On the day of Lu Xun's death, he made a plaster cast and accidentally glued 20 whiskers, which is now a first-class cultural relic
Introduction: Lu Xun's real name is Zhou Shuren, a native of Shaoxing, Zhejiang, who is the founder of modern literature in China, and was once evaluated by the chairman as "the direction of Lu Xun is the direction of the new culture of the Chinese nation." However, such a great literary scholar died on October 19, 1936, and after the news of his death was learned, people from all walks of life in Shanghai came to mourn, and even college, middle and primary school students remembered Lu Xun.
When he was a teenager, Lu Xun originally had a superior family lineage, but for various reasons, his family fell into the middle of the road and had to enter society to make a living. In his youth, he went to Japan to study and aspired to become a doctor and save lives. However, after going to the Sendai Medical College in Japan, Lu Xun saw a different scene, for the Chinese people at that time, it was not enough to have a strong body, so Lu Xun abandoned the medical profession and began his literary creation.
After returning from his studies in Japan, he was hired by the Beiyang government and Peking University. Then there was the open support for the revolutionaries, and he used the pen in his hand as a gun, and wrote many articles, among his articles, there were many figures at the bottom of the feudal society at that time, just like Kong Yiji, Xiang Linyi and others that we learned when we were students. In more than ten years of Lu Xun's writing, he has gradually changed in terms of feelings, and he is also full of infinite hope for China's future.
On the day of Lu Xun's death, the sculptor Okuda Xinghua, who had come from Japan, saw Lu Xun's last face and wanted to carve a plaster face for him. With the consent of Lu Xun's family, he began to make plaster casts for him overnight. But when he tore off the plaster cast, he accidentally tore off his beard, and Okuda apricot blossom was very sorry for this, but his family did not blame him. The years are like songs, fleeting, and decades are in a flash. Today, Lu Xun's plaster face is collected in the Shanghai Museum, and when visitors watch it, they also count the beards on the face, exactly 20, and it is precisely because of Lu Xun's beard that this plaster face has become a first-class cultural relic.