The scenery there is a view from heaven

Author: Zheng Xianchun

In the past hundred years, various versions of modern and contemporary literature and art history have emerged in an endless stream, which is naturally a good phenomenon. However, the hidden worry behind the good phenomenon is that when our literary and artistic history writes about people's chronicles, most of them deviate from the tradition of Sima Qian's "History of History", so his memorization of people's chronicles has become a back shadow, a leaf of duckweed, a concept, and a symbol.

Mr. Gan Jianhua's notebook manuscript "Basin Style" is not only a Qiang flute in the Qinghai literary circle, but also an oil painting in the Chinese literary circle, which can play a role in picking up the missing points for the study of the current modern literature and art history. Some time later, it may be possible to understand the facts, restore the truth, and preserve history and administration, reflecting Qaidam in western China and its fruitful development history from a specific aspect.

China is a country that attaches great importance to the compilation and revision of historiographers, and since ancient times, the compilation of history has been inseparable from the notes of cultural people. From the "History of History" and "Book of Han" to the "Draft History of the Qing Dynasty", the excerpts collected and cited by them are not only the so-called correct history, but also a large number of wild history notes. The history of the main and the history of the wild is also a relationship between opposition and unity. Reading through the 150,000 or 60,000-word "Elegant Style of the Basin", it can be seen that Mr. Gan Jianhua's writing is fresh, full of emotions, vivid narrative, insightful, and when looking back on the past, he is full of emotions, and the facts are abundant after combing through history, and there is a unique and different literary charm. He has a deep humanistic concern for the world's cold people, has full respect for the writers, poets and artists of the previous generations, has a delicate observation and understanding of plateau life, and has philosophical thinking and ideological enlightenment for the hearts of the world's taoists.

Gan Jianhua followed in the footsteps of his father, Mr. Gan Lin, and went to Qinghai, eight thousand miles away, to study, work, live, and fall in love for 11 years. In the spring of 1983, he founded the Huangshuihe Literary Society, the first college student literary society in the history of the Qinghai-Tibet Plateau, and founded the journal of the same name, which joined the surging wave of literary creation of college students at that time. Near graduation, the editor-in-chief printed the first anthology of college students' literary works on the Qinghai-Tibet Plateau, "Here is also a fertile land". After that, he gave up the opportunity to stay in the provincial capital and volunteered to go to the Qaidam oil field to engage in news reporting and literary creation, becoming a well-known journalist, supplement editor and young writer, leaving in the autumn of 1992. Although he has returned to his hometown of Hengyang for many years, he still loves Qinghai, dreams of returning to Qinghai, describing Qinghai, and praising Qinghai - "the scenery there is the scenery of heaven".

I have never met Mr. Gan Jianhua, who knew me through his humble work "Notes on Chinese Literature and History", and so far he has only exchanged letters by telephone and by e-mail. Acquaintance is the order of the request, and it is difficult to be generous. Because among my college teachers, Mr. Ma Jigao, Mr. Wu Rongfu, etc. are all Hengyang people. There is also an internship before graduating from college, I am in Hengyang City No. 8 Middle School, and among the intern students is the famous writer Han Shaogong. Of course, Hengyang also has Nanyue Hengshan, Huiyan Peak, Dongzhou Island, Laiyan Pagoda, Shigu Academy, yueping Park, where there are many memories of my youth. This can also be regarded as having a relationship with Yancheng Hengyang, and a relationship with Gan Jianhua, a famous writer and cultural scholar, so he is happy to preface it:

The basin is elegant, the desert is deep, and it also sings, praises, and sighs;

Plateau literary circles, Qunfeng Mang, Yue Fu, Yue Bi, Yue Xing. (Zheng Xianchun)