After "Avatar", which undertook the responsibility of saving the city, released its last wave of potential energy through re-screening, the Chinese film market fell into a dead silence again, and the box office also reached the freezing level .
On March 25, the national box office reported only 22.806 million yuan.
Taking the service fee of the ticket purchase platform, counting the proportion of the account, the average operating income of each of the 11,000 cinemas in the country is less than 1,000 yuan, and even the most basic rent, water and electricity and personnel wage costs cannot be covered.
Cinemas want to survive, not only to compete with the menacing streaming media for audiences, but also to compete with the increasing variety of entertainment and leisure methods. In this way, theaters must provide a more unique viewing experience in order to maintain their irreplaceability.
The just-released "Godzilla vs King Kong" is a film that is almost only suitable for viewing in the cinema, especially in various giant screen halls, which can bring more full audiovisual sensory stimulation to the audience and truly prove the value of the cinema.
With the continuous evolution of technology and the competition of different companies in the market, the variety of giant screen halls has become more and more abundant, and many viewers and even movie fans are faced with such things
IMAX, Dolby Cinema, CINITY, CGS China Giant Screen, LUXE, PRIME, Onxy and a series of giant screen hall brands
When, I am often confused and do not know how to choose.
This issue of "Not Dispersing The Flow of Technology" will focus on the giant screen hall, try to sort out the differences and advantages and disadvantages of different brands, help everyone better understand the concept and data of these giant screen halls, so that they can make a more clear choice when watching movies and buying tickets in the future.
01 IMAX, the real "big difference"
Let's start with the most well-known IMAX.
The so-called giant curtain hall, first of all, is naturally to be "big".
The "MAX" in the "IMAX" brand name emphasizes the magnitude of this limit. In the past few years of entering the Chinese market, IMAX has also promoted slogans such as "big difference" and "extraordinary", and constantly instilled in users the cognition of "our screen is big".
Over time, as long as the audience sees IMAX, they will think of the huge screen, thus highlighting the unique advantages of the giant screen hall itself: the visual pleasure brought by the screen effect and the full screen effect is the ordinary screen!
• IMAX Room Pre-Screening Show
The recent re-screening of "Avatar" has reminded many people of the special experience of "flying" to see movies in Dongguan more than a decade ago, when the few IMAX cinema halls have now spread all over the country, and the number of cinema halls is close to four figures.
When it comes to IMAX, many people's first impression is probably the elaborate countdown pre-show, which is indeed well-made and deeply rooted in people's hearts, and "IMAX Blue" has also become the brand's iconic color.
The standard size of the IMAX screen is 22 meters wide and 16 meters high, which is equivalent to the height of 4 floors in terms of ordinary residential floors (4 meters in height), and watching movies in front of such a big screen is very "red chicken".
In addition to its large size, another major advantage of IMAX over the average screen is that it can provide 26% more screen images. With a richer amount of picture information, there are almost no longer black edges on the screen, and the full-frame viewing experience is naturally more shocking, and the sense of immersion is stronger.
In particular, top commercial film directors like Nolan have long used IMAX cameras for filming, so his films can give full play to the various advantages of the IMAX screen, so that the film itself is truly in harmony with the IMAX screen.
Because the IMAX camera was used when shooting, Nolan will fully consider the adaptability of the human eye when watching the giant screen when designing the film scenery and the way the lens moves, so as to achieve a better projection effect, so watching strong special effects movies such as "Creed" and "Interstellar", IMAX Hall is the best choice.
Up to now, IMAX China has opened more than 800 IMAX cinema halls across the country, including at least 8 IMAX halls with film dome projection systems, IMAX halls with 6 film projection systems, IMAX halls with 8 laser first-generation projection systems, IMAX halls with about 50 laser second-generation projection systems, and IMAX halls with about 800 digital projection systems, covering almost all provinces, municipalities and autonomous regions in the country.
Yes, IMAX is also divided into different types, including film IMAX, digital IMAX, laser IMAX, and the new generation of laser IMAX, although the same IMAX family, but its audiovisual effects are actually not small differences, the relevant parameters can be seen in the following table:
As can be seen from the above figure, the resolution of film IMAX is much larger than other types, and the contrast ratio is also higher, coupled with the 1.43:1 format, making the film IMAX viewing experience extremely shocking.
Unfortunately, almost all the film IMAX projection system cinema halls in the country are located in various science and technology museums and museums, mainly for scientific and educational purposes, and are not very popular for the screening of commercial cinema films. Below is a list of various types of film dome projection systems and film projection system auditoriums across the country.
At present, the vast majority of IMAX projection systems on the market use digital IMAX, but in fact, the effect of digital IMAX is sometimes unsatisfactory, especially when watching 3D movies, due to insufficient brightness, dark picture, line polarization 3D technology also makes the picture have a smear situation.
Therefore, in order to improve the projection quality, IMAX, together with Barco and Kodak, developed laser IMAX projection technology, through the improvement of light sources, etc., so that the projection quality of IMAX is greatly improved, and even better than the film IMAX picture effect.
Laser IMAX halls generally have more than 22.8 meters wide large screens, two high-brightness 4K laser projectors, and a 12.1-channel audio system (digital IMAX is mostly 5.1), which together realize the extraordinary viewing experience of such auditoriums.
However, the number of such cinema halls in the country is also relatively limited, as follows:
It should be pointed out here that the large number of laser IMAX halls in the country is the official definition of the new generation of laser IMAX, and fans are more likely to call it laser second-generation IMAX. Compared with the laser generation, the "second generation" is slightly inferior in brightness and contrast, and the frame ratio is not the same, closer to 1.9 to 1, but the overall effect is still better than the digital IMAX.
The following figure shows the distribution of the new generation of laser IMAX cinema halls in the country (yellow is the upcoming new or upgraded cinema halls):
• Data cut-off date: September 2020
In addition to the above-mentioned cinema halls, the remaining 800 or so IMAX cinema halls in the country are digital IMAX. But it should still be pointed out that even digital IMAX has a much better viewing experience than the average screen. That's why there are so-called "Death Stars Without Watching IMAX" and "McGetologists".
If you want to make a simple order of different kinds of IMAX projection effects, it is roughly as follows:
Film IMAX > Laser IMAX > a new generation of laser IMAX > digital IMAX
Therefore, if you have the conditions, fans and friends must experience laser IMAX or even film IMAX, and that kind of movie-watching experience will definitely impress you.
IMAX also has a small advantage that it will have its own movie posters, which is very tempting for fans who are keen to collect posters.
* WeChat background reply "IMAX" to get the national IMAX hall summary table.
02 Dolby Hall & Dolby Cinema, silly is not clear
As mentioned above, at present, for cinema films, laser IMAX is the best projection system in the IMAX series, and it is Dolby Cinema that can compete with it in this regard.
Dolby's brand name "Dolby" comes from a British Doctor Ray Milton Dolby, who is an outstanding engineer and entrepreneur who founded the famous Dolby Laboratories, and has invented many technologies such as Dolby noise reduction system and Dolby surround sound system, which has had a profound impact on movie sound technology.
Before we can begin our introduction to Dolby Cinema, we first need to clarify two concepts – "Dolby Hall" and "Dolby Cinema." The audience often mistakenly equates the former with the latter, but in fact, the difference between the two is very huge.
Dolby Hall refers to the fact that this auditorium uses Dolby Atmos technology. If a movie theater is understood as an assembly machine, then Dolby Hall refers to the sound of this "assembly machine" is particularly good, using the world's top technology.
For the sake of explanation, we can one-sidedly understand Dolby Hall as: Dolby Atmos + any kind of screen. Many of the CINITY halls and LUXE halls mentioned below use Dolby Atmos technology, but none of them are Dolby Cinemas.
So what is Dolby Atmos?
In order to better understand this concept, we must first understand another concept: the sound channel.
2.0 channels: two speakers, one left and one right;
2.1 channels: two more subwoofers, these 2 speakers simplify the accent function and concentrate into the subwoofer;
4.1 channels: two front surrounds, two rear surrounds, plus a subwoofer;
5.1 channels: two front surrounds, two rear surrounds, one center surround, plus a subwoofer;
7.1 channels: two front surrounds, two side wraps, two rear wraps, one center wrap, plus a subwoofer.
When watching a movie, the central channel plays the sound of character dialogue most of the time; the front main left/right channel is used to compensate for the action and other sounds that cannot be seen outside the center of the screen or from the screen; the rear surround sound effect is responsible for the peripheral and entire background music, such as the shock of the ten thousand horses galloping, the sound of the jet roaring overhead; and the sound of the motor and bombers or the loud drums and other exciting bass sounds are handled by the subwoofer.
Dolby Atmos breaks through the traditional concept of 5.1 and 7.1 channels, which can combine the content of the film, present dynamic sound effects, more realistically create sound effects from far and near, and add speakers to the ceiling to achieve sound stage encirclement, show more sound details, and enhance the audience's viewing experience.
The number of speakers in Dolby Atmos Cinemas is usually more than 60, which is why Dolby Atmos can become the main selling point of many auditoriums.
So what exactly is a Dolby Cinema?
Dolby Cinema is Dolby's cinema integrated system solution. We can understand Dolby Cinema as: Dolby Atmos + Dolby Vision + Dolby 3D + other overall optimization of the auditorium (including but not limited to seats, walls, ceilings, viewing angles, etc.).
In addition to Dolby Atmos, another major feature of Dolby Cinema is Dolby Vision. Dolby Vision has a very powerful image quality technology that improves image quality by increasing brightness and extending dynamic range to make images more realistic from a brightness, color, or contrast perspective.
Technically, Dolby Vision is an HDR technology that provides a contrast ratio of up to 0.007 nits as dark and as bright as 4000 nits, and supports a larger color gamut to deliver brighter colors and higher quality images.
Remember what the contrast ratio of IMAX was? The contrast ratio of the laser IMAX is 8000 to 1, while Dolby Vision can achieve a staggering 1 million to 1.
Therefore, Dolby Cinema will emphasize Dolby Atmos and Dolby Vision technology in the pre-screening show, showing the audience the large number of speakers distributed in the theater and the "real black" that can only be seen here.
Therefore, if you are a fan of friends who have only seen Dolby Hall and have not really experienced Dolby Cinema, I strongly recommend that you find an opportunity to experience it, especially movies like "Godzilla 2: King of the Monsters" and "Speed King" with both visual and sound effects, which can give full play to the huge advantages of Dolby Cinema.
Another interesting feature around Dolby Cinema is that many Dolby Cinema auditoriums will decorate a dynamic audiovisual corridor outside the auditorium, and show some movie dynamic posters, which is very cool.
If the concept of the assembly machine is also understood, Dolby Cinema means that it has selected the top accessories in all aspects, and achieved the best presentation effect through pre-design, which is not limited to the improvement of sound or picture, but pursues the most extreme viewing effect as a whole.
As a result, the cost of a Dolby cinema is even higher than that of an entire average cinema.
03 CINITY - a domestic brand that can project 120 frames
After talking about the giant curtain halls abroad, let's go back to China's own giant curtain hall brand - CINITY.
In August 2019, Huaxia Film officially released the CINITY brand and the CINITY cinema system. The CINITY cinema system refers to the fusion of 4K, 3D, high brightness, high frame rate, high dynamic range, wide color gamut, immersive sound and other technologies in the field of film projection.
So CINITY is also similar to Dolby Cinema, all aspects have chosen the current top technology, the audiovisual experience is quite good, but because many times there is no exclusive film source, there is no special format, so it can not give full play to the top effect of this giant curtain hall.
Speaking of CINITY, it is natural to mention its unique skill - 120 frames.
As we all know, the playback specifications of general movies are 24 frames, that is, 24 pictures are screened in 1 second, and the highest frame rate of the current movie playback is 120 frames, and the pioneer in this regard is the master Ang Lee, who has shot two 120 frame movies.
In his words, 120 frames is a new cinematic vocabulary.
When "Twin Killers" was released, the CINITY Hall was the only cinema hall in China at that time that could screen the film in 4K, 3D, and 120 frames.
But unfortunately, "Billy Lynn's Halftime Battle" and "Twin Killers" don't seem to be the best way to appear in such a new language of the film at 120 frames.
Although the former's rating is not bad, the latter is really difficult to satisfy both word of mouth and box office.
• Twin Killers / 2019
Although the film itself is mediocre, but as far as my personal experience of 120 frames is concerned, it is indeed very shocking, the smoothness of the picture has reached an unprecedented level, and with the effect of 4K plus 3D, it makes the whole movie-watching experience very special, and it is even difficult to find the right words to describe.
It is said that Ang Lee's next work, The Battle of Manila, will still use the 120-frame specification, and although the first two explorations are not successful, it is still hoped that Ang Lee's efforts in this regard can bring a real revolution to the film.
In fact, during the Spring Festival, there is also a movie with a 120-frame screening specification, that is, "Detective Chinatown 3".
The film uses CINITY's exclusive AMR technology, which also achieves a 120-frame projection effect.
According to the official explanation, CINITY AMR technology is a shorthand for CINITY AI Master Reproduction, which means CINITY artificial intelligence master reproduction, which is the exclusive technology shared by CINITY and Frame Color Film and Television Technology. This technology is based on the three production processes of the original CINITY High Format Laboratory, and through CINITY's artificial intelligence, it focuses on color, dynamic range, brightness, resolution and frame rate to be greatly optimized, so as to bring the audience a clearer picture, smoother action, richer details, and more vivid colors.
If there are viewers who have experienced 120 frames of "Tang Detective 3" in the CINITY Hall this Year, welcome to leave a message to share your viewing experience with us.
04
Slightly chicken ribs of the CGS China giant screen
CGS China Giant Screen is also a projection system developed by the Chinese people themselves, compared to the IMAX from the pre-preparation, production to the screening of a complete set of processes of the cost of the cost, the cost of the Chinese giant screen is only about one-tenth of IMAX, so the Chinese giant screen has more advantages in the ticket price.
In terms of configuration, the hardware level of some Chinese giant screen cinema halls is actually higher than that of digital IMAX.
The Chinese giant screen has a 20x12m metal screen, using two very bright Barco 40,000 lumens digital projectors, at the same time, digital film master reprocessing technology has also brought a certain degree of optimization to the picture. On the sound system, the Chinese giant screen uses 11.1 stereo surround sound (digital IMAX uses 5.1 channels).
However, in actual experience, due to the lack of a set of strict certification standards like IMAX and Dolby, the CGS Giant Curtain Hall often has some "shrinkage" in hardware configuration.
However, it is worth mentioning that some CGS China giant curtain halls have THX certification behind them. The THX standard was developed by Lucasfilm, and unlike most international standards that have a tolerance range, THX does not have a tolerance, only a minimum requirement, which must be exceeded to qualify, to a certain extent, eliminating artificial cattiness.
05
LUXE, bright enough natural enough to taste
From the above introduction, it can be seen that the important sign of examining a giant curtain hall is that the screen is not bright enough, and in this regard, the LUXE hall has a unique advantage.
LUXE is RealD's new Premium Large Format (PLF) brand introduced in 2013. LuXE screen width is a minimum of 16 meters and requires a sound system of at least 7.1 channels.
The biggest advantage of LUXE giant screens is its high-brightness 3D projection of no less than 6FL, as well as an extremely uniform brightness distribution of giant screens.
The metal curtains on the market at present have a significant disadvantage, that is, the brightness is not uniform. The brightness of the screen directly in front of the audience is very high, but the brightness around it is very low, which leads to the best viewing effect in the entire auditorium with only the seats in the center. The LUXE giant screen improves this problem, so that all locations in the auditorium can see the picture clearly.
Audiences who often go to the theater probably have this feeling: brightness directly determines the viewing experience of 3D movies, and to some extent, its importance far exceeds the size of the screen.
LuXE hall through the 92% ultra-high reflectivity of realD ultimate screen, so that the 3D brightness to a very high standard, generally at least 12FL, better than many digital IMAX hall, a large part of the LUXE giant screen is also equipped with Dolby Atmos system. So on the whole, the viewing experience of the LUXE Giant Curtain Hall is very good.
Another point is that the 3D technology used in the LUXE hall is circularly polarized light to produce stereoscopic image projection, and the advantage is that the audience can tilt the head at will without ghosting. The line polarization 3D technology used by digital IMAX has an obvious disadvantage, that is, if the audience wears 3D glasses, if there is a tilt of the head, shaking the head and other actions, it will produce ghosting, affecting the perception.
Although LUXE does not have its own source and cannot intervene in the film production process like IMAX and Dolby to obtain better audiovisual results, this also makes LUXE Hall have more flexible scheduling options.
In 2015, Asia's first LUXE hall opened in Tianjin, and by the end of last year, there were as many as 130 LUXE halls in the country, and audiences who had not experienced it could also try it out and maybe get a different viewing experience.
06 "Non-mainstream" in the Giant Curtain Hall
In addition to the above relatively mainstream and well-known giant screen brands, there are also some niche giant screen brands, which have gradually emerged with the development of film projection systems in recent years. Although their overall recognition among the audience is not high, and their number is relatively limited, they also have advantages in some areas, and here is a brief introduction to you.
(1) PRIME AT WANDA
The giant curtain hall was imported from the United States after Wanda Film acquired AMC, the nation's largest theater line. Because PRIME has been tested for a long time in North America, it is also a relatively mature giant curtain hall.
Since its screen also uses RealD's "Ultimate Screen" technology, it also has a high reflectivity and screen brightness, coupled with the Dolby Atmos system, the viewing experience is still good. The specific parameters are as follows:
② 4DX with SCREEN X
As can be seen from the name of the cinema hall, this type of giant curtain hall has the characteristics of both 4DX and SCREEN X.
4DX mainly brings the audience more exciting experiences in addition to audio-visual through the movement of seats and the control of 4D special effects such as feng shui and mist aroma. The Screen X's 270° three-sided surround screen provides a panoramic view of the audience that expands to the left and right walls, enhancing the immersion during the movie.
These kinds of cinemas are especially suitable for watching movies with concert images, such as "Bohemian Rhapsody".
• Bohemian Rhapsody / 2018
(3) Onyx Room
The biggest selling point of the Onyx Cinema Hall is the Onyx LED movie screen launched by Samsung.
In 2018, the world's first 14-meter-wide Samsung Onyx LED movie screen was unveiled at the Beijing Capital Cinema, which in addition to the world's largest LED movie screen, is equipped with immersive sound effect DTS: X immersive sound.
Because it is an LED screen, the brightness of the screen in the Onyx auditorium does not decrease due to the size of the movie hall, and the color expression is also amazing, and there will be a feeling of watching a super big TV.
For the theater, the auditorium using this screen does not need to reserve a computer room, so that it can have more space to increase the seating of the auditorium. At the same time, the longer life of the screen and easier maintenance are also a unique advantage.
(4) StarMAX Starry Sky Dome
This kind of giant curtain hall is generally referred to as the star curtain hall, and the biggest feature is that the top and sides of the movie hall will project a starry sky picture, giving people a vast and dreamy feeling.
The Star Curtain Hall is mainly laid out in the theaters under the umbrella of Dadi, especially the theater brand orange sky Jiahe. Its projection system uses Sony 4K dual machines, the sound system is Dolby Atmos, coupled with the overall romantic atmosphere in the auditorium, especially suitable for watching some fantasy, fairy or romantic love movies.
The above is the basic introduction of the main giant curtain hall of the domestic theater line, and after everyone sees the relevant logo on the ticket purchase platform, it will probably not be so confusing.
As for how to choose the giant curtain hall, there is actually no fixed answer. Because even if it is the same giant screen brand, the expressiveness in different cinemas is also very different, or it needs to be considered comprehensively according to the characteristics of the film and personal needs. Overall, though, it's always a good idea to choose a hall with a larger screen size, greater contrast, and higher brightness.
• The Burst Drummer /2014
Like the movie, the giant curtain hall also has the same situation of "ru's honey, other arsenic", so whether it is good or not, uncomfortable, or you need to experience it yourself to know, no matter how detailed the description of others, it cannot replace your own feelings.
As a movie fan, the pursuit of a better movie viewing experience is endless, and the diverse and evolving giant screen hall exists to meet the endless pursuit of movie fans. I hope that more friends can truly immerse themselves in the film world through these giant curtain halls and get unique happiness and touch.
After all, there are some movies that are only suitable for viewing in a movie theater, aren't they?
Each period of welfare
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Leave a message and forward it to the circle of friends to say what you think of today's movie,
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"The Eleventh Time" 10 national pass movie tickets
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The second feature film directed by Chen Jianbin
Chen Jianbin, Zhou Xun, Dou Jingtong, Dapeng and Chunxia co-starred
Best Screenplay & Best Supporting Actress Award in the Main Competition of the North Film Festival
A realistic comedy about an ordinary middle-aged man
From April 2, the famous horns appeared in the laughing theater
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· THE END ·
This is the original article of "Not Scattered" No. 1442, dinner plus chicken thighs~
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The 134th issue of "The Eleventh Time" Beijing (Creator: Director Chen Jianbin)
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No. 132 "Informal Love" Chengdu
No. 131 Beijing Blind Box Viewing Group · 3
The 130th issue of "Tomorrow Will Be Good" Shenzhen + Beijing (Creator: Director Yuan Yuan)
The 129th issue of "Godzilla vs King Kong" Beijing Laser IMAX+3D (Dajiao Pavilion + Emperor 2), Shanghai IMAX+3D, Shanghai LUXE+3D, Chengdu 3D
The 128th "Persian Language Lesson" Beijing Dolby Atmos Hall + Shanghai + Shenzhen
No. 127 "21 Bridges", Shanghai CINITY
The 126th issue of "Avatar" Beijing Laser IMAX+3D, 10 cities in China IMAX ticket code
No. 125 "Legal Partner" Beijing (White Day Special)
No. 124 "Five Feet of Heaven" Beijing (Singles)
No. 123 "Little Boy" Shanghai (Main Creator: Zhu Xianliang, Senior Consultant of Bilibili, Sun Chao, General Director of documentary "Little Boy", Zhao Jinkai, Producer of Bilibili Documentary Production Center)
The 122nd issue of "The Past Is Like Yesterday" Beijing (Main Creator: Director Zhou Yangfeng, Producer Fan Hongdong)
The 121st issue of "See Nara Again" Chengdu (Main Creator: Director Pengfei) + Beijing (Premiere: Director Pengfei + Yingze) + Shanghai + Shenyang (Creator: Director Pengfei)
The 120th issue of "The Legend of the Dragon Hunt" Beijing 3D
The 119th issue of "Love My Great Wall" Beijing (Main Creator: Director Song Xianwei, Starring Yang Dong, Xie Yaxu, William Lindsay Family) + Shanghai (Director Song Xianwei, Starring Yang Dong, Dong Yaohui, William Lindsay Family)
No. 118 "Birds in the Suburbs" Beijing (Creator: Director Qiu Sheng)
The 117th issue of "Tom and Jerry" Beijing + Chengdu LUXE giant screen
No. 116 "New God List: Nezha Reborn" Shanghai + Shenzhen + Nanjing Laser IMAX
The 115th issue of "Hello, Li Huanying" Beijing + Shanghai + Guangzhou + Shenzhen + Chengdu + Nanjing + Hangzhou + Wuhan + Chongqing + Jinan
The 114th issue of "Surging Crowds" Beijing (Main Creator: Director Rao Xiaozhi) + Shanghai + Dongguan + Jinan + Hangzhou + Nanjing + Guangzhou + Shenzhen + Chengdu + Chongqing
No. 113 "Samurai Order", Dolby Hall, Beijing, Shanghai, Wuhan
The 112th issue of "Assassination of a Novelist" Beijing + Shanghai + Guangzhou + Chengdu + Shenzhen + Hangzhou + Nanjing Dolby Hall + Wuhan + Changsha + Chongqing
The 111th issue of "Detective Chinatown 3" Beijing + Shanghai + Guangzhou + Chengdu + Shenzhen + Hangzhou + Nanjing Dolby Hall + Sanya + Jinan + Suzhou
No. 110 IMAX Spring Festival file "Assassination of Novelists" and "New God List: Nezha Reborn" Ten Cities in China
The 109th issue of "Hummingbird Project" Beijing + Shanghai
The 108th issue of "Auspicious Ruyi" Beijing (main creator: director Dapeng, starring actor Liu Lu, producer Chen Zhixi) + Shanghai + Chengdu
The 107th issue of "Xiao Wei" Beijing (main creator: director Huang Zi) + Guangzhou + Shenzhen
The 106th issue of "Wuhan Day and Night" Beijing + Wuhan + Guangzhou
The 105th issue of "Conductor" Beijing (post-screening orchestra performance) + Shanghai + Chengdu
No. 104 "Soul Hunting" Beijing + Shanghai + Guangzhou
No. 103 "Send You a Little Red Flower" Beijing + Chengdu
No. 102 "Warm Hugs" Beijing + Shanghai + Guangzhou
No. 101 "Spiritual Journey" Beijing 3D
The 100th issue of "Bomb Disposal Expert 2" Beijing + Guangzhou + Nanjing + Hangzhou + Changsha
The 99th issue of Wonder Woman 1984 Wuhan Laser IMAX + Nanjing Laser IMAX + Shenzhen Dolby Hall
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The 92nd issue of "Colorful" Beijing (Creator: Director Juan, Guest Lu Zhiyu)
Issue 91 "Awesome! "Teenager" Beijing (Creator: Director Xu Huijing)
The 90th issue of "Crazy Primitive Man 2" Chengdu IMAX
The 89th issue of the "Full Moon Paris Houmai Centennial Film Exhibition" Guangzhou
The 88th issue of "Under the Sun" Beijing (Main Creator: Director Liang Ming, Producer Sun Yang, Director of Photography He Shan)
No. 87 "One Second" Beijing (Main Creators: Director Zhang Yimou, Zhang Yi, Liu Haocun)
No. 86 "Riot Fighting" Beijing Dolby Hall
No. 85 "Doomsday Escape" Beijing Dolby Hall + Shanghai
No. 84 "Water Moon in Hand" Beijing Dolby Hall
No. 83 "Sons of the Sea Beast", Beijing
The 82nd issue of "Balloons" Beijing Giant Curtain Hall + Chengdu (Main Creator: Director Wan Ma Tse-dan)
No. 81 "Winter Goes to Winter and Comes Again" Beijing (Creator: Director Xing Jian)
Issue 80 Hellboy: Rise of the Blood Queen, Beijing
No. 79 "Light", Dolby Hall, Beijing
No. 78 "Calm Wind and Waves" Beijing IMAX + Shanghai 4K + Chengdu (Main Creator: Producer Don River)
Issue 77 Digimon: The Last Evolution, Beijing
The 76th issue of "King Kong Chuan" Beijing (Main Creators: Director Guan Hu, Guo Fan, Lu Yang, starring Zhang Yi, Wu Jing, Wei Chen, Qiu Tian and other full lineups)
No. 75 "Goodbye! Teenager" Beijing + Guangzhou + Chengdu
No. 74 "Arriving Home at One Point", Beijing
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The 72nd issue of "Vanguard" Beijing 2
No. 71 "My Hometown and Me" Beijing (Creators: Ning Hao, Ge You, Zhang Zhanyi, Zhang Zixian)
No. 70 "Kikujiro's Summer", Beijing
No. 69 "Rebirth Musical" Shenzhen
The 68th issue of "Blue Line" Beijing + Shanghai + Chengdu (Main Creator: Director Liu Xin, Editor Li Nan)
The 67th issue of "Mai Luren" Beijing + Guangzhou + Shenzhen (Main Creator: Liu Yaser)
No. 66 "Dead Without Proof", Beijing
No. 65 "Creed" Beijing + Shanghai + Chengdu + Shenzhen 6 IMAX (Brand: Hamilton)
No. 64 "Little Women" Beijing + Shanghai
No. 63 "The Long Farewell" Beijing
No. 62 "Buckwheat Madness" Beijing + Shanghai (Main Creator: Director Xu Zhanxiong, Producer Fujii Shu)
Issue 61 Harry Potter and the Philosopher's Stone Beijing + Guangzhou IMAX
The 60th issue of "Eight Hundred" Beijing + Shanghai + Guangzhou + Chengdu
No. 59 "Wangza's Rain Boots", Beijing
No. 58 "1917" Beijing IMAX
No. 57 Interstellar Beijing IMAX
No. 56 "Win the Championship / Chinese Women's Volleyball Team" Beijing (Main Creator: Director Chen Kexin, Starring Bailang)
The 55th issue of "Emergency Rescue" Beijing + Shanghai + Guangzhou (Peng Yuyan, Wang Yanlin, Xin Zhilei, Lan Yingying, Wang Yutian, Xu Yang, Chen Jiale, Li Mincheng, Zhang Guoqiang, director Lin Chaoxian and other full lineups)
No. 54 "Fight for Home", Beijing
No. 53 The Lamentations of Richard Jewell, Beijing
The 52nd issue of "Bear Haunting Wild Continent" Beijing + Shanghai + Guangzhou + Chengdu (Main Creators: General Director Ding Liang, Seventh Director Shao Heqi, Xiong Da, Xiong Er, Bald Qiang)
No. 51 "Beautiful Life" Beijing + Shanghai + Guangzhou + Chengdu (4K Restoration)
No. 50 "Pampering" Beijing
No. 49 "Dear Happy New Year" Beijing + Shanghai (Main Creators: Bai Baihe, Zhang Zifeng, Wei Daxun, Screenwriter Ding Ding Zhang)
The 48th issue of "SWAT Team" Beijing (Main Creators: Ling Xiaosu, Jia Nailiang, Jin Chen, Zhang Yunlong, Liu Junxiao, Director Ding Sheng)
No. 47 "Liberation and Endgame Rescue" Beijing (Creators: Zhong Hanliang, Zhou Zhouwei, Zhong Chuxi, Wang Xun, Wang Zhen, Fu Heng, Director Li Shaohong/ Chang Xiaoyang)
No. 46 "The Professor and the Madman", Beijing
No. 45 "Di Lili's Fantasy Paris" Beijing + Shanghai (Creator: Director Michelle Oslow)
No. 44 "Half a Comedy" Beijing (Creators: Ren Suxi, Wu Yuhan, Liu Xun, Tang Min, Director Zhou Shen/Liu Lu)
No. 43 "The Man Taken by the Light", Shanghai
Issue 42 Downton Abbey Beijing + Shanghai
No. 41 Brave Game 2: Fight again at the pinnacle of Beijing + Shanghai
The 40th issue of "Interstellar Exploration" Beijing 2
No. 39 "The Party at South Railway Station" Beijing (Main Creators: Hu Ge, Gui Lunmeng, Director Diao Yinan)
Issue 38 "If I Could Ride the Waves with You" National Ticket Code
No. 37 "Sharp Blade Out of the Sheath" Beijing + Shanghai + Guangzhou + Chengdu
No. 36 "The Adventure King in the Closet" Beijing + Wuhan
The 35th issue of "Sherlock on the Plains" Beijing + Shanghai + Guangzhou + Shenzhen + Chengdu
No. 34 "Thunderbolt Baby" Beijing
The 33rd issue of "Inception" Beijing + Shanghai No. 32 "They are no longer old" Beijing
No. 31 "About Winter" Chengdu + Nanjing
No. 30 "The Pianist of the Sea" Shanghai + Chengdu (4K Restoration)
The 29th issue of "Decisive Battle of Midway" Beijing + Shanghai + Guangzhou
The 28th issue of "Six Desires" Beijing 2 (Main Creator: Director Zu Feng)
The 27th issue of "Beneficiary" Chengdu + Jinan + Shenyang (Main Creators: Dapeng, Liu Yan, Director Shen Olympic)
No. 26 "Rebirth from the Border", Beijing
No. 25 "Terminator: Dark Fate" Shanghai + Chengdu + Hangzhou + Nanjing + Wuhan (8 games in 5 cities)
The 24th issue of "Twin Killers" Beijing CINITY + Shanghai 60 frames + Guangzhou 60 frames
The 23rd issue of "The Climber" Chengdu (Main Creators: Wu Jing, Jing Bairan, Zhang Yi, Wang Jingchun, He Lin)
The 22nd issue of "Captain China" Shanghai (main creators: Zhang Hanyu, Du Jiang, Ou Hao, Yuan Quan, Gao Ge, Ya Mei, director Liu Weiqiang and other full lineups)
The 21st issue of "The Yeti", Beijing
No. 20 "Little Wish", Beijing
No. 19 "Luo Xiaohei War" Beijing
The 18th issue of "Cold BloodEd Pursuit" Beijing + Shanghai + Guangzhou + Shenzhen + Chengdu
The 17th issue of "The Mule", Beijing
The 16th issue of "Common Destiny" Beijing (Directors: Qu Jiangtao, Deng Fei)
No. 15 "Freehand Rock Climbing", Beijing
No. 14 "Desperate" Beijing (Main Creators: Dapeng, Ouhao)
The 13th issue of "Insect Story 2" Beijing + Shanghai
Issue 12 Angry Birds 2, Beijing
The 11th issue of "Heroes of Fire" Beijing + Shanghai + Guangzhou (main creators: Huang Xiaoming, Du Jiang, Ou Hao, Tan Zhuo, Yang Zi, Yin Xiaotian, Gao Ge, director Chen Guohui and other full lineup) The 10th "Future Machine City" Beijing Parent-Child Field (Main Creator: Director An Kewen / Long Ziqiao, dubbing Shi Banyu)
The 9th issue of "Nezha's Devil Boy Descending" Beijing + Shanghai + Guangzhou
Issue 8 "Invisible Child" Beijing (Creator: Thai director Isara Nadi, heroine Petty Hegley)
No. 7 "Secret Agent" Beijing (Main Creators: Wang Zhou, Zhang Rongrong)
Issue 6 Spider-Man: The Hero's Expedition, Shanghai
Issue 5 Guardianship, Beijing
Issue 4 X-Men: Dark Phoenix Shanghai + Guangzhou IMAX
No. 3 "Death Munich" Guangzhou
No. 2 Godzilla 2, Beijing
The first issue of "How to Be Home" Beijing + Shanghai
The second issue of "Qin Shi Mingyue's Vicissitudes and Seas" Beijing (Main Creator: Mao Zhongyuan)
The first issue of "Jia Ren True Colors" Beijing (Main Creator: Director Han Yang)
The first issue of "Actors Please Take Place" Beijing 2 (Creators: Director Li Shaohong, Actors Wang Sen, Zhu YanManzi)
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Not scattered public numbers and past selections