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"Baahubali King 2: The End" Loves the glory of the king, and loves beauty is the pesticide of the dead

For a generation of kings, it is also the most natural and righteous thing to love The Beauty of the Country or the Beauty of the Mountains, but if you meet the temperament of the people who love the Beauty More than the Love of the Country, it is also a rare emperor who is a gentleman. The Indian epic blockbuster "Baahubali 2: The End", which will be released nationwide on May 4, brings us the light of such a king who is serious about righteousness and knows cold and warm.

"Baahubali King 2: The End" Loves the glory of the king, and loves beauty is the pesticide of the dead

The epic masterpiece "Baahubali King" filmed by India, respectively, was released in the upper and lower parts, the upper part is "Baahubali King: The Beginning", the second part is this "Baahubali King 2: The End", two films, from the beginning to the end, like a cycle, let us see the love and hatred of the two generations of Baahubali kings as father and son, one is the Buddha-figure Baahubali, and the other is the adopted son Ofashiva. The two films have a huge investment, spectacular scenes, superior imagination, and in the theme of family and love, they include battlefield battles, power struggles, brothers against each other, uncles and nephews, etc., which can be described as glittering and eye-opening.

"Baahubali King 2: The End" Loves the glory of the king, and loves beauty is the pesticide of the dead

Friends who have watched "Baahubali: The Beginning" know that this is a flashback story, the story begins with the childhood of Shiva, watching him grow step by step, amazing divine power, superior intelligence, and later accidentally flying up in the waterfall to meet the immortals, knowing the beauty of the heavens, life can not be perfect. But behind this perfection, it is Shiva's rather tragic life, it turns out that as the son of the king, his father was killed by his uncle to seize power, his mother was imprisoned in the palace, and he was also saved by his father's adoptive mother, Lady Weiguo, who sacrificed his life to escape. Therefore, Shiva, who learned the truth, began to be busy staging an ancient Indian version of "Revenge of the Prince".

"Baahubali King 2: The End" Loves the glory of the king, and loves beauty is the pesticide of the dead

In Baahubali 2: The End, a great deal of space is devoted from the beginning to the struggle for power between Shiva's father, the god-like man who lives in people's memory, Baahubali, and his cousin Bahala radeva. Although in the upper part, Baahubali won the throne with the fierce battle of the Acropolis, the greedy and jealous cousin Bahiraradeva did not give up on it, so from the battle for princess Devonna to a series of provocations and reactions, the contest between the brothers for good and evil became particularly thrilling.

"Baahubali King 2: The End" Loves the glory of the king, and loves beauty is the pesticide of the dead

Here I have to say about the grand scene of "Baahubali King 2: The End", although in the previous work, it has stunned the audience's audio-visual, but this one is undoubtedly seeking various breakthroughs, the opening prayer festival, Baahubali tamed the mad elephant, and stepped on the trunk of the elephant to climb to the back of the elephant, shooting fire arrows with a giant bow, which has made people's blood veins open, and the series of jokes caused by him later pretending to be stupid and hidden next to his favorite Princess Devasana is even more interesting to relax for a moment. Later, he returned to China with the princess in a huge boat, and the sails with a body like wings flew into the sky in deformation, which was completely aesthetic and romantic that had never been seen before, and the film's enjoyment of the peak at the audiovisual level was unforgettable for a long time.

"Baahubali King 2: The End" Loves the glory of the king, and loves beauty is the pesticide of the dead

Overall, the battle scenes in Baahubali 2: The End are still the biggest highlights, including the archer CP of Baahubali and Princess Devonna, who are in the same group, although they are fighting in a long corridor of the palace of the Kingdom of Kundala, but bring a kaleidoscopic flow of beauty and heroic power. However, to see the big scene, we have to count the defense of the Kundala kingdom led by Baahubali, whether it is the fire bull rushing, or the dam releasing water, beating the barbarians who came to sneak attack to the ground, Baahubali in the thrill of the strong opening, heroic. Of course, at the end of the film, the division of justice led by Shiva to overthrow his evil uncle's siege battle, the scene is huge, all kinds of formations, weapons, equipment, and high-energy gameplay emerge in an endless stream, this blood-curdling ultimate battle is definitely dozens of times more exciting than the current popular mobile game "Glory of the King".

"Baahubali King 2: The End" Loves the glory of the king, and loves beauty is the pesticide of the dead

After the end of the whole film, we should still reflect on the gains and losses behind this magnificent story, why did Baahubali step by step towards the road of destruction when his power and prestige were in the sky, and his own divine power and brain power were in the world? The reason is only to love the country, love the people, but love the beauty more, he gave up the throne for the sake of his favorite Princess Devahina, and later was deprived of all rights, so that he left his hometown and lived a hard life, but he still could not escape the pursuit and persecution of his cousin who was jealous to the point of madness, and finally died under the knife of his most trusted old slave Katapa after being seriously injured by Wan Jian. It can be seen that most of the time, loving the country is the glory of the king, and loving the beauty even more has become a pesticide for the dead that will never be recovered.

"Baahubali King 2: The End" Loves the glory of the king, and loves beauty is the pesticide of the dead

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