A wonderful time with "true sound" and a wonderful time with "true sound"

<h1 class= "pgc-h-arrow-right" > a wonderful time with "true sound"</h1>

If I say that I fell in love with Xiang Junshu's "Xiangsheng" at first sight and have been infatuated with it to this day, then for Teacher Li Zhen's "True Voice", it is to discover it with my heart, taste it carefully, and really like it. This wonderful journey of great enjoyment began with my own collection of long translation films...

Kind and strong little woman

When it comes to Li Zhen's masterpiece, it is recognized that she voiced Vera in "Two People's Station", and Teacher Li Zhen also won industry honors because of this work. The character of Vera in the film is characterized by layers of development as the plot progresses, from the beginning of the film for a rouble of twenty kopecks for a meal, to the anti-string groom in the waiting room sharing the leftovers of the wedding feast, to the difficult forward shouting in the snow, each scene seems to be the appearance of a new Vera, during which the actor's performance is meticulous, and the dubbing of "true voice" is seamless. Here are a few passages:

This is Vera, who has just appeared, and her voice is characterized by flamboyance

"Ha, the train he was on drove away!", "I've got this ruble twenty kopecks!" "Comrade Lieutenant, you have given proof that I have found him the few stinky money he has left, and we have cleared the account." ”

This is Vera, who exudes a kind nature, and the vocal characteristics: softening

"I pit you, I want to help you, but I don't know how to help?", "Please forgive me, I am also a ghost fanatic, for a few money mistakenly lost your car, in this can become a beast, people are fierce to you, you have to be cruel, people play less, you blackmail more, no way." ”

This is vera who is completely relaxed, vocal characteristic: slack

"You're wrong, of course you're the bride!" "Ah, hahaha, I'm the bridegroom, dear little sister, what do you want to eat?" ”

This is Vera full of anticipation, vocal characteristics: joy

"Really? Then I must accompany you, you know? I haven't been to a restaurant in a long time.

This is Vera, full of sorrow, and her voice is characterized by low voice

"Please forgive me for anything that is not thoughtful." "Everything is good, everything is great, well, you get in the car." ”

By the way, I think the director of this film, Mr. Xiao Nan, chose Teacher Li Zhen to voice Vera is really clever, Vera's image is not beautiful, giving people the feeling of being tired and lazy under the pressure of life, the voice of such a character is too bright and too generous may not be appropriate, but it is just right to use "real voice".

Both sides do send female spies

The negative characters in "True Voice" are also portrayed in three points: the same is the "good guy" side of the bad guys, and the Bai Taohua in "The Original Form" is somewhat virtual and exaggerated, especially the title of "sister" appears many times in the play, which is quite interesting. Xu Runzhen in "Heroes Who Cannot Be Awarded" is much more low-key, and the hidden skills seem to be above the white peach blossoms; and once the true face is exposed, the white Tao flower is yin and yin, and Xu Runzhen is triumphantly explosive. These two roles are mentioned in the article "Cui Jin" and will not be repeated here.

Three nobles of different grades

The queen in "Grand Duke Stefan" is a real, pure aristocrat, and the tone of the treatment is calm and restrained. In this regard, there is also a detailed hierarchical analysis in "Cuijin"; and the "queen" of the dance party in "Chipri anN PolonBescu", although she is also a noble lady, but because she is circling in the social circle, it is somewhat "floating", you can notice a line: "I thought that only in my literary and art salon can I get to know celebrities", and the subsequent laughter is handled by floating and unstable, which is very in line with the character of the character. Jane Nate in "The Unsung Hero" should be a woman in the upper circle, may as well be classified as an aristocrat, this character has the characteristics of "floating", such as "What are you thinking?" Is it from Istanbul that the divorce papers came? Lines such as "Any attractive woman will not let go of a man like you" illustrate this point, and it is worth mentioning that I personally feel that this "sound" is more in line with the positioning of Jane Nutt's role than the "elephant" on the screen, thanks to the second creation of Teacher Li Zhen.

Mothers with very different personalities

"Chunxiang Biography" in the mother Yuemei, lest the beloved baby daughter repeat the mistakes of her youth, but also like responding to the law of "the more afraid of what is more and more what", in the face of the appearance of the "fallen" Li Menglong, and think of the daughter who is in distress, Yuemei's mood can be imagined, here a few lines can be said to erupt, intertwined with regret, resentment, hatred, and pain, here can not hear the basic tone of the "true voice", feel the penetration and explosiveness of the "true voice", during which there are both "volts" when talking to themselves "Chunxiang is finished, there is no hope, my daughter Chunxiang is going to die this time." There are also responses to Li Menglong and Xiang Dan's "up": "What? Open Road? Tomorrow she will die! "Deadpool, what rice is left to cook for him?" "In the meantime, the breath control when crying is expressed is also remarkable, and it is not a day's work to think of this kind of retraction."

Chun Xiang's mother has some sadness, "Sky Stage" In the "Aerial Stage", Lee Jin-so's mother is a bit funny, she ignores her daughter's interests and hobbies, she must let her daughter go to the greenhouse to work, because this is a comedy, it is easy to overdo it if it is not handled well, but Teacher Li Zhen is still very appropriate in the tone of the tone, regardless of the parental style: "You think, our family is such an only daughter, why do you have to let your child be an acrobat?" "Alas, if the girl's mother had understood our acrobatic art, she wouldn't have done that." "All accurately reflect the psychological state of the characters at that time."

Since it comes to comedy, let's also talk about Li Zhen's voice for "Temporary Worker" in "Temporary Worker", (in fact, she is also a mother-to-be in the second half of the film), this is a somewhat helpless but quite optimistic character, the small apartment is crowded with two elderly unmarried young people who have lived temporarily for several years, one is his brother, one is the sister of the husband, the husband is still doing the night shift, so that the two want to be intimate and often step on the node, the beginning of the film tells the dream paragraph, and the sentence: "We can finally be alone together." , Milucci. Especially when calling the three words "Milucci", it is really tender and extremely expressive.

There is also a powerful mother, the mother-in-law of the heroine in "Cinnabar Love", who reprimanded her daughter-in-law to be aggressive: "I heard that you scolded your sister-in-law?" You are my daughter-in-law, you should learn the rules of this family,...... Do you understand? ”。 Interestingly, the opponent of this scene is Xiang Junshu, who is known for his high-pitched voice, and here Xiang's old voice is deliberately converging to meet the identity of the daughter-in-law, while Teacher Li Zhen's high octave has a silk "xiang taste", and the two are interesting and good. The death of the son finally made the hot woman nervous, and the following hysterical line can quite reflect the power of the "true voice": "You are a goblin, a witch, you can't rub, you can't, you killed my son, you are a witch, you are a goblin, you killed my son, you can't rub, you can't rub, you're a goblin." Listening carefully, the repeated sentences do not simply repeat the confession, but advance rhythmically, and the second half is obviously more radical, more heart-wrenching, and more collapsed.

There is a girl holding a deer in "Cross Creek", her mother is also endorsed by Teacher Li Zhen, although there are only recordings and editing, and there are not many scenes, but I am impressed by this, especially when I hear a line of "My husband is a gentleman", I feel that the image of a virtuous wife and mother in the traditional sense is about to come out, and the "true voice" here sounds very foreign, very suitable for the role of European and American identity.

The characters created by "True Voice" are not only mentioned above, but also some small characters scattered in the corners of the film, in "Eternal Love", "Rainy Night Strange Case", "Early Spring", "Resurrection" and other movies, you can capture only a few lines and "True Voice" that is also interpreted with heart. I used to wonder, how can "True Voice" put the voices of so many people of great age, personality, and background into place like a Rubik's Cube? Is it just a sound shaping technique? After further understanding of Teacher Li Zhen through the Internet, I found the answer, which is more due to her rich accumulation, reading her highly academic "The Nature and Method of Translation and Production Three Degrees of Creation", the product published in the evening newspaper "From the "Beginning of the "Head" of the Artistic Career", and then look at her name not only in the cast list but also often in the translation director column, I think I can use the deep foundation to describe Teacher Li Zhen.

The wonderful journey does not want to end, and what is not willing is the forgotten of Teacher Li Zhen and the people and works of that group, so the text written with heart records not only the mood of the individual, but also the watchful eye of a dubbing enthusiast.

It is also understood that Teacher Li Zhen has missed the recent 60-year-long commemorative activities due to health reasons, and he is very worried, so hereby wish Li Zhen a speedy recovery and enjoy his old age.