Foreign Film Critics: "Some Stories"

The English translation of the English title of the Argentine Carlos Sol N 2002 film "Historias m nimas" is "Intimate Story". I really like the word "intimate". In addition to "small", I have two meanings: "intimate" and "shy". I just made this movie really good.

"Little Story" is the story of three people traveling to St. Hu Lian from the remote town of Patagonian Plateau (Tri-Giant Force). Old Don Justo retired from the shop with his son and daughter, and one day, overheard a passer-by once in St Julian saying that he had seen the dog "clown face" that had been lost many years ago, and then decided to let his son and daughter-in-law run away from home and go to San Julian in search of a dog. Meanwhile, Saint Julian, the female shopkeeper roberto who squeezes a saleswoman, decides to surprise the single mother and goes to the trouble of sending a birthday cake to her son. Damage to a Flores housewife never expected him to be elected on St. Julian's television station "Color", and he finally decided to go to Saint Julian Road to hold his daughter and step alone, luckily.

Because the three of them went to St. Julian's, it was not a big deal, and even the old man Don Justo did not tell his son and daughter to run away from home, because it was to pay for the old dog so far, which was the reason for madness. But it is worth mentioning that these things, each side, have an unusual significance, and they still hesitate to contradict each other and embark on the journey again. These three stories develop in parallel and intertwine with each other. Not only are the initial effects small, but various road conditions also take place with small plot humor; these can be a "small" together, calm and condensed into a warm polar aftertaste still running still in still water.

In fact, the Spanish term "mi NIMAs," is reminiscent of "minimalism." Minimalism is the rise of post-World War II 60s school art, originally intended to be the original form of the abstract expressionist art genre, is the greatest possible protection of the work of the organs, as far as possible to eliminate the author's own point of view of the audience's understanding, the control of space, to become part of the seductive concept of architectural engineering, the largest open working space.

From the perspective of analyzing blank spaces and open workspaces, the image is emphasized, and what they all have is minimalism and Chinese freehand painting, paying attention to simple numbers, less is more. From the perspective of the relationship between the audience and the work, the concept of minimalism coincides with the concept of the long mirror of French New Wave cinema. Andre Barzun, the father of the New Wave, proposed as early as 40 that the director should be completely hidden behind the scenes, choosing completely to the audience through a non-selective coherent long mirror view; the director of art philosophy should be expressed entirely by pure lens language, and the integrity of the narrative is only a secondary position. Therefore, N· Carlos Sor's minimalist films are a new wave of practical ideas.

Specific to the "little story", three small stories, three different emotional stories, the structure is very simple, that is, to go to San Julian; the plot is implemented to a private fine, and the small details are all informed: the old man is lying in the hospital, and roberto's football cake is replaced by a turtle. The electric mixer has broken the long-awaited electricity in the village, how to come in handy?

These little things, like a page of books in front of people's eyes, may not be remarkable at first, but as they spread the distance, those little subtle emotions slowly accumulate, until the original stranger suddenly puts my heart's deepest secret, the most secret wish in front of you, once again shocked, sighed, silent.

Then, the way back is as soon as it comes. The still barren Patagonian plateau is still simple, with only vertical lines of color blocks unmanned roads, and wind, clean guitars, and ten thousand words of the enemy who has nothing to say.