Dragon Ball's recent comics can be said to be controversial, and there are certain problems in the setting of the battle and plot, especially the recent plot content makes a wish to say that he is the first warrior in the universe, which is an insult to long-term training people. Of course, the most special thing is that the picture of the battle can be said to be out of standard, Dragon Ball Chao has always been famous for fighting, and the heavens and the earth are omnipotent. In the era of Uncle Bird, the battle scene of Dragon Ball can be described as a ceiling, and many authors have come to learn from his painting style, which shows how powerful Dragon Ball was at that time, but since Toyotaro shot, there has been no such big scene, why? Let's analyze it together.
Also a high-speed combat manga, One Punch Superman is called the Universe Level, and Dragon Ball Super is the Earth Level
Here we compare, why the battle scene of Dragon Ball Super is shrinking more and more, One Punch Superman and Dragon Ball Super are high-speed combat comics, One Punch Superman is to enhance his strength by fighting monsters, but Murata's drawing ability is very strong, he describes each person's moves to the fullest, when the two sides fight to the death, Murata amplifies the combat power infinitely, and cuts out the detailed scene after the explosion, which makes the picture of One Punch Superman instantly upgrade a notch.
So the battle screen we saw with a punch superman was very shocking, and many netizens said that this is not a cosmic level battle. It is also true that One Punch Superman has done a good enough job in this regard, and Murata's violent painting style will naturally be loved by everyone.
But Dragon Ball Super is different, especially the second work, but also the current toutaro masterpiece, from the beginning of entering the universe, it has slowly lost the violent battle picture of Dragon Ball Super, I don't know if everyone also has such a feeling, when Goku and Mara fight, Maro was originally very strong, can swallow a planet of monsters at any time, but in the end it behaved like a mentally retarded existence.
The battle scene between the two is not as intense as imagined, and Moro's combat strength should have been amplified, but under Toyotaro's painting style, both Moro and Goku have become clowns, and Toyotaro seems to pay less attention to the battle shot, but has turned to the content setting, of course, this aspect has not been particularly good. Up to now, the scene where Goku and the others and Gran fight each other, they also don't see where the strength of the universe is, and they are simply ignored, so the battle picture of Dragon Ball Super is far less than that of a punch superman, and it is considered to give face to be able to rate the earth level.
Why can't Toyotaro paint big scenes?
So why can't Toyotaro paint such a big scene? In fact, some people say that Toyotaro has been infinitely close to Uncle Bird, but his storyboard is not done well, the sense of blow is not enough, the scene is not shocking enough, the action description is too stiff, the character dynamics and camera grasp, Uncle Bird has exploded his ten streets. People who say they are close to Uncle Bird may not understand the real original manga.
Toyotaro's line use is a bit unbeatable, too restrained, can not show the speed or strength he should, coupled with his rare use of large grids to show the impact of the big scene, the battle scene can not be ignited, resulting in the overall performance of some fire, so a whole manga to look down, rarely leave an impressive shot.
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