Dear friends, I haven't seen you for a long time!
Recently, due to the drama famine, "Fat Uncle" began to invest in "JAVA programming", resulting in some slow updates of articles.
The film originally planned to be recommended in October was decided to release ahead of schedule despite my ideological struggle:
<h1 class="pgc-h-arrow-right" data-track="39" > 2020 Theatrical Edition: Crayon Xiaoxin "Guild Wars!" Graffiti Kingdom and the Four Warriors"</h1>
(PS: Then you can collect it and watch it at home during the Mid-Autumn Festival or National Day.) ）
For me personally, I like the style and intention of this part very much. Although the rhythm and plot connection are a little worse, the impact is not large.
The panties and Nanako on the top were all drawn by Xiao Xin with a graffiti pen
And honestly, just looking at the poster at the time, I thought it would be a very childlike routine. Who knows is really a bit of a surprise, outside of reason.
I have to say that they are really "true love".
If I had to comment, I think this is an "adult-to-adult" children's animated film that "has the most childish style, but accompanied by the most serious intentions".
Why, are you trying to punch me?
You may wish to listen to my analysis:
PS: By the way, what I said below may involve a part of the plot, if you mind, you can go to the full version first.
<h1 class="pgc-h-arrow-right" data-track="55" >, Freedom, and Salvation</h1>
First of all, the theme of "freedom and salvation" runs through the entire theatrical version from beginning to end.
From experiencing new toys→ refusing to graffiti→ saving Kasugabe → saving the Kingdom, it's easy to see that the director expresses a desire for "freedom" in every place.
At the same time, it is ironic that children who are addicted to electronic products all day and rarely use their brains to think.
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This is also why only "Koshin" in the entire Kasuga Department can be selected as a brave, perhaps because of his "free mood". (PS: Maybe it's because of the protagonist?) ）
<h1 class="pgc-h-arrow-right" data-track="66" ></h1>
In fact, there is no absolute right or wrong in this show.
For the Defense Minister of the "Graffiti Kingdom", he was loyal to the country, just to protect his country from destruction.
But for others, his behavior of turning around and hurting others for his own purposes is not right.
And through this sharp contrast, we can see that the author believes that in this world, not everything is black and white, we must have a scale in our hearts, learn to judge, learn to think from the perspective of others, rather than being a fool.
<h1 class="pgc-h-arrow-right" data-track="75" >3. Individual interests and collective interests</h1>
First of all, in the theatrical version, Yuma, one of the brave, repeatedly tries to save his mother, but because there are more people who need to be rescued, he keeps postponing it until he finally leaves alone to save it.
Yuma leaves Xiaoxin alone to find her mother
Secondly, when the captives are rescued by Xiao Xin, it is found that the crayons that can fight against the Graffiti Kingdom have been used up. So everyone began to accuse Xiaoxin of not running out of crayons.
And when Yuma comes forward to explain that all this is "because of saving his mother", everyone begins to accuse Yuma again, feeling that he is selfish and does not put everyone's interests ahead.
Satirize the group of people who have received help from others but have never been grateful.
In fact, to be honest, even now, Fat Uncle, I have not figured out who is in front of and who is behind the author's personal interests and collective interests.
Fat Uncle I'll start by saying what I think:
When this "collective" is in a rational state, the collective interest can be taken as the object of preference.
Whenever you make a choice, remember to weigh the pros and cons first to see whether this "collective" interest is directed at the "whole" or to "some part of the collective."
If neither of the above can be achieved, then you need to consider "personal interests".
<h1 class="pgc-h-arrow-right" data-track="94" > parting and sacrifice</h1>
To say that this drama is touching, I believe that many people are in tears because of the parting and sacrifice of the warriors.
(PS: The author shows perfectly how happy the front laughs, how sad the back is.) ）
1) Nanazi
As the first warrior to leave Xiaoxin, Nanazi's departure heralded the beginning of tears.
2) Fat toot left guard door
When the fat toot left guard who always asked for "aid fees" and always sided with the "strong side", it proved the growth of Xiaoxin.
3) Overnight small panties
The number one military division in the team, the existence of the flag waving and shouting, was willing to pay for Xiao Xin's wish at the last moment.
From this, it can be seen that the author believes that if we want to overthrow or save, when we want to overcome something, something, it is necessary to sacrifice and will be separated.
<h1 class="pgc-h-arrow-right" data-track="117" > summary</h1>
Writing here, the four major points in the play have been said, and there are still some small key points left, left for everyone to find for themselves, and The fat uncle will not reveal more here.
However, the Internet for this drama is also mixed, after all, some people think that it is a funny children's film, why set so many human elements, but in the eyes of the fat uncle, it depends on how you look at it.
Discussed in this issue
Write out the top three crayon new theatrical versions in your mind and tell me why?