East Lake Review: "National Wind" meets "Winter Olympics", and "Hualiu" shows cultural self-confidence behind it

Looking forward to, looking forward to, the footsteps of the Winter Olympics are getting closer and closer, with the completion of the preparations for the event, a number of unique Chinese traditional cultural characteristics of the identification items are loved and respected by netizens, when the "national style" meets the "Winter Olympics", in the silent place to show the long-standing traditional cultural connotations, conveying the essence of open and inclusive Chinese culture, bit by bit showing the cultural self-confidence behind the "Hualiu".

In the Chinese romantic details of the Beijing Winter Olympics, abstract slides, ice and snow sports forms are skillfully integrated with seal carvings and Chinese characters, and the flexible and flowing Winter Olympic emblems are transported out; the national treasure giant panda and traditional red lanterns are slightly artistically processed, and the lifelike Winter Olympic mascots "Ice Pier" and "Snow Rongrong" are presented in front of the eyes; traditional elements such as concentric jade bi, Western Han Changxin Palace lamps, and bronze ceremonial vessels are implanted in the design of Olympic medals, tinder lamps, and tinder tables, which are breathtaking. In the design of the Olympic venues, the National Ski Jumping Center and the Shougang Ski Jumping Platform use the traditional mascot "Ruyi" and the "flying sky" and "streamer" elements in the Dunhuang murals to highlight the dynamics of sports architecture. Also noteworthy is the "national style" battle robe of the Olympic Legion, which shows Chinese romance with one stroke and one stroke under the interpretation of ink landscape paintings. The appearance of these "national style" elements makes people can't help but shout, this is the Olympic Games of Chinese, and it is a grand event with a unique Chinese flavor.

This is not the first time that "Chinese style" has been out of the circle at the Olympic games. At the closing ceremony of the 2004 Athens Olympic Games, China vividly demonstrated the historic transformation of "from the Olympic Games to the Great Wall" in the interpretation of traditional folk music "Jasmine", Chinese Kung Fu and National Peking Opera in just 8 minutes, which was intriguing and eye-catching. Looking back at the 2008 Beijing Olympic Games, the emblem with the "Seal of China" and the Olympic torch engraved with the auspicious cloud pattern are all embellished with distinct Chinese cultural colors. Traditional cultures such as Father Quao,Dunhuang Flying Sky, Movable Type Printing, Taijiquan, and the Four Great Inventions were shockingly staged in the sonorous and powerful sound of the hammer, presenting a visual and auditory feast of Chinese culture for audiences at home and abroad, and Chinese culture was interpreted and inherited in one concrete element and flexible performance after another.

In recent years, with the significant improvement of China's comprehensive national strength, Chinese culture has been able to flourish on the world stage with its unique charm and charm, and cultural exchange activities supported by Chinese culture such as "Hanfu fever", "Confucius Institute" and "Chinese Bridge" are not uncommon. The unique cultural advantages and the cultural market with great potential have made China a hot word in the international cultural industry for a time. People around the world are increasingly interested in Chinese culture, and the vitality, openness and creativity of Chinese culture are constantly improving, and they are increasingly moving to the center of the world stage, bringing new vitality and vitality to world culture.

Behind the splendid bloom of Chinese culture, there must be the rise of the cultural strength of a country and a nation, and this kind of power is the most basic, deepest and most lasting force in the development of a nation. As Zhang Yimou, director of the Winter Olympics, said in an interview, "Because of the development of the country and the improvement of its status, China has the ability to host two Olympic Games in such a recent period of time." From the 2008 Beijing Olympic Games telling the history of China's civilization in the world language for 5,000 years, to this year's Winter Olympics telling the understanding, expectations and prospects of the Chinese-type community of common destiny in the new era, from "I" to "we", from "speaking history" to "going to the future", the cultural self-confidence of the Chinese is constantly deepening and concrete in this true, three-dimensional and comprehensive display.

When culture is prosperous, the country is prosperous, and if culture is strong, the nation is strong. Without a high degree of cultural self-confidence and the prosperity of culture, there will be no great rejuvenation of the Chinese nation. If the "National Style" Winter Olympics is an important window for the world to feel the enduring Chinese culture and witness the process of China's comprehensive construction of a socialist modern power, then the positive and upward Chinese youth are a powerful force for inheriting this culture, telling this culture, and passing on this culture.

The Chinese-style Olympics will never disappoint. The romance of The Chinese flavor always makes people linger. Let us inherit the "national style", show the "national style", tell the "national style", and highlight the spirit and wind bone of the "national style" in the subtleties.