Text/Jia Shangeng
The footsteps of time are moving towards spring, it is cold outside, the sky after dusk is foggy, I don't know when the sky has some light, trace the past, and find that it is the figure of the moon.
The light of the moon is hazy, the sky is dark, the small north wind is blowing without sound, pedestrians are wrapped in clothes and hurrying to walk, only the roadside urine is shining with colorful light...
In this cold night, I stood under a few bare trees, and pointed my mobile phone at the hazy light and shadow on the high ground, which was the moonlight on the side of the winter mountain, in such a moonlight, you can think back to your childhood, you can also set the future, and you can think of many things that can happen under the night sky of such a harsh northern winter, but the light is beautiful after all, no matter what I think of, I can't forget the light.
Thanks to the moonlight in the darkness, although it is a little desolate, but after all, it is full of poetry and imagination, I walked home, and my heart was suddenly full, because on this lonely night, I used my mobile phone to keep this moment, and the hazy moonlight on the blue-black sky...
About author:Jia Shangeng, male, born in 1963, senior economist, master of management from Sichuan University. He has worked in the Head Office of the Agricultural Bank of China, the Head Office of the Chinese Minmin Bank, and the Office of the Inter-ministerial Coordination Leading Group for the Reform of the Rural Financial System of the State Council. He has held management positions in a number of financial institutions. He is currently a member of the China Financial Writers Association, the Artists Association and the Musicians Association; the Shandong Writers Association, the Poetry Society, and the Prose Literature Society; the honorary chairman of the Shandong Financial Writers Association; the deputy secretary-general of the China Financial Literature and Art Society; and the editorial board member of the magazine "Zhongyuan Financial Culture". In 2014, he was rated as the first national financial system "virtue and art double Xin" literary and artistic worker by the China Financial Federation.