The popular masterpiece "The Witcher 3: Wild Hunt" has been released for some time, and this game has a rich plot, with many side and main quests. Today bring you an introduction to the real meaning of the Broken Flower mission shared by the player "xfhahaha", let's take a look.
Sure enough, it is a rare work of conscience, and the good intentions of some places are really difficult to understand if they do not play for two weeks
Yesterday, The Second Week finally advanced to the stage of finding Dandrian and replayed Broken Flower, which is the task of contacting 5 of Dandrian's girlfriends. I have been wondering what is the significance of arranging this task for a week. Such a lengthy and combat-free mission just to embody Dandrian's "kaleidoscope of flowers, leaves do not stick" bubble skills?!
Only when the two weeks were playing, only when the weekly eye was combined with the task of investigating the scene of the robbery of the bathhouse (the investigation would inevitably appear after "Broken Flower", that is, it was impossible to investigate the bathhouse when the weekly eye was doing "Broken Flower"), did I really understand the deep meaning of the task of "Broken Flower"
The 5 women Dandrion came into contact with had different roles and pointed to the same purpose – to rob the bathhouse vault.
Laundry women – find out what's going on in the bathhouse
Teaching Horse Trainers – Learn about mold and deal with mycotoxins in the sewers
Noble maid – borrows money to buy ships and transport treasures
Transvestite Tailor – Befriends alchemists and makes bombs
Ambassador Twin Daughters – Learn about the dead marquis and facilitate camouflage
It is really coming and going, its entry is also deep, interlocking, tightly sewn ah ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~