide Is Against the Tide"...

Last year, "Quanzhou: World Marine Trade Center of Song and Yuan China" was successfully inscribed on the World Heritage List, becoming the 56th World Heritage Site in China, and Quanzhou became a network traffic password, and young people's attention to Quanzhou's culture and tourism is increasing day by day. However, many of Quanzhou's cultural heritage sites are not only concerned today, they have been the topic of discussion by the ancients for thousands of years. No, in the poetry of many ancient celebrities, those scenes and things, people and things, are still alive as ever...

□ reporter Wu Yuyun text/photo (except for the signature)

Shen Yourong, who led the "propaganda" of Shihu

Ancient poems depict the scenery of Quanzhou's world heritage

Liusheng Pagoda is an imitation wooden pavilion-style stone tower

Among the 22 World Heritage Sites in Quanzhou are Shihu Wharf, Liusheng Pagoda and Wanshou Pagoda. Located on the west bank of the Shihu Peninsula 17 kilometers southeast of Quanzhou City, Shihu Pier is a pier built from natural reefs. Liusheng Pagoda (commonly known as Shihu Pagoda) is located in Shihu Village, within easy reach of Shihu Pier. Wanshou Pagoda (also known as Guansuo Pagoda and Sister-in-law Pagoda) is located at the top of Baogai Mountain, which is an imitation wooden pavilion-style stone pagoda, which is not far from Shihu Wharf and Liusheng Pagoda. All three are well-known historical and cultural attractions, and when the ancients went out to qingqing, they often went to all three places, which is exactly a one-day trip.

Ancient poems depict the scenery of Quanzhou's world heritage

Stone Lake Harbor is a natural haven

The Shihu Peninsula is three facing the sea, and its western side is a half-moon-shaped bay, forming a natural haven. The peninsula protrudes in the middle of Quanzhou Bay, just at the confluence of the Jinjiang River and the Luoyang River, it can directly connect to the Shuangjiang River internally and guard the main channel of Quanzhou Bay externally. Due to the geographical situation to guard the throat of the sea into the spring, it is a key place for coastal defense, so in the fifth generation, when the thorn shi liu was convenient to "rebuild" Quanzhou Luocheng and Zhouzhi Yacheng, a walled city was built at Shihu Lake, with a circumference of 400 zhang (about 1200 meters). At the beginning of the Northern Song Dynasty, shihu lake was built to guard the sea and inspect the village, which was the "land general land of the four counties" of Jinjiang, Nan'an, Hui'an and Tong'an.

Speaking of Shihu, we cannot fail to mention the Ming Dynasty general Shen Yourong. During the Ming Dynasty, Shihu had set up an inspection department, and later Cheng Da, the prefect of Quanzhou, adopted the suggestion of Shen Yourong, the general of The Water Village, and moved the Water Village to Shihu. Shen Yourong carried out a large-scale construction of the city site and official office of Shihu, making it an important maritime town in Quanzhou County. Shen Yourong's Shihu Village (still called Huanyu Water Village when it was first built), controlling Hui'an Chongwu Port and administering Kinmen Zhiluo Bay, not only strangled the throat of the spring, but also guarded the islands of Taiwan and Penghu. While carrying out tense coastal defense armaments, Shen Yourong still knew how to "engage in propaganda" and expand the momentum of Shihu Village. He successively invited the famous people from all over the country, such as Zhan Yangpi, He Qiaoyuan, Lin Yuncheng, Zhuang Yingshu, Chen Jianxun, and others, to visit Shihu Village, and as a result, these people, after enjoying the landscape of Shihu Lake, really lived up to expectations and wrote many poems for Shihu. Among them, Lin Yuncheng's poem "Gift to General Shen Shihong to Move the Town to Shihu" says: "Haiyao has newly opened a famous general's mansion, and Shihu is majestic at the east end of the sea." Peaks and peaks emerge from the clouds, and the islands float on the water. The drapery raises troops to Kwaho wei, and the camp is formed to form a consort. The storm is not moving, as flat as a palm, so as to give the psalm to drink the building. "The peaks around Shihu Lake are high and steep, and the scenery of the islands scattered and scattered seems to be right in front of you. Zhuang Yingshu's "Gift to Mr. Ning Hai Shen to Move the Town to Shihu" said: "Xiongzhen newly opened a big river, and sat on the side of the whistle and green oil building. The stern tiger looked at the strange soldiers, and the sword and eagle flew down. The name of the gimbal can be the first, and the copper pillar of the power standard can be unmatched. The Heavenly Dynasty pushed the hub to know that it was close, waiting for me to return to the drunken jade jar. "The main depiction is the armament situation of Shihu Coastal Defense.

Chen Jianxun's "Tong Shen General Dengshi Lake Tower" said: "The sea is a pillar of optimus prime, climbing straight out of the blue clouds." The vast waters are endless, and the lonely sails are turbulent. Leaning on the shore building boat Diao Dou jing, draped in the mountain temple wine cup wide. When I returned, there was a sudden smoke and mist, and the floating map could not be seen. The "Stone Lake Pagoda" in the title refers to the Liusheng Pagoda, and it can be seen from the phrase "Phi Shu Shan Temple" that there was still a temple on the mountain of Shihu At that time, but which temple is difficult to investigate.

Zhan Yangpi was invited to Shihu Lake with He Qiaoyuan, and also went to enjoy the scenery of Liusheng Pagoda (i.e. Shihu Pagoda). Zhan Yangpi's poem "Nine Days of Climbing the Stone Lake Tower, General Shen Ninghai Carried Wine and Paid, Impromptu Gifts" reads: "General Wen Dao has a lot of spirits, and the poetry and books are repeated." Ling Yan Su Zhi first Liaoshui, oath day Dan heart Jing Haibo. Talk about the idle uncle before the wind, and command the outside of the house. In the autumn, the tower was annoyed with the banquet, and the cup of wine was attentive to ask for a feast. At that time, Shen Yourong warmly entertained them, and also took them to visit the fortress and the ship, explaining in detail how to resist the ships at sea. In the poem, Zhan Yangpi praised Shen Yourong's military command. He Qiaoyuan's "Nine Days from Zhan Sikou's Panhai Visit to Shen Shuai, Tong Dengshi Lake Pagoda" wrote: "Xiao Ji lightly lost the stone, and the dangerous sail was soft and sent to Yang Hou. The floating map is from the south of the insertion sky, and the pole island is far away from the sea and the north autumn. The ladder should be tested, and the sky is empty with a high top. The general has no military music, not only The Song and Water turn around. It is not difficult to see from the poem that at that time, there were layers of stairways leading to the top of the tower in the Liusheng Tower. Standing on the tower and looking at the distance, the beautiful scenery flows into the eyes, which is really pleasant. Since he came to Shihu Lake, it was impossible not to go to Baogai Mountain, and zhan Yangpi and then traveled with He Qiaoyuan to Baogai Mountain. Zhan Yangpi wrote for this reason: "Baogai Peak controls Haidong alone, and the west comes to Jinma to compete for supremacy. The hand MoxiaoHan is exhausted by a thousand mountains, and the eyes are in the vicissitudes of a hundred islands. The tiger and leopard are born at the bottom of the stream, and the fish and dragon clouds are in the middle of the waves. Tianya trance has a divine aura, and a roar is as cold as the sky. "The beautiful scenery of Baogai Mountain and Wanshou Pagoda is laid out like a scroll in front of you.

Baogai Mountain and Wanshou Pagoda often have a majestic momentum in the poems of the ancients, such as the Ming Dynasty "cloth poet" Huang Ke obscure poem: "Out of the chaotic river, the big lonely mountain is the loneliest." The palace is broken by a broken stone, and the monk road enters the Ping Lake. Rapid snow is difficult to gather, and birds call themselves. Qingtian hates independence, who re-inserts the floating figure. In the poem, "Great Lonely Mountain" refers to Baogai Mountain, and "Futu" refers to the Wanshou Pagoda. The famous eunuch Su Mao's "Wing Gu Sister-in-law Pagoda" said: "The ancient temple leans on the mountain and listens to the tide alone." A thousand cups of yinghai city, thousands of miles to borrow to shake. When the Qiong tree is empty, the sails take the moon away. The second concubine rings Pei Leng, and the autumn color is Xiao Xiao. Zhu Wu's poem "Denggu Sister-in-law Pagoda" says: "Qianxun jasper cuts the hibiscus, hindering the sun and the wind four or five times." The sea into fusang surges, and the mountains return to the green ridges are slightly thick. Optimus Prime Eight Pillars empty stone, the world's three-dimensional see this peak. Thin twilight and autumn rain, where is the hidden dragon in the clouds? "Each writes out what they see as the wonders of the mountains and towers.

He Qiaoyuan, who is also a "tour guide"

Ancient poems depict the scenery of Quanzhou's world heritage

The rock statue of Lao Jun is exquisitely carved and vivid in form.

The Statue of Laojun Rock on Qingyuan Mountain in Quanzhou was chiseled in the Song and Yuan Dynasties, and is carved from a piece of natural granite rock that exposes the ground, and is also one of the 22 World Cultural Heritage Sites in Quanzhou. Lao Jun, also known as Taishang Laojun, Li Er, And Lao Tzu, was an outstanding thinker and founder of Taoism in the late Spring and Autumn Period, and his representative work, The Tao Te Ching, is one of the most influential works of ancient Chinese thought. The stone statue is 5.63 meters high, 8.01 meters wide and 6.85 meters thick. Sitting north facing south, with the back screen green mountain, sitting majestically upright, a serene and self-satisfied look. Looking at the details again, the stone statue presses the knee with the left hand, the right hand is a few, the eyes are level, the ears are hanging on the shoulders, and the expression is natural. The whole stone statue is exquisitely carved, the form is vivid, the eyebrows are clear, the forehead pattern and the folds of the clothes are clear, the head, forehead, eyes, hair, and whiskers are carved exaggerated without losing their meaning, the solemnity is lively, the simplicity contains ingenuity, it is very charming, and it shows the solemn artistic conception of the Taoist "unity of heaven and man, Taoist nature, and simplicity of the road". Most of the ancient stone carved statues of Lao Jun preserved on the mainland are the images of emperors wearing crowns and crowns, dressed in crowns, solemn and solemn, or the image of Daoists with their hair on their heads and wearing Taoist robes, and the images of kind, happy, and long-lived old people like Lao Junyan statues are extremely rare. Zheng Zhixuan, a Ming Dynasty official to Hanlin, had a poem: "Scattered officials do not know each other, and now they are hidden in Cuiping." Old to preach morality, sit down to lose Danqing. The wind and rain left a few, and the eyebrows were in this pavilion. Try to see the spring night, purple gas for whom to stop? "It is considered to be the identity of "Lao Jun" clearly stated. Huang Ke obscurely inscribed Lao Junyan's poem: "The boat is powerless to ceres, and the stone statue is like a thousand-year-old grass and tree." The bandit tiger has not been sad in the wilderness, what is the dragon that degenerates from the high post? Late rain hakama hakamass are born autumn moss, and the moon's hair is covered with stone frost. Who says XiJong will never return? How long is the purple qi in the mountains! Among them, the sentence "Hakamale is born in the middle of the night, and the eyebrows of the moon are covered with stone frost" highlights the accumulation of Laojunyan through the wind and rain. Zhan Yangpi's poem "Qingyuan Mountain LaojunYan" says: "The Yuandong is clear and imaginary, and the Yaotan is dashing and dustless." Who is the millennium immortal? Outside the seat, the green mountains open jade barriers, and the purple qi of Matsuma surrounds the dragon scales. The cup of wine can forget the world, and the insult must be suffered. It is most appropriate to compare Lao Junyan to "a thousand years of not being an old man". He Qiaoyuan once chanted Lao Junyan: "Empty mountains and pieces of stone, the Tao is like autumn." The obtrusive front is large, and the sky is high. Not far from the North Guo, like palm looking at Donggao. Jia Ke urged the return of the happy, who can not be bothered. "This is when the Ming Dynasty historian and literary scholar Zhang Xie came to the spring, He Qiaoyuan took him up qingyuan mountain to admire the statue of Lao Junyan, and finally fell in love when he was about to go down the mountain. He Qiaoyuan himself is a literary scholar and Fang Zhi scholar, who is very familiar with Quanzhou, and as long as there are literary friends who come to Quanzhou, he does his best to introduce the beauty of Quanzhou to them, which is really the top "tour guide" of ancient Quanzhou.

Ancient poems depict the scenery of Quanzhou's world heritage

There are 78 stone carvings from the Song Dynasty on Jiuri Mountain

When it comes to mountains, Nan'an Nine-Day Mountain has long been famous at home and abroad. Jiurishan Prayer Wind Stone Carving is a group of Rock Carvings that record the Song Dynasty state commissioners, magistrates and members of the royal family who were responsible for overseas trade management in Quanzhou held prayer ceremonies for overseas traders, which together with the ruins of shibusi and dejimen reflect the advocacy and control of national power on maritime trade under the song dynasty municipal shipping system. These precious historical archives of stone carvings truly record historical information such as the operation cycle of the marine trade and the monsoon in the Song Dynasty, reflecting the spiritual promotion of the sea god faith to trade activities. There are 78 stone carvings since the Song Dynasty on Jiuri Mountain, of which a total of 10 stone carvings involving song dynasty navigation and wind prayer are distributed on the cliffs of the two peaks of Shandong and West of Jiuri, with 2 sides of the east peak and 8 sides of the west peak, the earliest is 1174, and the latest is 1266. The ancients praised the nine days of the mountain with a lot of poetry, and the late Tang Dynasty poet Zhang Wei's "Poem on the Nine Days Mountain" said: "Stacked mountains cross the sky to the west of the county, and the mountains are very high and low." The treetops are missing to see the outline of the city, and the drums are heard when the sun sets. The wind touches the radish, and the valley smoke partridge cries. Tourists step out of the forest, broken moon exquisite stone ladders. "It can be seen that at the latest in the late Tang Dynasty, there were artificial stone ladders on the mountain. Zhao Yuan of the Southern Song Dynasty's Nan'an ChaYuan has a poem "Nine Days Mountain": "Nine days to climb the old Naihe, strong will hate to send sad songs." Tired of leaning on the scarf hat sad wind, sick to see hunger and disgust with alcohol. East Ridge barren hazelnut year old mane, West Rock empty bed lock spider nest. The Thousand Chapters Wood under the Du Pity Hall, the Cross-Calendar Qi Liang has not changed Ke. The "nameless wood" that has gone through thousands of years is one of the "Thirty-Six Wonders" in the ancient time of the Nine Days Mountain, and the "Thousand Chapter Wood" mentioned by Zhao Yuan should be this tree, but unfortunately this tree no longer exists. At the beginning of the Ming Dynasty, the prefect of Quanzhou, Hu Qizuo wrote a poem entitled "Traveling to the Nine-Day Mountain": "There is nothing in the county that is calm, and it looks out at the Nine-Day Peak." Cloud shadow half rock to purple hat, the river flow through the yellow dragon. The forest contains wine but drinks, and the inscription on the stone is full of moss. There is no way to resign the crown system, and when you return, you still hear the late bell. In the poem, "Purple Hat" refers to Purple Hat Mountain, and "Yellow Dragon" refers to the Yellow Dragon River, which proves that at that time, on the Nine Days Mountain, you can overlook both Purple Hat Mountain and the Yellow Dragon River, and there is no shelter. The "inscription on the stone is full of moss" proves that many rock carvings on the Nine Days Mountain existed as early as the beginning of the Ming Dynasty. Ming Dynasty eunuch Ding Yizhong "Nine Days mountain limit rhymes in early spring": "Qingyang Shuqi is bustling, and the peak of the Nine Days Mountain is vibrating." Iwatani has been victorious for more than a thousand years, and the crown is thousands of miles and chunhui. Qin Junting's name was still in ruins, and Jiang Xiang's ancestral hall was no longer in the wilderness. Looking for the cranes of the old days of Liaodong, the royal wind still flew towards the sea and the sky. "Qin Junting and Jiang Xiang Ancestral Hall are the most famous relics in the Nine-Day Mountain, and in the first year of Longqing (1567), Ding Yizhong served as the Tongzhi of Quanzhou Prefecture and traveled to the Nine-Day Mountain, but found that these two ancient sites had long been abandoned, and he could not help but feel sad.

Lingshan mountain in the southeast of Qingyuan Mountain, the mountain has the Islamic Holy Sepulchre, is an important historical site of Islam in Quanzhou, together with the Qingjing Temple to witness the activities of Muslim merchants and their ethnic groups in Quanzhou, reflecting the multicultural exchanges and integration of Quanzhou in the Song and Yuan Dynasties. The Holy Sepulchre is also one of the World Cultural Heritage Sites in Quanzhou. The cemetery sits on the north and south, built by the mountain, and the main layout is surrounded by two stone tombs by a half-moon-shaped cloister. Under the cloister and in the retaining walls there are 7 inscriptions of the past dynasties, one of which records the collective rebuilding of the Holy Sepulchre by the Muslims of Quanzhou in 1322, and the other is the incense stele that zheng He came here during the fifteenth year of Yongle (1417) of the Ming Dynasty. In the Ming Dynasty, Huang Fengxiang, who was a former Shangshu of the Nanjing Rebbe, wrote the poem "Visiting the Tomb of the Monks on The Lingshan Mountain" when he visited Lingshan: "Lei Lei BiShiTai, Sesser White Plum Tree." Overlooking the distant area of Pingping, it is close to the Qiao Pastoral Road. The shafts hesitate together, and the cloud is the tomb of the ancient monk. The pan does not remember the year, Qiu Yan is the same. Whenever it is late spring, cold tableware is also recommended. Others are descendants, and they are leaning on twilight. The Dharma has no birth, and it is not born. When I go, there are no traces, neon and bubble dew. The dust of the rotting grass will spread to the place of silence. "The top of the Spirit Mountain is covered with white plums near and far, and the scene is also beautiful to imagine."

Kusanagi was once mistaken for a fairy nest

Ancient poems depict the scenery of Quanzhou's world heritage

Aerial Photography of Cao'an (Photo by Chen Yingjie)

Located in the eastern foothills of Huabiao Mountain, 15 kilometers south of Quanzhou City, Cao'an is built on a mountain and was a Manichaean (also known as Mingjiao) monastery on the outskirts of Quanzhou City during the Song and Yuan Dynasties. The Cao'an Mani Guangfo Statue is an important historical site for the spread of Manichaeism in Quanzhou, Song and Yuan Dynasties, showing the strong cultural tolerance of the world's marine trade center, and its cultural integration characteristics have laid the foundation for the extensive exchange of values between the world's diverse communities in Song and Yuan Quanzhou. The existing stone statue of Mani, the founder of the cult, carved in the fifth year of the reign (1339), is the only surviving stone statue of manichae buddha in the world. Behind the Temple, there are strange stone bushes, stretching into pieces like plum blossoms, so the peak is called Wanshi Peak or Wanshi Meifeng. The temple gate has a connection: "The spirit body is victorious over the Buddha's kingdom, and the land is like the western sky" "In the Wanshi Peak, the sound of the moon-colored spring is interesting; in the Bafang Pond, the sky light and cloud shadow are four o'clock spring".

During the Ming Dynasty, two famous Quanzhou poets visited the Cao'an and left a psalm note, one was Huang Keqian and the other was Huang Fengxiang. Huang Keqian's "WanshiFeng Cao'an DejiaZi" poem Yun: "Companions search for the Taiyi family, and E'e Wanshi reflects The Lonely Xia." Sit on the west side of the peak of the sky, and the clothes are half oblique. There are no fluttering tiles in the wind pavilion, and there are water-soaked moss flowers in the cloud rock. He Nian was stationed in Suzhou Hangzhou Crane, quiet and idle room to turn sand together. He thought that the Cao'an was the place where Taoist gods and immortals lived, so he called it "TaiyiJia". The phrase "No one in the wind pavilion floats on the tiles" shows that the cao'an was quite desolate at that time, and also reflects from the side that the Ming sect in Quanzhou has declined and is not obvious. Huang Fengxiang wrote "Autumn Visit to the Grass Temple": "The Lin Palace is climbing together in autumn, and the wood falling mountain is empty and clear." Fine grass for a long time to annihilate the fairy road, oblique light temporarily used as a Buddhist altar lamp. The bamboo edge spring vein is adjacent to the Danzao, and the cloud root vines in the cave are vines. Fluttershy Rubble Jun Mo asked, Xiao Ran was on a bed. "This is a visit to Kusanagi with friends in the autumn.

On December 31, 1933 (the fifteenth day of the winter month), at the request of the owner of the Kusanagi Temple, master Koichi, accompanied by Master Chuanguan, came to the Kusana Temple for the first time and wrote down the Yang Lian: "The stone wall is bright, and it is said that the shadow of the Wen Buddha appears; the history records that there are famous sages who read here." In the first month of 1934, when the Master was lecturing at the Cao'an Temple, he wrote another knot: "If the grass is not removed, it will feel that the business in front of you is full; the nunnery is always hidden, do not forget that there are many suffering people in the world." "The meaning of compassion for heaven and man is self-evident.

Ancient poems depict the scenery of Quanzhou's world heritage

Zhenwu Temple was founded in the Song Dynasty (Photo by Chen Xiaoyang)

Speaking of Yang Lian, a pair of Yang Lian outside the Zhenwu Temple hall in Quanzhou is also very famous. Located on the north bank of the Jinjiang River at the foot of the stone mountains in the eastern part of Quanzhou City, Zhenwu Temple is a group of courtyard-style buildings built according to the mountainous terrain, which was built in the Song Dynasty. The complex faces east and west, and the existing buildings have mountain gates, stone steps, pavilions, and the Zhenwu Hall from the bottom up. Behind the mountain gate, there are 24 stone steps on the mountain, and the railings on both sides of the stone steps still have Song Dynasty railings and stone lions. The terrace above the stone steps is rocky like a turtle and snake, which is the symbol of Emperor Zhenwu. A pair of Yang Lian outside the Zhenwu Hall was made by Hanlin Zhuang Junyuan during the Qing Dynasty: "Take off the purple hat in front of the hall, without a neat crown and face south; throwing the robe on the cape is also enough to cover the Northern Dynasty." First, "Purple Hat" and "Luo Bao" are the two famous mountains facing the Zhenwu Temple, one "off" and one "throwing", showing the arrogance of The Zhenwu Emperor, while "not the whole crown" and "also tiptoeing" vividly depict the image of the Zhenwu Emperor; this link has another meaning, that is, the scene of the young lord of the Southern Song Dynasty fleeing to this place: in the last year of the Southern Song Dynasty, because the Yuan army went south, the 9-year-old Song Duanzong Zhao Fu and his younger brother Zhao Fu fled south to Quanzhou in a panic. How to persuade Pu ShouGeng to be reluctant to accept, refused to open the city gate, the young lord and his party wandered the streets, the imperial relatives were ragged and embarrassed at that time, and later spent the night in the Zhenwu Temple, so the Zhenwu Temple was also known as the "Temple". Zhuang Junyuan's "not tidy crown" and "also stomping feet" are also describing the image of the young lord of the Southern Song Dynasty at that time who was depressed and pitiful. Today, reading this couplet, stroking the old objects in the temple, and recalling that period of history, I can't help but sigh.

The poem tells the story of three bridges

Among the 22 World Cultural Heritage Sites in Quanzhou are the "Three Bridges": Luoyang Bridge, Anping Bridge and Shunji Bridge Ruins. All three bridges have had an extremely glorious history.

Ancient poems depict the scenery of Quanzhou's world heritage

The Scenery of Luoyang Bridge in "Thousand Feet of Rainbow Hanging Water Mei" is beautiful

Luoyang Bridge is located at the mouth of the Luoyang River about 10 kilometers northeast of Quanzhou City, originally known as "Wan'an Bridge", which was completed in the fourth year (1059) of the Northern Song Dynasty. Luoyang Bridge was built by using technical means such as "raft-shaped foundation", "solid foundation for raising oysters" and "floating girder", which accumulated valuable technical experience for the boom of bridge building in Quanzhou during the Song and Yuan dynasties. On both sides of the Luoyang Bridge, there are 7 stone pagodas of various shapes since the Song Dynasty, and 4 stone generals guarding the bridge. There are Naka pavilions and Nishikawa Ganyu Monument Pavilions on Nakasu. In the south of the bridge, there is the Cai Xiang Ancestral Hall, which is dedicated to the presiding builder of the Luoyang Bridge, the Northern Song Dynasty Quanzhou County Shou Cai Xiang; north of the bridge there is the Zhaohui Temple, which was built in the Song Dynasty, the ancestral King of Tongyuan, who once built the command post for Cai Xiang. Since ancient times, there have been many poems reciting Luoyang Bridge, and the Northern Song Dynasty Chen Wei's "Title Quanzhou Wan'an Bridge" says: "Crossing the sea is a bridge cloth stone prison, and that knows how to press down on Ling'ao." The scale of the Island of Kilien is strong, and the weather is strong. The iron horse crossed the desert, and the jade whale Zhang Mane dewed the cold waves. The picture has been blessed with the light of the sky, and deserves the praise of Yuan Fengshi. "Wrote the majesty of the Luoyang Bridge connecting the two sides of the strait across the sea." Southern Song Dynasty King Shipeng's "Wan'an Bridge Poem" Yun: "Looking north to the Central Plains, and to the south to see Luoyang Bridge." The pedestrian crosses the sea and the golden ao back, and the pavilion presses the waist of the jade rainbow in the air. The merit is not the pillar of self-cause, and it is advisable to prepare for the tide. Cai Gong is a true strong person, and his love is better than That of Zheng Guoqiao. The "Zheng Guoqiao" here refers to the famous politician and thinker Gongsun Zi of zheng guo in the Spring and Autumn Period. Wang Shipeng believes that cai xiang's legacy of building bridges is greater than that of children, which is a very high evaluation. Liu Zifei of the Southern Song Dynasty praised in the "Wan'an Bridge Poem": "Flying beams across the sea are stacked with stones, and Xiao Feng is ten miles across Yao Qiong." Majestic as Jianye Tiger City, the momentum is like a snake array in Changshan. The waves under the feet are turbulent, and the smoke in the middle of the night is clear. Reciprocal interests in the song of love, who repeats the title of the bridge to succeed Changqing? Gu Dadian, a Ming Dynasty opera composer and calligrapher, also has a poetry cloud: "The vicissitudes want to exhaust the sea and clouds, and the thousand-foot rainbow hangs on the water." The cold tide of loneliness came and went, and the pedestrians only said Cai Gong Ancestral Hall. "Throughout the ages, many sages and celebrities have affirmed and praised the majesty of Luoyang Bridge and its immortal historical contributions.

Ancient poems depict the scenery of Quanzhou's world heritage

Some of the remaining piers of the Shunji Bridge still retain the raft-shaped foundation of the Song Dynasty

Shunji Bridge is a land transport node between the ancient city of Quanzhou and the south bank of the Jinjiang River, and it together with the ruins of Dejimen and Tianhou Temple reflects the development of the commercial urban area in the south of the ancient city promoted by marine trade. The ruins of Shunji Bridge are located outside the Deji Gate of the South Gate of quanzhou ancient city, spanning both sides of the Jinjiang River, and are named after the Shunji Palace (Tianhou Temple). The bridge was built in the fourth year of the Southern Song Dynasty (1211) by Taining Zhuangyuan and Quanzhou County Shou Zou Yinglong, and was used until the 20th century. It has been repaired many times since the Yuan Dynasty and is now preserved in the state of the site. The construction of Shunji Bridge draws on the bridge construction method of Luoyang Bridge, using the "raft-shaped foundation" method, the whole riverbed is filled with stones to form a structural foundation, the upper stem of the masonry stone forms a bridge pier, the upper part is a stone beam structure, and there are about 30 existing ship-shaped piers and pier sites. The original "Three Friends Stone" (also known as "Three Friends Figure") in the middle section of Shunji Bridge is three huge stone bridge plates with the marks of "Three Friends of the Year Cold" (pine, bamboo and plum). Unfortunately, it was destroyed when it was rebuilt in 1932. The poet Zeng Shuo's "Tongyin Old Traces Poetry Ji Sanyou Tu" has a verse cloud: "Plum white pine and bamboo have a reed, and natural ink stains reveal the spirit." The picture on the Chunfeng River is like a painting, and the qiushui bridge head is painted with realism. This is the "Three Friends Stone" that is introduced. Shunji Bridge near the end of the bridge originally had two stone slabs, more than 4 meters long each, conjugated without small gaps, commonly known as "husband and wife stone". Legend has it that if a man and a woman meet on a stone, their luck will be prosperous. These two stones are now gone. Zeng Shuo's "Tongyin Old Traces Poetry Chronicle and Husband and Wife Stone" said: "Two stones are judged by yin and yang, and a line of traces is long." The sun and the moon are not in the league, and the male and female are matched like Mandarin ducks. "Write the legend of this husband and wife stone vividly.

Ancient poems depict the scenery of Quanzhou's world heritage

High-rise buildings and other buildings on the Anping Bridge (Photo by Chen Qituo)

Anping Bridge is located 30 kilometers southwest of Quanzhou City, on the bay where Jinjiang Anhai Town and Nan'an Shuitou Town meet, which is the main road connecting Quanzhou with Zhangzhou, Guangzhou and other areas on its south side. Because the bridge is five miles long, commonly known as the "Five Mile Bridge", it is the longest existing cross-sea girder stone bridge in China. It was built in the 21st year of Shaoxing in the Southern Song Dynasty (1152), and there are ancillary buildings such as Ruiguang Pagoda, Bridgehead Pavilion, Shuixin Pavilion, Haichao Nunnery, Zhenfeng Pagoda, Rain Pavilion, Wanggao Tower, Tingchao Tower and so on and around the bridge. Around the Shuixin Pavilion, there are 16 stele of the bridge repair in the past, and there are two statues of the stone general of the bridge guard next to the column in front of the pavilion, which are stone carvings of the Song Dynasty. As the presiding builder of the Anping Bridge, the famous eunuch Zhao Linggen 's Yong'an PingQiao' poem Yun: "The Weiquan Sea is on the verge of being sealed, and the aftermath is immersed in thousands of miles." The two roads of Ishii are subordinate, and the order is drawn back and forth between the west and the east. The tide on the angry waves is windy, and the boat is upside down for a moment. Wei Rui is to save the fierce, and Wei Zhao can have Nan Gong. The stone is carried by Liang Liu, and the upper part is like a ghostly and male. The jade beam casts a rainbow in the sky, and the straight sills fly across the void. Ma You'an travels through the business, Qianqiu control belt Hai Ruo Palace. Shocked by the dragon, Tu wei had an end to his business. I am now a reckless deed, and the poetry is infinite. Among them, the sentence "Ma You'an Business Travel Pass" has clearly written the role of Anping Bridge at that time. Both The Anping Bridge and the Anping East Bridge were built in the Southern Song Dynasty, and the landscape of "double bridges across the sea" became one of the eight scenic spots of Anping. In the Ming Dynasty, An Hairen and Quzhou Fu Tongzhi Huang Boshan once wrote "Double Bridges Across the Sea" to describe this scene: "Wang Sun drove the stone as Tianjin, and the language of the black magpie was not true. The tide and the tide are all against the brigade, and the stone is waiting for the dust. Even if the inscription is not my business, will it be the best of the ancients? Providence wants to teach the golden lock to break, for the song song cypress v. Jiang Shen. Among them, "the tide and the tide are all against the brigade" has also become a famous saying. In the Ming Dynasty, He Qiaoyuan, the right attendant of the Nanjing Ministry of Works and a jinjiang man, also left the "Autumn Anping Eight Songs and Four": "The West Bridge is five miles of sea gates, and the small pavilion Guanyin is pressing the waist of the shore." Steep to see the lotus flowers clear the silt, shooting the sky white snow is the autumn tide. "It depicts the scenery of Anping Bridge in autumn. As soon as the sea breeze blows, the waves under the Anping Bridge are like snow, and the scenery is worth the aftertaste.