#Can you write the name of a movie to prove that you are old# "Tonight is starry" is Tang Guoqiang's early work, telling the story of a girl named Yang Yuxiang in the winter of 1948, on the battlefield of Huaihai, whose brother was killed by the landlord, and who unfortunately died, and she was about to hang herself and was saved by the People's Liberation Army. This lonely girl has since lived in a revolutionary family. After the battle began, Yuxiang braved artillery fire to deliver dry food to the comrades. In the fierce battle, Xiao Guo, a company communications officer, was honorably sacrificed. The telephoneman heroically accepted the task given to him by his superiors. He broke through the obstacles, finally connected the telephone line, and rushed into the enemy division headquarters, ordering the enemy division commander to talk to Commander Chen of our column. When the enemy division commander resisted, He pulled a bundle of grenades from his waist and died heroically. After Yuxiang heard the news of the sacrifice, she was grief-stricken, and the fire of the battle gradually made her stronger, and after the unfortunate sacrifice of the hygienist Xiaosun, Yuxiang decisively took over the medicine box. Since then, she has become a real warrior. In the loud sound of the military trumpet, the troops heading south gathered under the starlight, and commander Chen's voice sounded: "Many comrades-in-arms have stayed in this land, and they are like stars in the sky, forever shining on us." Yu Xiang looked at the night sky with ethereal clouds and brilliant stars, and the kind and resolute faces of her comrades-in-arms appeared in front of her eyes.
In the performance of the Battle of Huaihai, director Xie Tieli did not pursue the scene of smoke and smoke and the sound of killing, nor did he illustrate the strategic thinking and battle process, but only selected a small side of the battle, focusing on depicting the beautiful hearts and revolutionary spirit of several young soldiers, so that the film was like a magnificent lyric poem. He vigorously mobilized various means of expression in film art to excavate the deep and rich inner world of the characters and create a distinct character image. Xie Tieli is good at shooting and using poetic long-ranges filled with smoke and dusk and sunset, and skillfully combines many close-up scenes. The clever use of panoramic close-ups adds to the lyrical color of the film, and also shows the director's unique style of refining and deep.