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Zhang Xinquan: Look at the knife scar on a cowboy's face

author:Star Poetry Journal

Library in Smederevo (outer five songs)

Zhang Xinquan

Three thousand books in the Ministry of Foreign Languages

There are only two books by Chinese writers

One is Mr. Zou Difan's "Ode to Peace"

(Dear Mr. Zou has been ancient)

The other is Gidimaga's Poetry.

Two half-printed sheets with a table of contents attached to the back of the book

The administrator is like taking out the treasure

Solemnly hold the book to us

Know that we know two poets

Immediately respond with surprise and envy

She said there are too few works by Chinese writers

So our collections

Not rich yet

I appreciated her gold-like honesty

Take her actual beauty lightly

There is no doubt that it needs to be made up

I immediately asked the translator to give a solemn compliment

She has a richly educated, structured nose

And two sapphire-like eyeballs...

As I parted, I patted it

Thirty-two open Maga

And by his side

Leave a small book

Three people for the crowd. It snows here in winter

Three books were put on the shelf

It's a stove

Zhang Xinquan: Look at the knife scar on a cowboy's face

Friends

Leave a mess at the table

We stood up and said

It's time to go home

When you say this

We're actually trying to say it

Don't go tonight, accompany you

Sleep on top of your feet

It was raining lightly outside

We slowly

Wear a trench coat

If you wear it fast

I felt that I couldn't stand you any more

You come from a very tired road

You are our friend

We want to pave the way for friendship

A sofa

Talk to you, talk about poetry

Like before

Well-intentioned sarcasm and attack

Sing happy or sad songs

Then, who holds a wine bottle

Snore

Then, the window said squarely

It's dawn...

now

We all have our own nests

We never enjoyed it again

That all-nighter of joy

Leave lonely friends at the hostel

We hardened our hearts and went out

Towards home

Zhang Xinquan: Look at the knife scar on a cowboy's face

Chop wood stacks

Chopping wood stacks in the hinterland of Ailao Mountain

In the midst of great recklessness and silence

Neatly placed in front of some thatched huts

Or, between the fence-like trees

So pure and harmonious to lean together

Let you touch a kind of folk custom

A kind of calmness and self-confidence that transcends matter

Many desires are so dwarfed

Only for the straw hut to weigh itself for the fire pit

In the hinterland of Mount Ailao, the section cut out by an axe is revealed

Let me be in awe, let me despise many shallow passions

Zhang Xinquan: Look at the knife scar on a cowboy's face

Good dog

Good dogs sit at the door

Sharp eyes, airy and exuberant

The tail is a section of hard bone

Never shake

Good dogs rarely open their mouths

Even if you throw in the peach

I can't change it

Thanks for the boogie

The moon is dark and the wind is high, and good dogs are on the only way

Waiting for the miscreants. Just a string of laryngeal sounds

The uninvited guests were all over the body

Good dog walking in the courtyard dam

To the pigs that are full of food, the cattle that are resting on plowing

Conduct a courtesy visit

Take a friendly sniff and snort

Soothe the loneliness and confusion of destiny

Deport harassing roosters

Lead a few cubs and go outside the pen to bask in the sun

I've looked closely at a good dog

Alert as an eagle on a string

Angry is similar to a cheetah

The most is the silent night when the mourning disappears

The dog's eyes lit up in front of the owner's grave

There is a cold that is forced to dew into ice...

Good dog gone

I put it on my back

Placed in the center of this poem

Zhang Xinquan: Look at the knife scar on a cowboy's face

Look at the knife scar on a cowboy's face

God put his face on it

The last process

Left to earthly

A knife

That's the hardest, too

One of the most spectacular processes

Cloudy or cloudy

When the sun sprays blood

Knife down

The wound starts from the brow bone

Tuck it in the corner of your mouth

You can't make a mistake

Once special

facelift

Done in a killing fashion

A creation

Where the knife shines

Fall down Gou Ann and mediocrity

Green and black

Deep in the prairie

Knife marks hissed on the horse's back

Above life and death

shine upon

Zhang Xinquan: Look at the knife scar on a cowboy's face

Second Brother Han was gone

The news that Second Brother Han is gone

Definitely not in the newspaper

Cleaner Han Er Brother

Second brother Han who loves to whistle

Salary of 2,000, one thousand and four per month

To the second brother of Han to his country wife

A thrush nesting between branches

School bags in and out of the gatehouse

They all knew him and knew him well

Legend has it that there is a wren in the community

When he heard the whistle, he cried:

Brother Han, hello

Second Brother Han let the trash cans in the compound

Enjoy baby-level treatment

Usually wipe yourself with a rag, and spray water for bathing at festivals

When Brother Han rests, he loves to use a broom

Write a woman's name

It was written on the ground dipped in water

When the water trail dried up, Second Brother Han left

Brother Han said that rural women should not publish...

Now it's the wren

In the press release, Brother Wren said:

Brother Han is gone! Brother Han is gone!

That day, Second Brother Han leaned over

Salvage floating debris in the lake

Suddenly I fell asleep...

When lifted ashore to press the chest for rescue

Second Brother Han let out a long breath

It was long, like a whistle

Zhang Xinquan: Look at the knife scar on a cowboy's face

I and Lu Xun Literature Prize (Essay)

The first Lu Xun Literature Award called for sichuan poetry in the second half of 1997. Because of the tight time, I made a lot of phone calls in the Star Editorial Department, and I did not hesitate to verbalize, ding, and urge the poets on the other end of the phone. A week later, more than twenty volumes of poems were sent or sent.

Due to the fact that books must be used to participate in the review, and there are restrictions on the publication time, some poets have lost the opportunity because they do not have poetry collections, and some have books, but they are not within the time limit and have to give up.

Sending the poetry collection to the Creation and Creation Department, I finally "made a difference", thinking that if any of them won the award, it would not be worth my hard work.

One day, I was reading the manuscript, and an editor came to me and said, Teacher Zhang, why don't you "smash" your own book? I said, it's all frivolous stuff, it's written in a general way, and it's also free to send. The editor also said, may not be a book reluctant? Send it to try it... A few days later, on the postal road from Chengdu to Beijing, there was a thin mail, which contained my poetry collection "Birds Falling in the Folk" (later I heard that if I sent it a day later, the initial evaluation would "close").

I couldn't have imagined that the pie of "Lu Award" actually hit my head! Heavens, I am not only the collector and submitter of the Sichuan Provincial Poetry Collection, but also the only winner of the final prize in Sichuan, and now, I don't know how many topics should be on my head!

At the beginning of April 1998, I received a notice from the Chinese Writers Association that "Birds Fall on the Folk" won the poetry award of the first Lu Xun Literature Award, and invited me to attend the award ceremony at the Great Hall of the People on April 20.

So, go to the capital. That night, the finance officer came to the hotel room to hand out the bonus, and I just happened to go out. The next morning, a female financier approached me at the award ceremony, signed it, and insisted that I order money in person. At that time, the eyes of the people were in full view, the opening of the conference was imminent, and on such an occasion, it was really an obstacle to the view to order a pile of banknotes of one hundred yuan, fifty yuan, and ten yuan. I quickly told her in burnt salt Mandarin, don't order, less don't be more, you must be refunded!

At the end of the conference, the writers all took photos with the podium as the background. A foreigner (probably a reporter) saw that I was idle, so he came over and asked about the amount of the bonus repeatedly. I mysteriously told him that the amount was too great to tell you, you know, and would definitely be jealous... The mobile phone rang, and the daughter asked in Chengdu, Brother Xinquan, how much is the bonus? I replied vaguely, double digits. The daughter "sighed" and teased: "We are still waiting for the floating wealth."

After returning to Chengdu, the provincial party committee commended Mr. Wang Huo (the winner of the 4th Mao Dun Literature Award) and me in the conference room on the fourth floor of the Federation of Literature and Literature. I took a big red envelope from the head of the Propaganda Department with a cover that said 2,000 yuan (supposedly, the provincial meaning is that the bonus cannot exceed Beijing). When I held the big envelope high, there was a round of applause in the hall, even if it was awarded 200,000 yuan.

Zhang Xinquan: Look at the knife scar on a cowboy's face

Zhang Xinquan, born in 1941, a native of Fushun, Sichuan, is a special writer of Chengdu University of Literature. Winner of the first Lu Xun Literature Award and the Fifth Guo Moruo Poetry Award.

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