Anshang Shifang is located in the village of Anshang in Shibuzi Town, Anqiu City. Located in Shifang Park in the town district, The Anshang Stone Arch was built in the ninth year of The Qing Daoguang (1829) as a festival of filial piety for the Wang clan of Ma Ruoyu's wife in The Village of Anshang. In 1992, it was designated by the Shandong Provincial Government as a provincial key cultural relics protection unit. The square is 12 meters high, 9.35 meters wide, using bas-relief, high relief, through carving, circular carving and other techniques, the content of the building is rich and colorful, immortals and beasts, customs and customs, carriage and horse characters, birds and insects, wind and clouds and water moon, only the magic of the portrait, the magic of the magic, the moving, rubbing preserved in the Palace Museum, Yangzhou craftsmen Li Keqin, Li Kejian is known as the great architect, sculptor and artist in this history, known as "the world of the stone square on the temple, every day to see the fang every day fans." In addition, the Song Dynasty sarcophagus that exists in Shifang Park is the first time in the country; the blood and tears next to Shifang Park are old and dead cypresses, which is another ironclad evidence of the Japanese army's atrocities in China; and the villages under the jurisdiction retain the traditional simple folk customs and folk customs characteristics of central Shandong, which is a valuable resource for the development of cultural landscapes and folk culture tourism.
The stone square sits on the west and faces the east, and the whole is made of a number of huge limestone blocks, with tight seams, and it is magnificent and magnificent. Its structure is divided into three parts: seat, body, and top. The square is made of 4 strips of cornerstones, and the square is composed of 4 columns, the main entrance and two side doors, and the roof of the square is a single-eaves temple. The whole building is solemn in shape, regular and symmetrical, the upper part of the stone square is engraved on both sides of the word "Holy Will", the plaque on the main building is engraved with "Festival Moving Heaven praise", "Zhenshun Liufang" letters, the inscription is "Jingbiao Yu Boy Ma Ruo Yu Wife Wang Clan Filial Piety Fang", and the inscriptions on the plaques on the second floor are "Great Qing Dao Guang Ji Ugly Years Construction".
The ingenious artists use a variety of artistic techniques such as bas-relief, high-relief, through-carving, and circular carving for different objects, with exquisite knife techniques and beautiful images. Different contents are carved in different parts, and on the east and west sides of the two middle pillars, four groups are carved with exquisite and dashing eight immortals, Wei Miao Wei Xiao, vivid and vivid, with the effect of exhaling; on the inside of it are carved two door gods, holding golden melons, standing opposite; the inner side of the base of the middle pillar is engraved with four custom paintings reflecting the social life of "farming, reading, fishing, and wood", which are vivid and full of interest in life.
There are 12 vertical ridges on the roof of the whole square, and the upper, middle and lower parts of each vertical ridge horn are carved with 1 dragon head looking up, a total of 36 dragon heads. At each end of the 3 ridges, there is a dragon with an upturned tail, and the mouth is on the ridge, which is relatively rising. In particular, in the middle of the top of the square, there is a unicorn carrying a treasure vase, which is parallel to the top of the square, and the head is held high and wants to fly.
At the bottom of the plaque on the second floor, there are also 4 images of harmonious auspicious blessings of animals and plants, such as: liu (deer) he (crane) tongchun, Taishi (lion) Shaobao, hanging seal (bee) Hou (monkey), father and son worship xiang (elephant). The carved animals come alive, are full of fun and vivid. The mountains and strange stones in the background are also treated with high reliefs, giving people a strong artistic appeal.
On the east and west sides of the two middle pillars, there is a round carved male lion, brave and strong, with different shapes, standing on the cornerstone of the base. There are many flowers and birds carved on the square, which are varied and lifelike. Above the plaque on the second floor, there are carved pictures of flowers and birds in the four seasons, all represented by high reliefs, and the lotus leaves that roll with the wind are high and protruding; the birds that inhabit the flowers are either moving or static, with different looks. On the east and west sides of the two columns, there are flowers such as peonies, magnolias, plantains, and hydrangeas; on the outside of the side columns are bas-relief wind bamboo and rain bamboo. These flowers and plants are structured rigorously and poetically.
In short, although the entire stone mill has a lot of content, it is complex but not chaotic, the primary and secondary are clear, and the arrangement is appropriate. It is not only a tall ancient building, but also an organic combination of a variety of carving techniques, which can be described as superior craftsmanship. It embodies the painstaking efforts of the previous generations of artists and shows the creative talent of the people. Although the stone mill has been eroded by more than 100 years of wind and rain, it is still a perfect artistic treasure. "There is no two squares in the world, except for Yanzhou is Anshang", this folk proverb is a praise for The Stone Fang on the Temple.